Eragon
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Get over it.
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Matthew
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May 02, 2013 02:19PM

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EXACTLY!!!!



1. It is really, really poorly written. You might not notice if you are very young and/or haven't read much else but it's true. There are books I loved when I was in my early teens that I cringe when I reread now.
2. He wasn't just "inspired", he copied whole scenes from other stories including Star Wars, LOTR, and some David Eddings books. There are other threads where someone has done a direct comparison. When he runs back to find his farm burned down I kept expecting to hear "Uncle Owen! Aunt Beru!"
3. The only reason he got published was because his parents did it for him. And then they did a big tour where they pushed the fact that he was 15 until a real publisher noticed and they then marketed the book using his age as a selling point. If they tried to sell it to a publisher to start with, it never would have been printed.
Between us, my wife and I had well over a thousand books. When we separated that was the only one neither of us wanted and we threw it (a hardcover) in the trash.

The thing with Eragon + the other books isn't really much about how much Paolini stole, it's about how he used the ideas he took. He used them badly, he wasn't able to make them 'his'. All us artists actually 'steal' in some way. I'm currently reading the 'His Dark Materials' trilogy and the author even stated in an interview that he was inspired by everything he ever read. The huge difference is though that Pullman made the ideas his by making them a part of the world(s) he created. Paolini fails at this for some reason. He put his books together like a badly sown quilt.
Take the dragons for example.
He tried making them like they're from the Dragonriders of Pern series but they're not. The Pernese dragons are more intelligent than normal animals but they're not as intelligent as humans. They also only talk to the person they're bonded with. It's rare that a person can talk to multiple dragons. Saphira on the other hand talks like a human, has emotions like a human but is pretty dumb. When you read her chapters you even see how dumb she really is. She also talks to anyone she's willing to.
Also, another thing. Paolini actually had bad luck that his first book got published in the state it was in. Why is it bad luck?
Oh gawd. Where do I even start?
Usually when you write a book you don't take the very first draft of it. You rewrite it, look for flaws, have test readers who point out flaws as well. If Paolini had anyone to work with him there wouldn't be this overload of purple prose.
Paolini's books are actually the prime example on how not to write a book. You can't just ignore that. If anyone would ask me about what book to recommend when it comes to bad example for published books I'd say Eragon any day. The traditional way of publishing has things like the publisher actually taking a critical look at the script before even considering publishing it. Paolini bypassed all these steps and it cost him dearly. That the author wasn't happy with many of the things in his first book are actually clear because he suddenly changes things like the magic system and so on.
That's tough.
Also, @Perenelle
You could just google all of that if you were really interested. I did some searching myself and came across this stuff:
http://antishurtugal.livejournal.com/...
Unfortunately I can't access the website that listed A LOT of books Paolini took things from. That one even included a copy of the infamous bridge scene Paolini stole from The Ruby Knight.
The link is here anyway:
http://telpenori.blogspot.com/2007/02...
Btw, the bridge scene is a nice example of how Paolini took something that didn't fit:
In The Ruby Knight characters in this scene are church knights and some followers, among the son of the main character's page. That's Talen btw. When they come to that bridge some guy there wants them to pay a toll. So far so good. Why don't they just run him over? They're church knights and they can't just run an innocent person over, even if he takes advantage. That Talen cuts his purse is sort of a comic relief in this scene because the main plot is super serious.
The same scene in Eragon:
Some guy wants them to pay a toll to cross the river at a shallow place. Brom pays and then cuts the purse. Derp. In this scenario however, they could have easily refused, run him over (they were on horses after all!) and be gone. But nope. Paolini played this scene for the lols because he enjoyed it in The Ruby Knight. It also felt weird because Brom was supposely some kind of honorable storyteller pseudo knight jedi guy so cutting the purse of a man doesn't fit in with his character.
So yeah. Paolini ruined everything by copying things like this. There are times his characters are behaving like a different person because Paolini made them follow the plot rather than act.
I'm a bit of a hobby author myself and I know if you try to push your characters too much they will become... well, not characters but more like puppets. Eragon is a puppet. He does what the plot demands. When I write something and I see that the way I planned the plot doesn't go well with the characters - well I just change the thing! That's not so hard. Appearently for Paolini it was hard.

This is not a reason to like a book. You can like the book as much as you like. I believe its substandard. If it were written by a twenty, thirty, or forty year old it would be substandard. Being written by a teenager does not change that it is, in my opinion, substandard.


I think the story in general is okay but the writing (like most of you have pointed out) can't reach the level it's supposed to have. I think the older you get, the more you will probably start disliking the series because your experience with books (which are hopefully better written) will grow :)
Those who defend this book because it's a 'homage' need to learn the difference between a homage and straight out plagiarism

thanks for the tip (Mr. thesaurus can be both your best friend and your worst enemy).I'll remember that
I read the first two or three books but stopped before I got to BRISINGR and just haven't had the chance to start reading them again. Should I bother or not?

If the Inheritance Cycle had been a copyright infringement, then the authors/owners of the things he copied would have gone after him. But they didn't, and the series is still popular. Just saying.
*pops out*

YES! FINALLY!

But if you think it rips off Lord of the Rings, you're a total a-hole!! ;)

My opinion on the matter is this-
I enjoyed that books,
I don't give a sh** if the ideas were taken from somewhere else, they were all jumbled together and put under the name ERAGON. I enjoyed those ideas before and I enjoyed them again.
It's all the same to me.

I couldn't agree more. You are absolutely correct and stated my feelings exactly. I don't care about the copying of material either. It was and is obvious that Paolini is still very under developed in his writing skills.

Just because you don't care about the terrible writing does not mean the writing is not terrible. We are not slagging these books off because its fun , we do it because it inspired such strong negative feelings in us. I for one wish that the people who love these books could at least admit they are shit, even if that does not matter to them




I like this book. I have also read the Lord of the Rings and it is a little like it but, the Lord of the Rings was good soooooo. . .

I love this books!
They make my love for dragons diaper!

I love this books!
They make my love for dragons diaper!"
You love Dragon diapers?


You mean real fans discussions like this one? If the topic is "get over the so-called plagiarism you Eragon-mocking pieces of shit", I would assume it's a discussion between fans and haters, not just for fans. Just saying.

Used to love this series, but after people pointed out some stuff...really. I read some WAY better written books, and these books have poor quality writing.
I liked them. Waited a long time for them to be finished. I also love STAR WARS! And Lord of the Rings.

You know what Casey? If This is one of the first 'big books' you read when you were a kid, then it is a world you'd love to live in. But now? I'm all grown up, I've read and loved other books. And now, while I still love Eragon, I'm annoyed with Paolini because, even if you point out all the plagerised bits and tell me where they came from, I'll never be able to read those books (the ones Paolini stole from) with the same open mind that I otherwise might have. :( They'll always be tainted by Eragon.


You are essentially asking the man to re-read Eragon to answer you..."
http://aydee.wordpress.com/2006/12/17...
Just by reading the stuff under the title "inspiration versus theft" will give you some idea. (I don't however quite buy into the idea of the name Eragon being taken from Aragorn, because it's so clear that it's dragon with an E... which also isn't exactly very imaginative) Then you should read this comment from Samantha I found in the thread "officially against Paolini":
'Sorry to disappoint you, but I believe there was a scene in Eragon taken almost directly from another one. I believe there's a scene where Brom and Eragon are walking over a bridge, someone gross stops them and forces them to pay, and Brom steals his money after paying him. I can't find this source again, but I have seen it, and I was amazed he got away with it.
After a bit more searching, I found the scene I was talking about.
The Anora River flowed between them and the town, spanned by a stout bridge. As they approached it, a greasy man stepped (out) from behind a bush and barred their way. His shirt was too short and his dirty stomach spilled over a rope belt. Behind his cracked lips, his teeth looked like crumbling tombstones.
“You c’n stop right there. This’s my bridge. Gotta pay t’ get over.”
“How much?” asked Brom in a resigned voice. He pulled out a pouch and the bridge keeper brightened.
“Five crowns” he said, pulling his lips into a broad smile.
Eragon’s temper flared at the exorbitant price, and he started to complain hotly, but Brom silenced him with a quick look. The coins were wordlessly handed over. The man put them into a sack hanging from his belt.
“Thank’ee much” he said in a mocking tone and stood out of the way.
As Brom stepped forward, he stumbled and caught the bridge keeper’s arm to support himself.
“Watch y’re step” snarled the grimy man sidling away.
“Sorry” apologised Brom, and continued over the bridge with Eragon.
“Why didn’t you haggle? He skinned you alive!” exclaimed Eragon. He probably doesn’t even own the bridge.”
“Probably” agreed Brom.
“Then why pay him?” Because you can’t argue with all the fools in the world. It’s easier to let them have their way, then trick them when they’re not paying attention.” Brom opened his hand, and a pile of coins glinted in the sun.
“You cut his purse!” said Eragon incredulously. Brom pocketed the money with a wink. There was a sudden howl of anguish from the other side of the river. “I’d say our friend has just discovered his loss.”
Now compare it with the original (and much better written) passage from the 3rd chapter of The Ruby Knight. Our hero Sparhawk tries to cross the bridge with his traveling companions, the young boy Talen among them.
Beside the ford stood a small hut. The man who owned it was a sharped eyed fellow in a green tunic who demanded a toll to cross. Rather than argue with him, Sparhawk paid what he asked. “Tell me neighbour,” he asked when the transaction was completed “how far is the Pelosian border?”
“About five leagues” the sharp eyed man replied. “If you move along, you should reach it by afternoon.”
They splashed on across the ford. When they reached the other side, Talen rode up to Sparhawk. Here’s your money back,” the young boy said, handing over several coins.
Sparhawk gave him a startled look.
“I don’t object to paying a toll to cross a bridge” Talen sniffed. “After all, someone had to go to the expense of building it. That fellow was just taking advantage of a natural shallow place in the river. It didn’t cost him anything, so why should he make a profit from it?
“You cut his purse, then?”
“Naturally.”
“And there was more in it than just my coins?”
“A bit. Let’s call it my fee for recovering your money. After all, I deserve a profit too, don’t I?”
“You’re incorrigible.”
“I needed the practice.”
From the other side of the river came a howl of anguish.
“I’d say he just discovered his loss” observed Sparhawk.
“It does sort of sound that way, doesn’t it? '

We don't like cheaters. We don't like undeserved success. We don't like nepotism. We have an innate suspicion of privilege, and conversely, a natural enthusiasm for people who rise up of their own accord to achieve hard-won success.
So it is only natural that people who criticize Paolini's books, do so with especial fervor. He isn't just a terrible writer who managed to get published (which is bad enough). He also blatantly steals wholesale from his "influences", taking the results of their hard work, and using it freely. He never earns anything.
Paolini is a cheat. A con. He's Paris Hilton. He's Mili Vanilli. He's the pseudo-intellectual grad student who can't think for himself. The pretentious artist who feigns depth. The middle-manager who nicks his subordinates ideas and passes them off as his own.
The question that always baffles me is: Why do people defend him? How do you justify his actions to yourselves? I understand that you somehow enjoyed reading the books, but don't you feel the least bit duped when you see evidence of his theft?
Imagine the most challenging accomplishment you've managed in your life. It could be a song, some art, an amazing party, an invention. A joke, or an anecdote. Something you feel proud of. Something that is yours, alone.
Now imagine someone walking in, taking all the credit for it, and becoming renowned for it. Your parents tell you he's a genius and that you should be more like him. Your significant other goes on and on about how talented he is. All the while, he's done NOTHING to deserve this acclaim.
That is what he represents. He's that guy. That twisting hatred in your guts at the injustice of it all... that's how people feel about Paolini.

The thing with Eragon + the other books isn't really much about how much Paolini stole, it's about how he used the ideas he took. He used them badly, he w..."
Thanks for bring up “Dragonriders of Pern”. I've never heard of it before and am looking forward to reading them now!