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The Monday Poem (old)
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Fear by Charles Simic (7/10/2013)
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Very beautiful. The imagery is striking. Whilst I respect long epic poetry, the cleverness with words needed to create such feeling in a few lines is truly impressive
Wonderful imagery from such a short poem. Like Heather says I also find shorter poems to be more cleverer than the longer ones as you can create so much out of so little.
Alannah wrote: "Wonderful imagery from such a short poem. Like Heather says I also find shorter poems to be more cleverer than the longer ones as you can create so much out of so little."
One of the most famopus italian poem is "Autumn", by
Ungaretti Giuseppe. It talks about dying in WWI
Si sta come d'autunno
sugli alberi
le foglie
We stay as in Autumn
on trees
the leaves)
One of the most famopus italian poem is "Autumn", by
Ungaretti Giuseppe. It talks about dying in WWI
Si sta come d'autunno
sugli alberi
le foglie
We stay as in Autumn
on trees
the leaves)

How is Giacomo Leopardi?
Dhanaraj wrote: "@ Laura T: I loved the imagery of Giuseppe Ungaretti and the way he used it to describe the life span of a person. Recently I read few interesting things on Giuseppe Ungaretti and Giacomo Leopardi...."
Exactly the opposite of Ungaretti: the one is short and incisive, the other long and "wordy". But I love them both.
Leopardi is one of our most important - and good! - poet. From "L'Infinito" to "A Silvia" or one of his last "La ginestra" are all poems we study almost by heart in school.
Ungaretti belongs to what we call "ermetismo", a poetic trend which, as the title express itself (ermetico=obscure, inscrutable), wanted not to explain things, describe them, but just giving the hint, a glimps ... Many of his poems are extremely short; a part that I've quoted before, the most famous is
Mattina
Mi illumino d'immenso
(Something like
Morning
I Light up with immensity
- I know the translation is horrible!!!!)
Exactly the opposite of Ungaretti: the one is short and incisive, the other long and "wordy". But I love them both.
Leopardi is one of our most important - and good! - poet. From "L'Infinito" to "A Silvia" or one of his last "La ginestra" are all poems we study almost by heart in school.
Ungaretti belongs to what we call "ermetismo", a poetic trend which, as the title express itself (ermetico=obscure, inscrutable), wanted not to explain things, describe them, but just giving the hint, a glimps ... Many of his poems are extremely short; a part that I've quoted before, the most famous is
Mattina
Mi illumino d'immenso
(Something like
Morning
I Light up with immensity
- I know the translation is horrible!!!!)
Unknowing,
As one leaf passes its shudder
To another.
All at once the whole tree is trembling.
And there is no sign of the wind