The Casual Vacancy
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Ask J.K. Rowling a Question About The Casual Vacancy
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Miky
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Jul 06, 2013 04:31AM

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Also I would like to say I grew up living and breathing Harry Potter and I would like to thank you for creating such a magical story. :)



i loved reading harry potter and wished it would never end. i was disappointed in the ending of the last movie they could have done more. It almost felt like the producers were tired of it and wanted to wrap it u as quick as possible.
i liked the way the book finished though



Thank you,
-V








JK Rowling might read my question..... how does one breathe properly?
Ok, this is tough, but...
All of the characters are pretty intense- they all have strong traits that make them stand out. Which characters (if any) were most difficult to write and why?

Similarly, I remember your saying in an earlier interview that you valued courage. I feel that Krystal and Sukhvinder are both very brave. Did you intentionally set out to make them brave, or is this part of your personal values shining through the work?





I hold J.K. Rowling in great esteem and that is why I don't know if I'll be reading her newest book soon. I feel that if I don't like it, she'll lose a bit of her "heroe" status. Hahaha

How were you inspired to write a book series, like harry Potter. When I write, towards the middle I run out of ideas. How do you come up with the title of the books you write? Do they come easily?







What would you say is your creative process when it comes to creating these four-dimensional characters?
Through The Casual Vacancy, you have brought to paper a world that is so dystopic, it's almost Orwellian. A universe where petty, bureaucratic politics seeps into the very cappillaries of everyday, common lives. Your use of strikingly stark imagery; Krystal & Fats having sex near a grave, Krystal's younger brother witnessing their copulation, young Patricia watching Maureen give a blowjob to Howard Mollison or even Sukhwinder's masochism; compel the reader to get up and pay attention. You successfully master the art of dissolving the fourth wall (much like Brecht) and force the reader to actively participate in the grand narrative of the book. The question: How important is the employment of these techniques (deliberate or otherwise) in furthering the cause of making the reader recognise the deep malaise that afflicts society today in a manner very different from normal and in doing so does it, in your opinion, enhance your (im)personal commentary of the same?




Dear Jo, as a rower, I have to ask you. Why did you choose rowing of all sports as the one for Krystal? Do you like it or was it just a random idea?
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