Gramsci Books
Showing 1-50 of 197

by (shelved 7 times as gramsci)
avg rating 4.21 — 5,221 ratings — published 1947

by (shelved 6 times as gramsci)
avg rating 4.24 — 739 ratings — published 1937

by (shelved 6 times as gramsci)
avg rating 4.30 — 60 ratings — published 2009

by (shelved 4 times as gramsci)
avg rating 3.77 — 13 ratings — published 1997

by (shelved 4 times as gramsci)
avg rating 4.20 — 449 ratings — published 1948

by (shelved 4 times as gramsci)
avg rating 4.33 — 206 ratings — published 1966

by (shelved 4 times as gramsci)
avg rating 4.27 — 15 ratings — published 1980

by (shelved 3 times as gramsci)
avg rating 4.23 — 13 ratings — published 1975

by (shelved 3 times as gramsci)
avg rating 4.12 — 115 ratings — published 2010

by (shelved 3 times as gramsci)
avg rating 3.53 — 83 ratings — published 2003

by (shelved 3 times as gramsci)
avg rating 4.01 — 193 ratings — published 1976

by (shelved 3 times as gramsci)
avg rating 4.25 — 122 ratings — published 1948

by (shelved 3 times as gramsci)
avg rating 3.90 — 326 ratings — published 1959

by (shelved 3 times as gramsci)
avg rating 4.25 — 28 ratings — published 1994

by (shelved 3 times as gramsci)
avg rating 4.10 — 31 ratings — published 1982

by (shelved 3 times as gramsci)
avg rating 3.65 — 20 ratings — published 1989

by (shelved 3 times as gramsci)
avg rating 4.04 — 23 ratings — published 2007

by (shelved 2 times as gramsci)
avg rating 4.50 — 4 ratings — published 2015

by (shelved 2 times as gramsci)
avg rating 2.67 — 6 ratings — published 2012

by (shelved 2 times as gramsci)
avg rating 4.00 — 66 ratings — published 2010

by (shelved 2 times as gramsci)
avg rating 3.62 — 8 ratings — published 1977

by (shelved 2 times as gramsci)
avg rating 0.0 — 0 ratings — published

by (shelved 2 times as gramsci)
avg rating 4.00 — 2 ratings — published

by (shelved 2 times as gramsci)
avg rating 4.00 — 5 ratings — published 1977

by (shelved 2 times as gramsci)
avg rating 4.50 — 4 ratings — published 2014

by (shelved 2 times as gramsci)
avg rating 4.00 — 6 ratings — published 1981

by (shelved 2 times as gramsci)
avg rating 3.80 — 15 ratings — published 1993

by (shelved 2 times as gramsci)
avg rating 3.77 — 92 ratings — published 1996

by (shelved 2 times as gramsci)
avg rating 3.61 — 23 ratings — published

by (shelved 2 times as gramsci)
avg rating 4.25 — 12 ratings — published 1967

by (shelved 2 times as gramsci)
avg rating 3.83 — 1,447 ratings — published 1985

by (shelved 2 times as gramsci)
avg rating 4.00 — 3 ratings — published 2015

by (shelved 2 times as gramsci)
avg rating 3.62 — 72 ratings — published 1977

by (shelved 2 times as gramsci)
avg rating 4.43 — 7 ratings — published

by (shelved 1 time as gramsci)
avg rating 4.33 — 3 ratings — published 2012

by (shelved 1 time as gramsci)
avg rating 0.0 — 0 ratings — published

by (shelved 1 time as gramsci)
avg rating 4.00 — 7 ratings — published

by (shelved 1 time as gramsci)
avg rating 3.53 — 78 ratings — published 2006

by (shelved 1 time as gramsci)
avg rating 4.21 — 214 ratings — published 1969

by (shelved 1 time as gramsci)
avg rating 4.27 — 22 ratings — published

by (shelved 1 time as gramsci)
avg rating 3.67 — 3 ratings — published

by (shelved 1 time as gramsci)
avg rating 3.66 — 1,320 ratings — published 1947

by (shelved 1 time as gramsci)
avg rating 3.50 — 2 ratings — published 1975

by (shelved 1 time as gramsci)
avg rating 3.74 — 156 ratings — published 2017

by (shelved 1 time as gramsci)
avg rating 4.13 — 4,700 ratings — published 2017

by (shelved 1 time as gramsci)
avg rating 4.13 — 1,375 ratings — published 2009

by (shelved 1 time as gramsci)
avg rating 4.21 — 638 ratings — published 1985

by (shelved 1 time as gramsci)
avg rating 4.21 — 6,630 ratings — published 1998

by (shelved 1 time as gramsci)
avg rating 4.37 — 19 ratings — published

by (shelved 1 time as gramsci)
avg rating 0.0 — 0 ratings — published
“Before proceeding with a detailed analysis, it is worth elaborating what I mean by the word ‘state’ within the context of this book. Gramsci presented a number of definitions for the term in his Prison Notebooks, written while imprisoned by the fascist regime in Italy(1). The one that I find most relevant to the case of Egypt under direct military rule is a definition that views the state merger between the concepts of civil and political society. In simpler terms, the state as a social reformation contains both: the public apparatus of the state (political society), such as the judicial system, and the private apparatus (civil society), like the media, education system and so on (Carnoy, 1983). Accordingly, the state is everywhere and is the tool used by the ruling class to project their power over society, which is very germane to the Egyptian case. Indeed, the ultimate goal of the Egyptian military establishment is not only dominance over the public state apparatus, but the use of its position to accumulate social power, extending the boundaries of the state so that it swallows up the private sphere—establishing total dominance over society and transforming the public space into a militarized space. This metaphor has been used by Zineb Abu-El Magd in her detailed study of the military’s economic empire (Abu Al Magd, 2018), albeit through a Foucaultian theoretical lens. Abu-El Magd has argued that the military’s economic dominance allowed it to penetrate the lives of ordinary Egyptians, transforming the country into a military camp. In this chapter, however, I intend to use the metaphor to examine the military’s dominance over the state and its ability to use the state apparatus to transform the public space, in a manner that is unique to Sisi and his regime.”
Chapter 2: The New Leviathan, page 51”
― Egypt under El-Sisi: A Nation on the Edge
Chapter 2: The New Leviathan, page 51”
― Egypt under El-Sisi: A Nation on the Edge

“Cosa significa il fatto che il popolo italiano legge di preferenza gli scrittori stranieri? Significa che esso subisce l'egemonia intellettuale e morale degli intellettuali stranieri, che esso si sente legato piú agli intellettuali stranieri che a quelli «paesani», cioè che non esiste nel paese un blocco nazionale intellettuale e morale, né gerarchico e tanto meno egualitario. Gli Gli intellettuali non escono dal popolo, anche se accidentalmente qualcuno di essi è d'origine popolana, non si sentono legati ad esso (a parte la retorica), non ne conoscono e non ne sentono i bisogni, le aspirazioni, i sentimenti diffusi, ma, nei confronti del popolo, sono qualcosa di staccato, di campato in aria, una casta, cioè, e non un'articolazione, con funzioni organiche, del popolo stesso.È da ricordare ciò che scrisse Edoardo Boutet sugli spettacoli classici (Eschilo, Sofocle) che la Compagnia Stabile di Roma diretta appunto dal Boutet dava all'Arena del Sole di Bologna il lunedí – giorno delle
lavandaie – e sul grande successo che tali rappresentazioni avevano. È anche da rilevare il successo che nelle masse popolari hanno sempre avuto alcuni drammi dello Shakespeare, ciò che appunto dimostra come si possa essere grandi artisti e nello stesso tempo «popolari».”
―
lavandaie – e sul grande successo che tali rappresentazioni avevano. È anche da rilevare il successo che nelle masse popolari hanno sempre avuto alcuni drammi dello Shakespeare, ciò che appunto dimostra come si possa essere grandi artisti e nello stesso tempo «popolari».”
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