Goodreads Authors/Readers discussion
Fantasy
>
Are heroes of fantasy any different from those of other genres?
date
newest »

message 51:
by
Vanessa Eden
(new)
Aug 21, 2013 02:37AM

reply
|
flag


actually Bilbo and Frodo were brave but not in the classical brawny sense...but of will and mind. That to me was a breakthrough for what a hero was and what a hero could be.

Yes. And that is exactly what I would like to define. I understand that the fantasy genre is very widespread, that there are a plethora of sub-genres. Some do not even have heroic characters. But in the traditional sense, what makes a hero heroic? I believe it's more than overcoming the physical obstacles in a tale.


Thus, Frodo and Gollum (in LOTR) are protagonist and antagonist; the work is focused on them even when it wanders far away into Gondor or Aragorn's doings. Aragorn may be the hero, but he's not the protagonist.

Hell, I think I'm doing a terrible job articulating what I mean, but here it is: In fantasy the hero tends to be less conflicted with the issues and faults of contemporary heroes; everything seems much simpler, more black and white. Contemporary heroes are just more grey.
There are, of course, many exceptions, so maybe I'm just wrong, wrong, wrong.
At any rate, that's what I think.
Also, always give me a conflicted, morally challenged hero who was to redeem himself or herself. Way more interesting than Dorkins, the poor boy who becomes a master magician without ever losing his moral compass or saying something mean to a friend.




So true. I used to write paranormal romance under the name Lynn Bailey and it's tough to write a hero who is heroic but not a jerk. Some romance heroes would make me run a mile in the other direction.


I know I'm generalizing, but most often the heroes in fantasy are that perfect. Usually, the nice village boy who grows up to be awesome. And sometimes I like that, but only sometimes.
C.M.J.
I'm like you, when I write heroes I make them as deeply flawed as I can. But I'm totally into redemption stories; they're my favorite.


Either way, there's enough to use, if it's used well. But still, many readers just prefer their world-beater heroes to find all their problems from that outside, while others insist the hero have at least as many flaws as real people.

Either way, there's enough to use, if it's used well. But still, many readers just prefer their world-beater heroes to find all their problems from that outside, while others insist the hero have at least as many flaws as real people.


A well-written protagonist in any story is one that the reader can either identify or sympathize with. The odds must be believable. The choices the hero makes must be rational and follow his character. In other words, character development must be present. I believe that a well-wrought hero is one that deals with both internal and external conflict. e.g. - While the hero is fighting a foe, that person may be questioning his/her own morality. We root for our protagonists the more they overcome obstacles both on the outside and in their personal lives.
Therefore, a hero in the fantasy genre is one who combats external opposition of fantastic proportions, but all the while deals with down-to-earth human-like problems. There is a larger gap between the juxtaposed realities of internal and external conflict, and it is a prospect the writer deals with without realizing it much of the time. Fantasy heroes may be aided by magical weapons or supernatural powers, but his/her heart and soul still belong to the characteristic of our human world.
Those are my thoughts for the moment.
Books mentioned in this topic
The Fellowship of the Ring (other topics)A Humble Heart (other topics)
A Humble Heart (other topics)