Christopher > Christopher's Quotes

“If it is not beautiful for someone, it does not exist.”
― William Gaddis, The Recognitions

“How ... how fragile situations are. But not tenuous. Delicate, but not flimsy, not indulgent. Delicate, that's why they keep breaking, they must break and you must get the pieces together and show it before it breaks again, or put them aside for a moment when something else breaks and turn to that, and all this keeps going on. That's why most writing now, if you read it they go on one two three four and tell you what happened like newspaper accounts, no adjectives, no long sentences, no tricks they pretend, and they finally believe that they really believe that the way they saw it is the way it is ... it never takes your breath away, telling you things you already know, laying everything out flat, as though the terms and the time, and the nature and the movement of everything were secrets of the same magnitude. They write for people who read with the surface of their minds, people with reading habits that make the smallest demands on them, people brought up reading for facts, who know what's going to come next and want to know what's coming next, and get angry at surprises. Clarity's essential, and detail, no fake mysticism, the facts are bad enough. But we're embarrassed for people who tell too much, and tell it without surprise. How does he know what happened? unless it's one unshaven man alone in a boat, changing I to he, and how often do you get a man alone in a boat, in all this ... all this ... Listen, there are so many delicate fixtures, moving toward you, you'll see. Like a man going into a dark room, holding his hands down guarding his parts for fear of a table corner, and ... Why, all this around us is for people who can keep their balance only in the light, where they move as though nothing were fragile, nothing tempered by possibility, and all of a sudden bang! something breaks. Then you have to stop and put the pieces together again. But you never can put them back together quite the same way. You stop when you can and expose things, and leave them within reach, and others come on by themselves, and they break, and even then you may put the pieces aside just out of reach until you can bring them back and show them, put together slightly different, maybe a little more enduring, until you've broken it and picked up the pieces enough times, and you have the whole thing in all its dimensions. But the discipline, the detail, it's just ... sometimes the accumulation is too much to bear.”
― William Gaddis, The Recognitions

“I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones and variations of mental and physical experience possible in my life. And I am horribly limited.”
― Sylvia Plath, The Unabridged Journals of Sylvia Plath

“The moral test of government is how that government treats those who are in the dawn of life, the children; those who are in the twilight of life, the elderly; and those who are in shadows of life, the sick, the needy, and the handicapped.”
― Hubert H. Humphrey

“Compassion is not weakness, and concern for the unfortunate is not socialism.”
― Hubert H. Humphrey

“I've got death inside me. It's just a question of whether or not I can outlive it.”
― Don DeLillo, White Noise

“How strange it is. We have these deep terrible lingering fears about ourselves and the people we love. Yet we walk around, talk to people, eat and drink. We manage to function. The feelings are deep and real. Shouldn't they paralyze us? How is it we can survive them, at least for a little while? We drive a car, we teach a class. How is it no one sees how deeply afraid we were, last night, this morning? Is it something we all hide from each other, by mutual consent? Or do we share the same secret without knowing it? Wear the same disguise?”
― Don DeLillo, White Noise

“Genius is nothing more nor less than childhood recaptured at will.”
― Charles Baudelaire, The Painter of Modern Life and Other Essays

“Compassion hurts. When you feel connected to everything, you also feel responsible for everything. And you cannot turn away. Your destiny is bound with the destinies of others. You must either learn to carry the Universe or be crushed by it. You must grow strong enough to love the world, yet empty enough to sit down at the same table with its worst horrors.”
― Andrew Boyd, Daily Afflictions: The Agony of Being Connected to Everything in the Universe

“News is something somebody doesn't want printed; all else is advertising.”
― William Randolph Hearst

“This is true happiness: to have no ambition and to work like a horse as if you had every ambition. To live far from men, not to need them and yet to love them. To have the stars above, the land to your left and the sea to your right and to realize of a sudden that in your heart, life has accomplished its final miracle: it has become a fairy tale.”
― Nikos Kazantzakis, Zorba the Greek

“A man needs a little madness, or else... he never dares cut the rope and be free.”
― Nikos Kazantzakis

“The only thing I know is this: I am full of wounds and still standing on my feet.”
― Nikos Kazantzakis

“We come from a dark abyss, we end in a dark abyss, and we call the luminous interval life.”
― Nikos Kazantzakis

“The truth is that we all are one, that all of us together create god, that god is not man's ancestor, but his descendant.”
― Nikos Kazantzakis, Report to Greco

“And across these mean Dwellings of Black Step Lane, where as a Boy I dwell'd for a while, the Shaddowe of my last Church will fall: what the Mobb has torn down I will build again in Splendour. And thus will I compleet the Figure: Spittle-Fields, Wapping and Lime-house have made the Triangle; Bloomsbury and St Mary Woolnoth have next created the major Pentacle-starre; and, with Greenwich, all these will form the Sextuple abode of Baal-Berith or the Lord of the Covenant. Then, with the church of Little St Hugh, the Septilateral Figure will rise about Black Step Lane and, in this Pattern, every Straight line is enrich'd with a point at Infinity and every Plane with a line at Infinity. Let him that has Understanding count the Number: the seven Churches are built in conjunction with the seven Planets in the lower Orbs of Heaven, the seven Circles of the Heavens, the seven Starres in Ursa Minor and the seven Starres in the Pleiades. Little St Hugh was flung in the Pitte with the seven Marks upon his Hands, Feet, Sides and Breast which thus exhibit the seven Demons - Beydelus, Metucgayn, Adulec, Demeymes, Gadix, Uquizuz and Sol. I have built an everlasting Order, which I may run through laughing: no one can catch me now.”
― Peter Ackroyd, Hawksmoor

“Death is a sophisticated afternoon in Santa Fe, with nobody saying what they are thinking.”
― Charles Bukowski, Screams From the Balcony: Selected Letters 1960-1970

“Everybody has that feeling when they look at a work of art and it's right, that sudden familiarity, a sort of...recognition, as though they were creating it themselves, as though it were being created through them while they look at it or listen to it...”
― William Gaddis, The Recognitions

“What's any artist, but the dregs of his work? the human shambles that follows it around. What's left of the man when the work's done but a shambles of apology.”
― William Gaddis, The Recognitions

“—I really prefer books. No matter how bad a book is, it's unique, but people are all so ordinary.
—I think we really like books that make us hate ourselves.”
― William Gaddis, The Recognitions

“-I'm reviewing it, the stooped man said, and started to plod off.
-You read it?
-No, he said over his shoulder, -but I know the son of a bitch who wrote it.”
― William Gaddis, The Recognitions

“The painters could be identified by dirty fingernails; the writers by conversation in labored monosyllables and aggressive vulgarities which disguised their minds.”
― William Gaddis, The Recognitions

“-We live in Rome, he says, turning his face to the room again,
-Caligula's Rome, with a new circus of vulgar bestialized suffering in the newspapers every morning. The masses, the fetid masses, he says, bringing all his weight to his feet.-How can they even suspect a self who can do more, when they live under absolutely no obligation. There are so few beautiful things in the world...”
― William Gaddis, The Recognitions

“In this world, God must serve the Devil.”
― William Gaddis, The Recognitions

“Holy things and holy places, out of mind under the cauterizing brilliance of the summer son, reared up now as the winter sun struck from the south, casting shadows coldly upon the avenues where the people followed and went in, wearing winter hearts on their sleeves for the plucking.”
― William Gaddis, The Recognitions

“Of course, if Saint Peter could come out today upon these streets below he would find all he could wish, voices from nowhere, music from unpopulated boxes, men ascending divine distances in gas balloons, and traveling at the speed of sound, apparitions from nowhere appear on the screen; the sick are raised from the dead, life is prolonged so that every detail of pain may be relished, the blind are given eyes and the cripples forced to walk, and there is an item which can blow a city of the beloved enemy into a place where their sins will be brought home to them, with of course as much noise as the trumpets on the walls of Jericho”
― William Gaddis, The Recognitions

“Go out among them and tell them that their nostalgia for places they have never been is sex,”
― William Gaddis, The Recognitions

“Images surround us; cavorting broadcast in the minds of others, we wear the motley tailored by their bad digestions, the shame and failure, plague pandemics and private indecencies, unpaid bills, and animal ecstasies remembered in hospital beds, our worst deeds and best intentions will not stay still, scolding, mocking, or merely chattering they assail each other, shocked at recognition. Sometimes simplicity serves, though even the static image of Saint John Baptist received prenatal attentions (six months along, leaping for joy in his mother's womb when she met Mary who had conceived the day before): once delivered he stands steady in a camel's hair loincloth at a ford in the river, morose, ascetic on locusts and honey, molesting passers-by, upbraiding the flesh on those who wear it with pleasure. And the Nazarene whom he baptized? Three years pass, in a humility past understanding: and then death, disappointed? unsuspecting? and the body left on earth, the one which was to rule the twelve tribes of Israel, and on earth, left crying out - My God, why dost thou shame me? Hopelessly ascendent in resurrection, the image is pegged on the wind by an epileptic tentmaker, his strong hands stretch the canvas of faith into a gaudy caravanserai, shelter for travelers wearied of the burning sand, lured by forgetfulness striped crimson and gold, triple-tiered, visible from afar, redolent of the east, and level and wide the sun crashes the fist of reality into that desert where the truth still walks barefoot.”
― William Gaddis, The Recognitions