Wuthering Heights
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Do you think Great Gatsby was inspired by Wuthering Heights?
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Yes, I do believe that Fitzgerald most likely drew inspiration from Wuthering Heights, although I believe this doesn't take away from The Great Gatsby's credibility as a novel and indeed it serves as a reminder of recurring themes throughout the ages.
As mentioned earlier, the characters of Gatsby were not as spiteful as those in Wuthering Heights, rather they were careless and ignorant, although I feel this reflects the era and societies they respectably belonged to.
Also, I think Fitzgerald made it more accessible to the broader audience by creating a more amiable protagonist through Gatsby, which is one of the criticisms some form about Wuthering Heights.
It may also be one of the reasons the connections between the two prose are often overlooked.
Thanks again for opening up this discussion, I've been wanting to compare the pair for a long time!

In my opinion, of the 4 characters, Gatsby is most likable.


I don't think Gatsby has the depth or complexity of Wuthering Heights, but like you say, it reflects that era and class of people. Wuthering Heights was in a more brutal setting, not in the comfort of New York.



"heathcliff and catherine's love was so much deeper than the one-sided love story of Daisy and Gatsby.
I read WH many years ago, and it was one of the sublime reading experiences of my life, a straight-thru 24 hour gulp when I never put the book down to eat or do anything else, but kept reading during necessary activities. FOr me it was the ultimate love story of such inense passion, and my inner romantic young girl related. Great Gatsby is more of a social commentary, to my mind.
Someone says that of all the characters in both books, Gatsby is the most likable. I was taken aback when Nick Carraway tells Gatsby he's worth more than all of them, or words to that effect, bc I trhought he was almost as culpable as Daisy in Myrtle's death, and he hardly gave it a thought, so obsessed was he with Daisy. Hmm....now that I reflect on his obsession with Daisy, I guess he does have a lot in common with Heathcliff. I'll have to think about it more, perhaps reread WH.


I'm not saying that Fitzgerald ripped off Emily Bronte, but there are many similarities which made me stop and think. Are they worth expounding upon? Maybe not. But the fact two novels with immortal literary reputations share similarities is pretty interesting to me.

Obviously, The Great Gatsby is much later but I do wonder it might be that complete originality was not such a requisite for success like it is now.

I don't necessarily think Fitzgerald even used W.Hs as influence; the books are very different in terms of plot and themes, but the overall message is similar between them. This happens in many books though, and could even be said for something like Pride and Prejudice


I wonder why these two guys never admitted being inspired by Wuthering Heights. At least Hemingway admitted it was one of his favourite novels.

Also in Nick Carrawa..."
I don't think WH inspired TGG. I think instead both writers were using a fairly common trope: girl marries money instead of true love. So true love now pines or works or mopes about (whatever, according to the story) and tries to get girl back. Is this not a fairly common theme in romance novels? And sometimes it's the man who marries for money while the poor girl left behind mopes or schemes or works to get him back?
Nothing wrong with tropes. They're kind of like themes that one often sees in literature, TV, movies, etc. Different authors just put a different spin on them in each new incarnation.

Fitzgerald was no doubt a voracious reader who devoured all of the greats, and took influence from many of them. I'd like to think maybe subconsciously he was inspired in part by Wuthering Heights (along with Tolstoy, Dostoyevsky etc etc) and built on it his own vision and world. I do admire Fitzgerald for compacting this into what is essentially an extended short story. Sylvia Plath said it best that he chose his words in Gatsby with a "jewel cut precision".

I am curious, though. Has this ever been explored on a scholarly level?

http://www.openculture.com/2013/08/f-...

In all three stories the male lead is a charismatic, showy character who is obsessed with the female lead. She chooses another man - a boring fellow compared to the hero, and from a higher social strata - and the rejection prompts the first man to make some seriously destructive choices. The nature of those destructive choices are very different in each book, as are the settings and the personalities of the heroines.
All three leading men are Byronic heroes. Heathcliff is bitter because of his treatment as a black sheep by his adopted brother, and being rejected by Cathy when they were teenagers. Erik is bitter because people called him a monster, based on his condition, and he started to believe them. Gatsby, although he maintains a sanguine persona, is bitter because his whole life is a lie. Each man is driven by envy, and objectify their chosen woman.
Heathcliff and Gatsby both disappear for a while from the girl's life and reappear filthy rich, a worthy rival for the wealthy husband. Heathcliff is blatantly vengeful; Gatsby is driven by a childish, childlike need to recapture the past - he hates Tom but anger is not his main impetus. Erik doesn't live like a rich man, but he does get a very nice paycheck for terrorizing the opera managers, and his dazzling of Christine with his magic tricks can be compared to Gatsby's wooing Daisy with his rooms full of silk shirts.
The biggest difference is between the three young women.
Catherine is tempestuous, selfish, impulsive, and angry. She's smart enough to see injustice done to Heathcliff, but lacks the emotional maturity to comfort him or even stand up for him in any meaningful way. She is mad at the time of death. She's deep but not good.
Daisy has the opposite temperament from Cathy - airy, materialistic, childishly fascinated by every sparkling thing that crosses her path (the epigraph of the TGG, about the hopping man in the golden hat, accurately describes the way to her heart). Unlike Catherine, she's not angry - she almost seems incapable of feeling for herself; the whole confrontation in the hotel room is Tom and Gatsby ordering her what to feel, because she has no emotions of her own. But like Catherine, she is totally selfish.
And then there's the dark horse, Christine. Unlike the other two, Christine grew up poor and motherless, lost her father at a very young age, and has never been pampered or even paid much attention to. She seeks solace in her art and in her faith. She has compassion for both Erik and Raoul and wants to protect them from each other. For the whole story she thinks of those two rather than herself.
Wuthering Heights ends in madness and unforgiveness onto death. Gatsby ends with murder. Phantom ends with compassion.
And Christine's selflessness made all the difference.

Whoa, Sarah, this analysis left me open mouthed! Congratulations on your insight.
It is my opinion both Daisy and Catherine suffered of some degree from Narsisistic Personality Disorder (selfish, entitled, social status driven, with poor empathy skills - Daisy is the archetypical somatic narcissist), while Christine could be seen as an empath (compassionate, kind, caring, selfless, protective of the ones she cherishes). But this is just another "think of characters as real people, with symptoms of a disorder" approach.

Wow, thanks, Carolina! I think your diagnoses are spot-on.
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Also in Nick Carraway and Mr Lockwood.