Rishabh > Rishabh's Quotes

“This is where it all begins. Everything starts here, today.”
― David Nicholls, One Day

“Just kidding' was exactly what people wrote when they meant every word.”
― David Nicholls, One Day

“Whatever happens tomorrow, we had today; and I'll always remember it”
― David Nicholls, One Day

“Live each day as if it's your last', that was the conventional advice, but really, who had the energy for that? What if it rained or you felt a bit glandy? It just wasn't practical. Better by far to simply try and be good and courageous and bold and to make a difference. Not change the world exactly, but the bit around you. Go out there with your passion and your electric typewriter and work hard at...something. Change lives through art maybe. Cherish your friends, stay true to your principles, live passionately and fully and well. Experience new things. Love and be loved, if you ever get the chance.”
― David Nicholls, One Day

“Can I say something?'
'Go on'
'I'm a little drunk'
'Me too. That's okay.'
'Just....I missed you, you know.'
'I missed you too.'
'But so, so much, Dexter. There were so many things I wanted to talk to you about, and you weren't there-'
'same here.'
'I tell you what it is. It's.....When I didn't see you, I thought about you every day, I mean EVERY DAY in some way or another-'
'same here.'
'-Even if it was just "I wish Dexter could see this" or "Where's Dexter now?" or "Christ that Dexter, what an idiot", you know what I mean, and seeing you today, well, I thought I'd got you back - my BEST friend. And now all this, the wedding, the baby- I'm so happy for you, Dex, but it feels like I've lost you again.'-

-'You know what happens you have a family, your responsibilities change, you lose touch with people'
'It won't be like that, I promise.'
'Do you?'
'Absolutely'
'You swear? No more disappearing?'
'I won't if you won't.'
Their lips touched now, mouths pursed tight, their eyes open, both of them stock still. The moment held, a kind of glorious confusion.”
― David Nicholls, One Day

“You know what I can't understand? You have all these people telling you all the time how great you are, smart and funny and talented and all that, I mean endlessly, I've been telling you for years. So why don't you believe it? why do you think people say that stuff, Em? Do you think it's a conspiracy, people secretly ganging up to be nice about you?”
― David Nicholls, One Day

“She drinks pints of coffee and writes little observations and ideas for stories with her best fountain pen on the linen-white pages of expensive notebooks. Sometimes, when it's going badly, she wonders if what she believes to be a love of the written word is really just a fetish for stationery.”
― David Nicholls, One Day

“I'm not the consolation prize, Dex. I'm not something you resort to. I happen to think I'm worth more than that.”
― David Nicholls, One Day

“This is me.’" He handed her the precious scrap of paper. ‘Call me or I’ll call you, but one of us will call, yes? What I mean is it’s not a competition. You don’t lose if you phone first.”
― David Nicholls, One Day

“If you're my friend I should be able to talk to you but I can't, and if I can't talk to you, well, what is the point of you? Of us?”
― David Nicholls, One Day

“Do you miss her?'
'Who? Emma? Of course. Every day. She was my best friend.”
― David Nicholls, One Day

“He's a better person when she's around, and isn't that what friends are for, to raise you up and keep you at your best?”
― David Nicholls, One Day

“I'm just not prepared to be treated like this anymore.'
'Treated like what?'
She sighed, and it was a moment before she spoke. 'Like you always want to be somewhere else, with someone else.”
― David Nicholls, One Day

“For his thirtieth birthday he had filled a whole night-club off Regent Street; people had been queuing on the pavement to get in. The SIM card of his mobile phone in his pocket was overflowing with telephone numbers of all the hundreds of people he had met in the last ten years, and yet the only person he had ever wanted to talk to in all that time was standing now in the very next room.”
― David Nicholls, One Day

“Salmon. Salmon, salmon, salmon, salmon. I eat so much salmon at these weddings, twice a year I get this urge to swim upstream.”
― David Nicholls, One Day

“Their friendship was like a wilted bunch of flowers that she insisted on topping up with water. Why not let it die instead? It was unrealistic to expect a friendship to last forever…”
― David Nicholls, One Day

“Be nice wont you?" "I am nice, I'm always nice." "But not too nice. I mean don't make a religion out of it, niceness.”
― David Nicholls, One Day

“Change lives through art maybe. Write beautifully. Cherish your friends, stay true to your principles, live passionately and fully and well. Experience new things. Love and be loved if at all possible. Eat sensibly. Stuff like that.”
― David Nicholls, One Day

“He awoke each morning with the desire to do right, to be a good and meaningful person, to be, as simple as it sounded and as impossible as it actually was, happy. And during the course of each day his heart would descend from his chest into his stomach. By early afternoon he was overcome by the feeling that nothing was right, or nothing was right for him, and by the desire to be alone. By evening he was fulfilled: alone in the magnitude of his grief, alone in his aimless guilt, alone even in his loneliness. I am not sad, he would repeat to himself over and over, I am not sad. As if he might one day convince himself. Or fool himself. Or convince others--the only thing worse than being sad is for others to know that you are sad. I am not sad. I am not sad. Because his life had unlimited potential for happiness, insofar as it was an empty white room. He would fall asleep with his heart at the foot of his bed, like some domesticated animal that was no part of him at all. And each morning he would wake with it again in the cupboard of his rib cage, having become a little heavier, a little weaker, but still pumping. And by the midafternoon he was again overcome with the desire to be somewhere else, someone else, someone else somewhere else. I am not sad.”
― Jonathan Safran Foer, Everything is Illuminated

“She was a genius of sadness, immersing herself in it, separating its numerous strands, appreciating its subtle nuances. She was a prism through which sadness could be divided into its infinite spectrum.”
― Jonathan Safran Foer, Everything is Illuminated

“One day you will do things for me that you hate. That is what it means to be family.”
― Jonathan Safran Foer, Everything is Illuminated

“The only thing more painful than being an active forgetter is to be an inert rememberer.”
― Jonathan Safran Foer, Everything Is Illuminated

“The bruises go away, and so does how you hate, and so does the feeling that everything you receive from life is something you have earned.”
― Jonathan Safran Foer, Everything Is Illuminated

“With writing, we have second chances.”
― Jonathan Safran Foer, Everything is Illuminated

“...there are only some many times you can utter "It does not hurt" before it begins to hurt even more than the hurt.”
― Jonathan Safran Foer, Everything is Illuminated

“Does it break my heart, of course, every moment of every day, into more pieces than my heart was made of, I never thought of myself as quiet, much less silent, I never thought about things at all, everything changed, the distance that wedged itself between me and my happiness wasn't the world, it wasn't the bombs and burning buildings, it was me, my thinking, the cancer of never letting go, is ignorance bliss, I don't know, but it's so painful to think, and tell me, what did thinking ever do for me, to what great place did thinking ever bring me? I think and think and think, I've thought myself out of happiness one million times, but never once into it.”
― Jonathan Safran Foer

“It broke my heart into more pieces than my heart was made of, why can't people say what they mean at the time?”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“We had everything to say to each other, but no ways to say it”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“We had everything to say to each other, but no ways to say it.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“Jonathan Safran Foer’s 10 Rules for Writing:

1.Tragedies make great literature; unfathomable catastrophes (the Holocaust, 9/11) are even better – try to construct your books around them for added gravitas but, since those big issues are such bummers, make sure you do it in a way that still focuses on a quirky central character that’s somewhat like Jonathan Safran Foer.

2. You can also name your character Jonathan Safran Foer.

3. If you’re writing a non-fiction book you should still make sure that it has a strong, deep, wise, and relatable central character – someone like Jonathan Safran Foer.

4. If you reach a point in your book where you’re not sure what to do, or how to approach a certain scene, or what the hell you’re doing, just throw in a picture, or a photo, or scribbles, or blank pages, or some illegible text, or maybe even a flipbook. Don’t worry if these things don’t mean anything, that’s what postmodernism is all about. If you’re not sure what to put in, you can’t go wrong with a nice photograph of Jonathan Safran Foer.

5. If you come up with a pun, metaphor, or phrase that you think is really clever and original, don’t just use it once and throw it away, sprinkle it liberally throughout the text. One particularly good phrase that comes to mind is “Jonathan Safran Foer.”

6. Don’t worry if you seem to be saying the same thing over and over again, repetition makes the work stronger, repetition is good, it drives the point home. The more you repeat a phrase or an idea, the better it gets. You should not be afraid of repeating ideas or phrases. One particularly good phrase that comes to mind is “Jonathan Safran Foer.”

7. Other writers are not your enemies, they are your friends, so you should feel free to borrow some of their ideas, words, techniques, and symbols, and use them completely out of context. They won’t mind, they’re your friends, just like my good friend Paul Auster, with whom I am very good friends. Just make sure you don’t steal anything from Jonathan Safran Foer, it wouldn’t be nice, he is your friend.

8. Make sure you have exactly three plots in your novel, any more and it gets confusing, any less and it’s not postmodern. At least one of those plots should be in a different timeline. It often helps if you name these three plots, I often use “Jonathan,” “Safran,” and “Foer.”

9. Don’t be afraid to make bold statements in you writing, there should always be a strong lesson to be learned, such as “don’t eat animals,” or “the Holocaust was bad,” or “9/11 was really really sad,” or “the world would be a better place if everyone was just a little bit more like Jonathan Safran Foer.”

10. In the end, don’t worry if you’re unsuccessful as a writer, it probably wasn’t meant to be. Not all of us are chosen to become writers. Not all of us can be Jonathan Safran Foer.”
― Jonathan Safran Foer