Christian Fiction Devourers discussion

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Iscariot
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July Additional Group Read Discussion
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Now for the question...Havah: The Story of Eve: poetic, lyrical, lush, intimate (not in THAT way but in the way she presents God in the story). This is one of my top favorites. In terms of genre, I would describe it as speculative but well within the realm of what could have happened.
Demon: A Memoir had a different style from Havah - modern day, so not quite as lyrical in the writing style, but still very real and eye-opening.
In my opinion, Tosca Lee is definitely unique in the Christian fiction genre, quite seemingly unafraid to tackle tough subjects.

I completely agree with you. She has a very unique voice and presentation of her material, but she's not afraid to take her imagination to places where many Christian fiction writers might not be willing to go.
To the question, I agree with Beth on the lyrical and poetical. She has a lovely voice and strikes a nice balance between description and pacing. She adds a great deal of historical information and in doing so creates a very authentic feeling environment--she has a good immersion quality to her books.

Yes, it's very different Loraine. Anyone else started yet?

Ooo, yay! I'm 100 pages in, so it's my goal to finish it this weekend :)

What about you all- is it tough for you to pick up a book when you already know the outcome?

Actually, both of Tosca's previous books had that element too. With Havah - well, you know there's gonna be the Fall and with Demon: A Memoir...I mean, it features a demon, so bad things are gonna happen. But I managed to love both of those, so at least I know I'm "safe" in Tosca's hands - as safe as you can be with a story of this nature.

And I am just like you Beth- I need to "read around" the different genres to be balanced- Haha- I just read a fluff book, so now I am ready for some good ole fashioned fast paced suspense! I read Iscariot recently so I need to review it a bit more when we are all ready to dive into discussion!




It really depends on how emotional I feel about the subject matter to begin with. In the case of Iscariot, I didn't want to keep reading because I knew what would happen, but I also couldn't put it down.


So just to toss a question out there. What did you think of the opening of the novel and the trauma of him losing his father?





Secondly, it is almost entirely pure fiction: the historical background of the period however authentic (and I'm not convinced that the actual facts about the Zealots have been fully digested) has been applied to Judas Iscariot with so liberal a stretch of the imagination that one cannot think of most of the narrative as anything but imaginative fiction. The writer has not distorted Jesus Himself or His teaching, but nothing about His personal relationship with the historical Judas is solidly factual; moreover, what meagre information we DO have about Judas in the Gospel record is either underplayed or omitted entirely. That record, especially in the Fourth Gospel, gives us no warrant for thinking of Judas as any kind of idealist. There are at least two historical errors: the Sadducees are stated to have disbelieved in the resurrection of the soul, a contradiction in terms; in fact of course they disbelieved in the resurrection of the body. And none of the narratives of the Cleansing of the Temple states that the Lord applied His whip to any human beings, only to animals [p. 277].
The proofreading leaves something to be desired. I noted at least one instance of the vulgar “off of” for “from”, “different than” for “different from” [p. 288], “wrack(ed)” for “rack(ed)”, and of the equally vulgar “as (e.g. difficult) as (e.g. it is)” for “however difficult it is” or “difficult though it is”. Phillipi [p. 223] is a misspelling, but correct a page or two earlier; “paranoid” an unfortunate anachronism for “suspicious” [p. 303]; places and buildings, not people, got “razed to the ground” in antiquity [p. 279]. “to tremor” does not strike me as real English of any dialect [p. 308].
The most positive thing I have to say about this book is that if it induces some presently unacquainted with the Gospel story to get reading it as history, it will be good. Sometimes modern people suppose that the ancient world was unsophisticated compared with ours: apart from our more advanced technology, the reverse is the case.

I guess a good follow up question to this might be- how much creative license is too much to take when you are dealing with a biblical fiction piece?
I think (obviously ) I tend to be on the grace side of this one- allowing some imagination to have a little free reign. I don't doubt that Tosca might have gotten a few historical things wrong or took some free license here, but I appreciated her imagination and trying get us to think on the person of Judas and perhaps what might have caused him to make the choices he made. I do not think that anyone would read it though as more than a fictional piece. Just my thoughts.



As far as the grammatical errors, I noticed a few of those too, but honestly, I usually notice errors in most of the books I read, so I don't think that's something that is exclusive to this book.
Since the Bible doesn't really give a full view of Judas Iscariot's personality, I thought she did a good job in showing us how it "could" have been and why he did what he did.
I'm not sure that I agree with his motives in betraying Jesus either, though it was interesting.

Books mentioned in this topic
Undeniably Yours (other topics)Havah: The Story of Eve (other topics)
Demon (other topics)
Iscariot (other topics)
Here is the summary of the book from Goodreads-
In Jesus, Judas believes he has found the One—a miracle-worker. The promised Messiah and future king of the Jews, destined to overthrow Roman rule. Galvanized, Judas joins the Nazarene’s followers, ready to enact the change he has waited for all his life.
But Judas’ vision of a nation free from Roman rule is crushed by the inexplicable actions of the Nazarene himself, who will not bow to social or religious convention—who seems in the end to even turn against his own people. At last, Judas must confront the fact that the master he loves is not the liberator he hoped for, but a man bent on a drastically different agenda.
Iscariot is the story of Judas—from his tumultuous childhood and tenuous entry into a career and family life as a devout Jew, to a man known to the world as the betrayer of Jesus. But even more, it is a singular and surprising view into the life of Jesus himself that forces us all to reexamine everything we thought we knew about the most famous—and infamous—religious icons in history.
As always please preface any comment you have that might give away important plot information with a warning like
****SPOILER COMMENT*****
-so that those who have not finished reading the book will not have anything spoiled for them.
Thanks for joining in on this read- I'm anxious to hear what you all think. For our kick off question I will ask this-
For those that have read other Tosca Lee books, how would you describe her style to someone who hasn't read anything by her before?