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Question about using Dragon to write With...
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Stephen
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Apr 02, 2013 12:45PM

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I find my fingers slow my brain down enough to pay attention
:)






Mind if I comment? I've been using the free app of Dragon on my IPad, and yes it is a PIA. However, if you're like me and still use a pen & paper first before stuffing it into the computer, it has it's uses.
I don't think that I would bother with spending a lot of money, if you can get a hold of a free app you can test it out to see how well it works for you.

You'll have to weight the cost/benefits. It'll be worth it if that's the ideal way for you to initially tell the story - just to get it out.
Otherwise, I think it's the laziest idea I've heard in a while (if it's just to avoid the labor of typing) and it gave me a scary thought - considering how many awful books are self-published, imagine a time when people (amateurs) just record a story into a digital voice recorder in one take and publish it as an audio-book. {shudder}
They're essentially doing the written equivalent now with self-publishing ebooks.
(I know I'm straying off-topic but that's my pet peeve of the month - people who don't care to make sure their writing is fit for print.)

Here's what it does http://www.apple.com/ios/siri/

Your vision of otherwise illiterate idjits writing stories with voice recognition software reminds me of the Borges story, "The Library of Babel." Elsewhere, in non-fiction, the internet is increasingly being filled with content mill drivel, making it harder to find actual, useful information.


I broke my wrist last year so had no better choice than to try it. It was great when it worked but had a lot of bugs. Upgraded to latest version a few months ago, and I love it. It suits the way I work, which is writing first drafts longhand, then transcribing and editing. Saves a ton of time, even when you factor in corrections.

Also, it made me start summarizing action like crazy, instead of making precise word choices.
but that's just me. Others might find it helpful.

Though Dragon only writes what you teach it, so you have to speak all of the punctuation and paragraph marks, as well as speak clearly and loudly.
I find that dictating to Dragon makes me really read what I am saying. For short stories or small documents, it's pretty nice to have.
Just an FYI though, Dragon does not understand humor, or any other emotion, so read as if you were mono-tonal and have no personality.
Hi everyone. I use Dragon to "write." I have service-connected injuries (Afghanistan) that prevents me from typing so I just speak into my microphone and let the computer do the typing for me. I'm not going to let a little disability slow me down.

This chat had enforced my belief that I do not need a Dragon in my life at the moment.

The thing is, the same errors don't occur for everyone, but errors will occur. The editing of the typos of even a short story written with Dragon would be daunting.
I would not do it.

So I tried Dragon. Didn't work for me. For one thing, it kept stopping to ask a question while I went ahead speaking with my eyes closed. Thankfully I was making a back-up recording on separate equipment. The copy was a mess and I never did bother to correct it.
I still tell myself one day I will try using a compatible digital recorder, then babysitting it while Dragon transcribes from the recording, but whew, that's a lot of work. I've just been writing strictly at my trusty keyboard, 100 wpm. Probably should close my eyes! ;-)


I'm not a home at the moment but when I normally write there I invested in a good keyboard (Razer) with individual switches for each key, and typing is an absolute pleasure because the typing stroke is much shorter and lighter.


*s*
I've been typing since I was 13 (60 years now) and the vast majority of my novels and novellas have been written from brain to fingertips to keyboard to screen pixels.
However, as I usually read while watching television or a DVD, I sometimes also work on a book in progress instead. I've been doing that recently with episodes of Inspector Morse and Inspector Lewis.
Rather than fooling around with transferring the file to my laptop or tablet and then trying to type on the kitchen table, I write by hand. In a 90-minute episode, depending on how hooked I get on the story and how much Mike the Manly Muse (I write MM romances) inspires me, I can get 400-900 words down.
It doesn't take that long to type them up, tweaking as I go. So it's a method that works for me.
Just my USD .02.
Eric-the-ever-pennies-offering


Nothing by 2 fingers (okay...thumb is space bar). However, I am brutal on keyboards. Looking to steam punk the keyboard from a Remington onto my iMac! Tried Dragon once...years back. If you love autocorrect on your phone, you will love Dragon!

Here's a link to an article from the British Medical Journal, March 11, 1911, on the treatment of rheumatoid arthritis with dilute phosphoric acid and phosphates. You might find it interesting to read.
http://www.ncbi.nlm.nih.gov/pmc/artic...

I don’t have rheumatoid arthritis; I have osteoarthritis. It isn’t really bad, but it causes my hand to cramp up if I write more than one line. The first line will look fair, albeit somewhat shaky. By the third line my writing degenerates into what looks like some kind of hieroglyphics. Unreadable. But I do so much typing—which I can do without triggering arthritic symptoms—that it has become second nature to me.

It's useless for fiction with a lot of dialog. It will get it down but you'll have to go back and put in all the quote marks and all the nuances of real human speech because it will just butcher anything you try to say that would sound like an actual conversation sounds.
What it's useful for is non-fiction and exposition. You can use it for your blog posts, emails, articles, etc. I also use it for my fiction templates. I don't outline. Instead, I lay out my blank chapters and then I go down through them and lay out key points, thoughts, notes and memory jogs chapter by chapter with it. Once that's done, I turn to the keyboard to fill in the story.

Before you start actually writing you figure out how many chapters there are going to be (with or without chapter names, whatever your preference is). Then you go through all the chapters and jot down notes about the content for each one.
Then you go back to the beginning...or whichever chapter strikes your fancy, if you happen to write non-linearly, as I do...and start filling in the words to make that chapter happen.
Are you sure this isn't outlining?
And this is, by the way, just some gentle teasing. No offense was intended and I hope none is taken.
Eric-the-ever-teasing

It sounds as if it would have to be supplemented with macros and autocorrect. This could explain why Cormac McCarthy omits punctuation.

Sounds like you're making the best of the situation, G. I'm planning on trying Dragon eventually and using macros to do corrections, or turning the m/s over to an editor to sweep up the Dragon poop. In the meantime, I'm managing the rheumatoid arthritis with NaH2PO4 and Na2HPO4 so I don't have to take NSAIDs.

Interesting. I never heard of that application for those chemicals. I’m not allowed to take NSAIDs because of the danger of a bleeding stomach ulcer (I had one about a year ago that required transfusions of 7 units [read: pints] of blood). My doctor put me on hydrocodone. Fortunately, I do not have an addictive personality (it’s some kind of gene, I believe), as I took huge amounts of it—as much as 70 mg per day—when I had a serious back problem in 2010. When I went cold turkey after the back improved, I never missed the HC at all.

Interesting. I never heard of that application for those chemicals...I had a serious back problem in 2010. When I went cold turkey after the back improved, I never missed the HC at all..."
Lucky! I had a relative with "the gene." Oddly, HC was the only drug she never abused, even though she took it for long periods. Blood chemistry varies with the drug and the person taking it.
An early analgesic, a morphine substitute, was synthesized by a team of three German researchers. They tested it on themselves, and not one of them became addicted. The drug was heroin.

http://www.telegraph.co.uk/news/scien...
It argues that typing with one hand can improve the quality of your writing because it makes you slow down and think about what you are writing. Maybe, just maybe, there is a trade-off to be made between the speed at which we can type and the quality of our writing. Faster isn't always best.

http://www.telegraph.co.uk/news/scien......"
It's an academic article, so of course "better" is taken as indicating more academic, which usually means "more high-flown," harder to understand, unnecessarily grandiloquent. "Worse" supposedly = less complicated and with a narrower vocabulary. I can give my opinion of this study with two one-syllable words. I shall type them two handed. But not here.

Huh! I thought you were supposed to think about what your were writing before you start writing it.

Huh! I thought you were supposed to think about what your were writing before you start writing it. t..."
Most people don't think before speaking; why would they think before writing?

Why? Because writing is a totally different endeavor than talking to someone. I agree with your first clause. I disagree with the implied meaning of your second clause. I cannot be the only writer who thinks before writing. Maybe that’s the difference between good writers and poor writers. (And I don’t type fast—as touch typists go—I put down perhaps 30 words per minute. Plus, I make so many typos that I have to copy edit as I go along.)

Huh! I thought you were su..."
Actually I do think before I speak. That's why I'm not much of a conversationalist. :)
But as for writing, I do think through every sentence and paragraph before and during typing. And since I write linearly, I can't create chapters in advance.



http://www.telegraph.co.uk/news/scien......"
If I'm writing longhand, "faster" means "harder to decipher later."
If I'm typing, the faster I can type, the faster I can turn out a book--if I'm sure about what I'm typing. Typing tutorials advise you alternate typing for speed and typing for accuracy to improve your overall speed.
Of course, that assumes I have a strong idea of what I'm going to write. Typing skill does nothing when you change your mind five times about which way a sentence is going.

I've tried Dragon off and on; either it couldn't hear what I was saying, or it heard my breathing and tried to transcribe it. And after I'd dictate to it a while, it would start dropping the spaces as it put them into the word processor. And while I can babble to myself nonstop almost anytime, stick a mic in front of me and the words suddenly dry up (no, I don't have a problem with public speaking, only having the every blunder and nuance of my voice being captured for possible later dissection and ridicule).

Why? Because writing is a totally different endeavor than talking to someone. I agree with your first clau..."
"If you look, you might not leap."
Many writers use "type something, anything" rules to force themselves to knock out a first draft, often with the stipulation that they can't stop typing or even go back to correct typos. It's a defense against the internal editor rising up and nipping your little literary rose off before it even buds.

I heard a commentator on NPR years ago, when Dragon first introduced its voice transcription program. She had tried out the software, and while she was speaking, her dog barked repeatedly in the background. Upon reading the transcription, she was disgusted with the results. Her words were nonsense, and the dog's words were unadulterated poetry. Now she was jealous of the dog's literary prowess!
;-)
Obviously, Dragon software and others of its ilk have improved exponentially since then!