Sean Chen > Sean's Quotes

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  • #1
    George R.R. Martin
    “Sunset found her squatting in the grass, groaning. Every stool was looser than the one before, and smelled fouler. By the time the moon came up, she was shitting brown water. The more she drank the more she shat, but the more she shat, the thirstier she grew.”
    George R.R. Martin

  • #2
    Hermann Hesse
    “The bird fights its way out of the egg. The egg is the world. Who would be born must first destroy a world. The bird flies to God. That God's name is Abraxas.”
    Hermann Hesse, Demian: Die Geschichte von Emil Sinclairs Jugend

  • #3
    Albert Camus
    “Man stands face to face with the irrational. He feels within him his longing for happiness and for reason. The absurd is born of this confrontation between the human need and the unreasonable silence of the world.”
    Albert Camus, The Myth of Sisyphus and Other Essays

  • #4
    Milan Kundera
    “Tomas did not realize at the time that metaphors are dangerous. Metaphors are not to be trifled with. A single metaphor can give birth to love.”
    Milan Kundera, The Unbearable Lightness of Being

  • #5
    Karl Marx
    “The philosophers have only interpreted the world, in various ways. The point, however, is to change it.

    [These words are also inscribed upon his grave]”
    Karl Marx, Eleven Theses on Feuerbach

  • #6
    Albert Camus
    “I leave Sisyphus at the foot of the mountain. One always finds one's burden again. But Sisyphus teaches the higher fidelity that negates the gods and raises rocks. He too concludes that all is well. This universe henceforth without a master seems to him neither sterile nor futile. Each atom of that stone, each mineral flake of that night-filled mountain, in itself, forms a world. The struggle itself toward the heights is enough to fill a man's heart. One must imagine Sisyphus happy.”
    Albert Camus

  • #7
    Luo Guanzhong
    “The empire long united must divide, long divided must unite; this is how it has always been.”
    Luo Guanzhong, Romance of the Three Kingdoms, Vol. 1 of 2

  • #8
    Zhuangzi
    “Once upon a time, I dreamt I was a butterfly, fluttering hither and thither, to all intents and purposes a butterfly. I was conscious only of my happiness as a butterfly, unaware that I was myself. Soon I awaked, and there I was, veritably myself again. Now I do not know whether I was then a man dreaming I was a butterfly, or whether I am now a butterfly, dreaming I am a man.”
    Zhuangzi, The Butterfly as Companion: Meditations on the First Three Chapters of the Chuang Tzu

  • #9
    Albert Camus
    “Likewise, if Kafka wants to express the absurd, he will make use of consistency. You know the story of the crazy man who was fishing in a bathtub. A doctor with ideas as to psychiatric treatments asked him 'if they were biting', to which he received the harsh reply: 'Of course not, you fool, since this is a bathtub.' That story belongs to the baroque type. But in it can be grasped quite clearly to what a degree the absurd effect is linked to an excess of logic. Kafka's world is in truth an indescribable universe in which man allows himself the tormenting luxury of fishing in a bathtub, knowing that nothing can come of it.”
    Albert Camus, The Myth of Sisyphus and Other Essays

  • #10
    Milan Kundera
    “There is no means of testing which decision is better, because there is no basis for comparison. We live everything as it comes, without warning, like an actor going on cold. And what can life be worth if the first rehearsal for life is life itself? That is why life is always like a sketch. No, "sketch" is not quite a word, because a sketch is an outline of something, the groundwork for a picture, whereas the sketch that is our life is a sketch for nothing, an outline with no picture.”
    Milan Kundera, The Unbearable Lightness of Being

  • #11
    Osamu Dazai
    “Good night. I'm Cinderella without her prince. Do you know where to find me in Tokyo? You won't see me again.”
    Osamu Dazai, Schoolgirl

  • #12
    Osamu Dazai
    “It made me miserable that I was rapidly becoming an adult and that I was unable to do anything about it.”
    Osamu Dazai, Schoolgirl

  • #13
    Osamu Dazai
    “They scolded us for not having any real hopes or real ambitions, but if we were to pursue our true ideals, would these people watch and guide us along the way?”
    Osamu Dazai, Schoolgirl

  • #14
    Osamu Dazai
    “In time, when we became adults, we might look back on this pain and loneliness as a funny thing, perfectly ordinary, but—but how were we expected to get by, to get through this interminable period of time until that point when we were adults? There was no one to teach us how. Was there nothing to do but leave us alone, like we had the measles? But people died from the measles, or went blind. You couldn't just leave them alone. Some of us, in our daily depressions and rages, were apt to stray, to become corrupted, irreparably so, and then our lives would be forever in disorder. There were even some who would resolve to kill themselves. And when that happened, everyone would say, Oh, if only she had lived a little longer she would have known, if she were a little more grown up she would have figured it out. How saddened they would all be. But if those people were to think about it from our perspective, and see how we had tried to endure despite how terribly painful it all was, and how we had even tried to listen carefully, as hard as we could, to what the world might have to say, they would see that, in the end, the same bland lessons were always being repeated over and over, you know, well, merely to appease us.”
    Osamu Dazai, Schoolgirl

  • #15
    Osamu Dazai
    “It's not as though we only care about the present. If you were to point to a faraway mountain and say, If you can make it there, it's a pretty good view, I'd see that there's not an ounce of untruth to what you tell us. But when you say, Well, bear with it just a little longer, if you can make it to the top of that mountain, you'll have done it, you are ignoring the fact that we are suffering from a terrible stomachache—right now. Surely one of you is mistaken to let us go on this way. You're the one who is to blame.”
    Osamu Dazai, Schoolgirl

  • #16
    Friedrich Nietzsche
    “Punishment.—A strange thing, our punishment! It does not cleanse the criminal, it is no atonement; on the contrary, it pollutes worse than the crime does. The”
    Friedrich Nietzsche, Basic Writings of Nietzsche

  • #17
    Vladimir Nabokov
    “There was a sudden sunburst in my head. And then black night. That blackness was sublime. I felt distributed through space and time: One foot upon a mountaintop, one hand 150  Under the pebbles of a panting strand, One ear in Italy, one eye in Spain, In caves, my blood, and in the stars, my brain. There were dull throbs in my Triassic; green Optical spots in Upper Pleistocene, An icy shiver down my Age of Stone, And all tomorrows in my funnybone. During”
    Vladimir Nabokov, Pale Fire

  • #18
    Osamu Dazai
    “What, I wondered, did he mean by “society”? The plural of human beings? Where was the substance of this thing called “society”? I had spent my whole life thinkng that society must certainly be something powerful, harsh and severe, but to hear Horiki talk made the words “Don’t you mean yourself?” come to the tip of my tongue. But I held the words back, reluctant to anger him.
    ‘Society won’t stand for it.’
    ‘It’s not society. You’re the one who won’t stand for it - right?’
    ‘If you do such a thing society will make you suffer for it’
    ‘It’s not society. It’s you, isn’t it?’
    ‘Before you know it, you’ll be ostracized by society.’
    ‘It’s not society. You’re going to do the ostracizing, aren’t you?’
    Words, words of every kind went flitting through my head. “Know thy particular fearsomeness, thy knavery, cunning and witchcraft!” What I said, however, as I wiped the perspiration from my face with a handkerchief was merely, “You’ve put me in a cold sweat!” I smiled.
    From then on, however, I came to hold, almost as a philosophical conviction, the belief: What is society but an individual?”
    Osamu Dazai, No Longer Human



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