Scandinavian Mysteries discussion
What do you like about nordic mysteries?
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Guy
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May 03, 2009 04:15PM

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Slightly OT; but I'm also enjoy Wallender on PBS; Kenneth Branaugh plays him like i'd expect him to be in real life...


For American readers, it's delightful to read a crime novel in which the police are genuinely shocked by crime! So much of our crime and police fiction absolutely takes violence for granted that they have to be especially gory or brutal to get attention. Obviously some of these Nordic novels have brutal crimes in them, too, but the police in them are often as horrified as anyone else would be. I love that the underlying question (usually unspoken, but not always) in these books is "how could this happen here?"

Yes, so true. Just finished Hakan Nesser's THE RETURN in which Inspector Van Veeteren is appalled at his own desire to flesh out bottom dwellers. As he recovers from an excision of his cancerous gut, Van Veeteren feels compelled to give a name and credible history to the headless, handless, footless corpse found by a fat little six-year old girl who'd strayed away from her daycare expedition. The crimes in THE RETURN and Helene Tursten's THE GLASS DEVIL are occasions to analyze tightly knit communities of the "how could this happen here" variety.
The other distinctively Scandinavian aspect of many of these books is their implicit dismay at the unraveling of a carefully-maintained social fabric. The obvious culprit (also expressed in many of these books) is the fading away of the cultural homogeneity of those countries, expressed by the anxiety about "foreigners" resident in Scandinavia. But ironically, it's the cultural openness of Nordic countries that makes them interesting, too! And Scandinavians themselves see opening up to the world as something that enhances their lives on the whole. But the price at home may be a weakening of the consensus about what it means to live together as both free and still responsible for each other.
The best of these novels, in my opinion, get beyond the fear of foreigners to see the basic societal problems as deeper--rooted in a kind of materialistic individualism that is almost narcissistic. Stieg Larsson's amoral, disconnected Lisbeth Salander is a postmodern foil to his Mikael Blomquist, who though modern is very moralistic in an almost old-fashioned way that evokes an older kind of Swedishness.
The best of these novels, in my opinion, get beyond the fear of foreigners to see the basic societal problems as deeper--rooted in a kind of materialistic individualism that is almost narcissistic. Stieg Larsson's amoral, disconnected Lisbeth Salander is a postmodern foil to his Mikael Blomquist, who though modern is very moralistic in an almost old-fashioned way that evokes an older kind of Swedishness.


I just re-discovered Henning Mankell, and read Steig Larsson for the first time.
Characters deal with everyday problems that have great meaning to them while solving crimes that have meaning to the rest of society.
I also like the settings - dark and cold or bright and blinding. Each building tells a story - and the inhabitants add to it. I can almost smell the coffee Mikael drinks in his backyard in The Girl With the Green Tattoo, or feel the atmosphere in Suzanne's cafe.
Just great stories -


The Redbreast
Nemesis
The Devil's Star
The Devil's Star loops back to a storyline which started in Redbreast, continues in Nemesis and then resolves itself in The Devil's Star.
Nesbø's books take place in Norway, rather than Sweden.

I've read tons of Scandinavian crime fiction in the past few years. One of my favourite autohrs is Karin Altvegen - I can't rate her too highly. Try Missing or Shadow or Betrayal. (her other translated book is Shame which I did not think quite as top-notch as the others, but still pretty good). Missing is very exciting indeed, and Betrayal really bleak and black.
Shadow is wonderful, Chekhovian almost.
I really like Hakan Nesser and Helene Tursten who are mentioned above. I've read the 4 of Nesser's and the 3 of Tursten's that are translated, and very much enjoyed them all. I love Nesser;s sense of humour.





In the meantime I have read two Ekman novels and had great difficulty with Under the Snow - thought it might have been the translation. The syntax was always slightly out of kilter. Blackwater seemed to be better, but Ekman is not the author I would run to when I need a good book.
I have also not been able to find any Jo Nesbo books in the libraries here, but have ordered them all!


I don't know Asa Larsoon.
Did you read Ekman? I really would like to know what someone else thought of her books, esp. Under the Snow.
Thanks for the tips -


I find Scandanavian fiction 'bare'. The physical and emotional landscapes in the books are wide, open. They get right to the point of the mystery or crime. And there are no wasted words. Everything lends itself to propelling the story forward. I like that economy. It means the stories roll towards the end at a ferocious speed keeping me, the reader, rolling right on with them. I don't know what I'm going to do if I ever run out of Scandanavian writers. Let's hope they don't stop writing them!

And still have a long way to go. Thanks for the advice about Nesbo. My favorite is still Semilla's Sense of Snow by Hoeg
I believe officially it goes like this
Nordic countries: Finland, Sweden, Norway, Denmark, Iceland
Scandinavian countries: Sweden, Denmark, Norway
Often the terms Nordic and Scandinavian are used interchangeably by people outside Europe but no one inside the region would do so (I got a lesson in this last year when participating in the Scandinavian reading challenge)
Nordic countries: Finland, Sweden, Norway, Denmark, Iceland
Scandinavian countries: Sweden, Denmark, Norway
Often the terms Nordic and Scandinavian are used interchangeably by people outside Europe but no one inside the region would do so (I got a lesson in this last year when participating in the Scandinavian reading challenge)