Aria > Aria's Quotes

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  • #1
    Andy Weir
    “Yes, of course duct tape works in a near-vacuum. Duct tape works anywhere. Duct tape is magic and should be worshiped.”
    Andy Weir, The Martian

  • #2
    Andy Weir
    “He’s stuck out there. He thinks he’s totally alone and that we all gave up on him. What kind of effect does that have on a man’s psychology?” He turned back to Venkat. “I wonder what he’s thinking right now.”

    LOG ENTRY: SOL 61 How come Aquaman can control whales? They’re mammals! Makes no sense.”
    Andy Weir, The Martian

  • #3
    Andy Weir
    “Maybe I’ll post a consumer review. “Brought product to surface of Mars. It stopped working. 0/10.”
    Andy Weir, The Martian

  • #4
    Andy Weir
    “I guess you could call it a "failure", but I prefer the term "learning experience".”
    Andy Weir, The Martian

  • #5
    Andy Weir
    “If a hiker gets lost in the mountains, people will coordinate a search. If a train crashes, people will line up to give blood. If an earthquake levels a city, people all over the world will send emergency supplies. This is so fundamentally human that it's found in every culture without exception. Yes, there are assholes who just don't care, but they're massively outnumbered by the people who do.”
    Andy Weir, The Martian

  • #6
    Andy Weir
    “As with most of life's problems, this one can be solved by a box of pure radiation.”
    Andy Weir, The Martian

  • #7
    Andy Weir
    “Everything went great right up to the explosion.”
    Andy Weir, The Martian

  • #8
    Andy Weir
    “I need to ask myself, 'What would an Apollo astronaut do?' He'd drink three whiskey sours, drive his Corvette to the launchpad, then fly to the moon in a command module smaller than my Rover. Man those guys were cool.”
    Andy Weir, The Martian

  • #9
    Andy Weir
    “As usual, I’m working with stuff that was deliberately designed not to burn. But no amount of careful design by NASA can get around a determined arsonist with a tank of pure oxygen.”
    Andy Weir, The Martian

  • #10
    Andy Weir
    “Also, please watch your language. Everything you type is being broadcast live all over the world.
    [12:15] WATNEY: Look! A pair of boobs! -> (.Y.)”
    Andy Weir, The Martian

  • #11
    Andy Weir
    “How come Aquaman can control whales? They’re mammals! Makes no sense.”
    Andy Weir, The Martian

  • #12
    Andy Weir
    “Frankly, I suspect you’re a super-villain. You’re a chemist, you have a German accent, you had a base on Mars…what more can there be?”
    Andy Weir, The Martian

  • #13
    “Some people are nice and if you talk to them properly, they can be even nicer.”
    Colm Tóibín, Brooklyn

  • #14
    “She felt almost guilty that she had handed some of her grief to him, and then she felt close to him for his willingness to take it and hold it, in all its rawness, all its dark confusion.”
    Colm Tóibín, Brooklyn

  • #15
    “What she loved most about America, Eilis thought on these mornings, was how the heating was kept on all night.”
    Colm Tóibín, Brooklyn

  • #16
    Markus Zusak
    “There are hundreds of thoughts per every word spoken, and that's if they're spoken at all.”
    Markus Zusak, Bridge of Clay

  • #17
    Markus Zusak
    “A murderer should probably do many things, but he should never, under any circumstances, come home.”
    Markus Zusak, Bridge of Clay

  • #18
    Markus Zusak
    “We skip the moments like stones.”
    Markus Zusak, Bridge of Clay

  • #19
    Markus Zusak
    “It was a Sunday, an arsonist sunrise.”
    Markus Zusak, Bridge of Clay

  • #20
    Markus Zusak
    “He’d told them what Saturday night meant. The mattress, the plastic sheet. He told them of Matador in the fifth. He said he loved her from the very first time she’d talked to him, and it was his fault, it was all his fault. Clay melted, but didn’t break, because he deserved no tears or sympathy. ‘The night before she fell,’ he said, ‘we met there, we were naked there, and –’ He stopped because Catherine Novac – in a shift of gingerblondness – had stood and she’d walked towards him. She lifted him gently out of his chair and hugged him hard, so hard, and she patted his short flat hair, and it was so damn nice it hurt. She said, ‘You came to us, you came, you came.”
    Markus Zusak, Bridge of Clay

  • #21
    Markus Zusak
    “She laughed and he felt her breath, and he thought about that warmness, how people were warm like that, from inside to out; how it could hit you and disappear, then back again, and nothing was ever permanent--”
    Markus Zusak, Bridge of Clay

  • #22
    Markus Zusak
    “All that remained was to get to camp, learn English better, find a job and a place to live. Then, most importantly, buy a bookshelf. And a piano.”
    Markus Zusak, Bridge of Clay

  • #23
    Markus Zusak
    “He, as much as anyone, knows who and why and what we are:

    A family of ramshackle tragedy.

    A comic book kapow of boys and blood and beasts.”
    Markus Zusak, Bridge of Clay

  • #24
    Markus Zusak
    “There were reasons to leave, and reasons to stay, and all of it was the same.”
    Markus Zusak, Bridge of Clay
    tags: home

  • #25
    Markus Zusak
    “As if sensing the oncoming theatre, the pigeons arrived from nowhere, and dug in close on the powerlines. They were perched on TV aerials, and, God forbid, on the trees. There was also a single crow, fat-feathered and plump, like a pigeon disguised in a trench coat.”
    Markus Zusak, Bridge of Clay

  • #26
    Markus Zusak
    “I loved you already then.”
    Markus Zusak, Bridge of Clay

  • #27
    Markus Zusak
    “He was a great horse,” she went on, “and the perfect story—we wouldn’t love him so much if he’d lived.”
    Markus Zusak, Bridge of Clay

  • #28
    Markus Zusak
    “Me, I'm known for bruises and levelheadedness, for height and muscle and blasphemy, and the occasional sentimentality.”
    Markus Zusak, Bridge of Clay



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