203 books
—
8 voters
Iconography Books
Showing 1-50 of 347
The Meaning of Icons (Paperback)
by (shelved 7 times as iconography)
avg rating 4.28 — 94 ratings — published 1952
Theology Of The Icon (Vol. 1)
by (shelved 6 times as iconography)
avg rating 4.45 — 99 ratings — published 1978
Meaning in the Visual Arts (Paperback)
by (shelved 6 times as iconography)
avg rating 4.12 — 690 ratings — published 1955
Iconostasis (Paperback)
by (shelved 5 times as iconography)
avg rating 4.26 — 219 ratings — published 1922
On the Holy Icons (Paperback)
by (shelved 4 times as iconography)
avg rating 4.32 — 117 ratings — published 1981
Icons and Saints of the Eastern Orthodox Church (A Guide to Imagery)
by (shelved 4 times as iconography)
avg rating 4.30 — 138 ratings — published 2004
The Art of the Icon: A Theology of Beauty (Paperback)
by (shelved 4 times as iconography)
avg rating 4.51 — 85 ratings — published 1970
The Art of Seeing: Paradox and Perception in Orthodox Iconography (Contemporary Christian Thought Series Book 25)
by (shelved 4 times as iconography)
avg rating 4.67 — 12 ratings — published 2014
Sacred Doorways: A Beginner's Guide to Icons (Paperback)
by (shelved 4 times as iconography)
avg rating 3.87 — 89 ratings — published 2001
The Icon: Window on the Kingdom (Paperback)
by (shelved 3 times as iconography)
avg rating 3.83 — 29 ratings — published 1991
The Art of Seeing: Paradox and Perception in Orthodox Iconography (Paperback)
by (shelved 3 times as iconography)
avg rating 4.79 — 19 ratings — published
The Rublev Trinity: The Icon of the Trinity by the Monk-painter Andrei Rublev (Hardcover)
by (shelved 3 times as iconography)
avg rating 4.37 — 38 ratings — published 1994
Techniques of Icon and Wall Painting: Egg Tempera, Fresco, Secco (Hardcover)
by (shelved 3 times as iconography)
avg rating 4.78 — 23 ratings — published 2011
Icon as Communion: The Ideals and Compositional Principles of Icon Painting (Paperback)
by (shelved 3 times as iconography)
avg rating 4.64 — 22 ratings — published 2011
The Mystical Language of Icons (Hardcover)
by (shelved 3 times as iconography)
avg rating 4.10 — 92 ratings — published 2000
A Brush with God: An Icon Workbook (Paperback)
by (shelved 3 times as iconography)
avg rating 4.22 — 58 ratings — published 2005
Behold the Beauty of the Lord: Praying with Icons (Paperback)
by (shelved 3 times as iconography)
avg rating 4.17 — 383 ratings — published 1986
The Icon As Scripture (Kindle Edition)
by (shelved 2 times as iconography)
avg rating 4.00 — 9 ratings — published 1997
The Orthodox Veneration of Mary The Birthgiver of God (Paperback)
by (shelved 2 times as iconography)
avg rating 4.49 — 562 ratings — published 1961
Metamorphoses (Paperback)
by (shelved 2 times as iconography)
avg rating 4.10 — 80,154 ratings — published 8
Icons in the Modern World: Beauty, Spirit, Matter (Paperback)
by (shelved 2 times as iconography)
avg rating 4.73 — 15 ratings — published 2014
Icons and the Name of God (Paperback)
by (shelved 2 times as iconography)
avg rating 4.05 — 19 ratings — published 2000
The Painter's Manual of Dionysius of Fourna (Paperback)
by (shelved 2 times as iconography)
avg rating 4.57 — 14 ratings — published 1974
The Icon Handbook: A Guide to Understanding Icons and the Liturgy Symbols and Practices of the Russian Orthodox Church (Paperback)
by (shelved 2 times as iconography)
avg rating 3.50 — 4 ratings — published 1995
Recovering the Icon: The Life & Works of Leonid Ouspensky (Hardcover)
by (shelved 2 times as iconography)
avg rating 4.00 — 2 ratings — published 2008
Heroes of the Icon (Paperback)
by (shelved 2 times as iconography)
avg rating 3.00 — 1 rating — published 1998
The Mystery of Art: Becoming an Artist in the Image of God (Kindle Edition)
by (shelved 2 times as iconography)
avg rating 4.34 — 82 ratings — published 2014
Praying With Icons (Paperback)
by (shelved 2 times as iconography)
avg rating 4.10 — 174 ratings — published 1997
A History of Icon Painting (Hardcover)
by (shelved 2 times as iconography)
avg rating 4.38 — 24 ratings — published 2005
Orthodox Iconography (Paperback)
by (shelved 2 times as iconography)
avg rating 3.88 — 8 ratings — published 1977
Christian Iconography: A Study of Its Origins (A.W. Mellon Lectures in the Fine Arts, Bollingen Series, 35, 10)
by (shelved 2 times as iconography)
avg rating 3.81 — 36 ratings — published 1969
The Illuminated Gospel of St Matthew : Iconographic Calligraphy and Illuminations in the Byzantine Slavic Tradition (Hardcover)
by (shelved 2 times as iconography)
avg rating 4.75 — 4 ratings — published 1993
Frankenstein: The 1818 Text (Paperback)
by (shelved 2 times as iconography)
avg rating 3.92 — 1,976,700 ratings — published 1818
The Iliad (Hardcover)
by (shelved 2 times as iconography)
avg rating 3.94 — 528,083 ratings — published -750
Paradise Lost (Paperback)
by (shelved 2 times as iconography)
avg rating 3.86 — 186,914 ratings — published 1667
The Sorrows of Young Werther (Paperback)
by (shelved 2 times as iconography)
avg rating 3.70 — 161,366 ratings — published 1774
The Odyssey (Paperback)
by (shelved 2 times as iconography)
avg rating 3.84 — 1,243,452 ratings — published
Collapse: How Societies Choose to Fail or Succeed (Paperback)
by (shelved 2 times as iconography)
avg rating 3.94 — 75,460 ratings — published 2004
Fatelessness (Vintage International)
by (shelved 2 times as iconography)
avg rating 4.09 — 14,047 ratings — published 1975
The Aeneid (Kindle Edition)
by (shelved 2 times as iconography)
avg rating 3.88 — 147,293 ratings — published -19
Festival Icons for the Church's Year (Paperback)
by (shelved 2 times as iconography)
avg rating 4.12 — 8 ratings — published 2000
Iconologia (Paperback)
by (shelved 2 times as iconography)
avg rating 4.58 — 52 ratings — published 1593
Studies in Iconology: Humanistic Themes in the Art of the Renaissance (Paperback)
by (shelved 2 times as iconography)
avg rating 4.22 — 1,049 ratings — published
Hidden and Triumphant: The Underground Struggle to Save Russian Iconography (Hardcover)
by (shelved 2 times as iconography)
avg rating 3.64 — 25 ratings — published 2008
On the Divine Images: 3 Apologies Against Those Who Attack the Divine Images (Paperback)
by (shelved 2 times as iconography)
avg rating 4.26 — 649 ratings — published 1980
God's Body: Jewish, Christian, and Pagan Images of God (Hardcover)
by (shelved 1 time as iconography)
avg rating 3.78 — 9 ratings — published
The Iconic Imagination (Paperback)
by (shelved 1 time as iconography)
avg rating 4.75 — 4 ratings — published 2015
The Sensual Icon: Space, Ritual, and the Senses in Byzantium (Hardcover)
by (shelved 1 time as iconography)
avg rating 4.80 — 5 ratings — published 2010
The Aesthetic Face of Being: Art in the Theology of Pavel Florensky (Paperback)
by (shelved 1 time as iconography)
avg rating 4.23 — 13 ratings — published 1993
“But what is the use of the humanities as such? Admittedly they are not practical, and admittedly they concern themselves with the past. Why, it may be asked, should we engage in impractical investigations, and why should we be interested in the past?
The answer to the first question is: because we are interested in reality. Both the humanities and the natural sciences, as well as mathematics and philosophy, have the impractical outlook of what the ancients called vita contemplativa as opposed to vita activa. But is the contemplative life less real or, to be more precise, is its contribution to what we call reality less important, than that of the active life?
The man who takes a paper dollar in exchange for twenty-five apples commits an act of faith, and subjects himself to a theoretical doctrine, as did the mediaeval man who paid for indulgence. The man who is run over by an automobile is run over by mathematics, physics and chemistry. For he who leads the contemplative life cannot help influencing the active, just as he cannot prevent the active life from influencing his thought. Philosophical and psychological theories, historical doctrines and all sorts of speculations and discoveries, have changed, and keep changing, the lives of countless millions. Even he who merely transmits knowledge or learning participates, in his modest way, in the process of shaping reality - of which fact the enemies of humanism are perhaps more keenly aware than its friends. It is impossible to conceive of our world in terms of action alone. Only in God is there a "Coincidence of Act and Thought" as the scholastics put it. Our reality can only be understood as an interpenetration of these two.”
― Meaning in the Visual Arts
The answer to the first question is: because we are interested in reality. Both the humanities and the natural sciences, as well as mathematics and philosophy, have the impractical outlook of what the ancients called vita contemplativa as opposed to vita activa. But is the contemplative life less real or, to be more precise, is its contribution to what we call reality less important, than that of the active life?
The man who takes a paper dollar in exchange for twenty-five apples commits an act of faith, and subjects himself to a theoretical doctrine, as did the mediaeval man who paid for indulgence. The man who is run over by an automobile is run over by mathematics, physics and chemistry. For he who leads the contemplative life cannot help influencing the active, just as he cannot prevent the active life from influencing his thought. Philosophical and psychological theories, historical doctrines and all sorts of speculations and discoveries, have changed, and keep changing, the lives of countless millions. Even he who merely transmits knowledge or learning participates, in his modest way, in the process of shaping reality - of which fact the enemies of humanism are perhaps more keenly aware than its friends. It is impossible to conceive of our world in terms of action alone. Only in God is there a "Coincidence of Act and Thought" as the scholastics put it. Our reality can only be understood as an interpenetration of these two.”
― Meaning in the Visual Arts
“Iconography aside, it is easy to see what someone is trying to communicate when he pairs a lady with a snake. Alexander the Great's mother - as murderous and maniacal a Macedonian princess who ever lived - kept serpents as pets. She used them to terrify men. Before her came Eve, Medusa, Electra, and the Erinyes; when a woman teams up with a snake, a moral storm threatens somewhere.”
― Cleopatra: A Life
― Cleopatra: A Life













