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“All great literature is one of two stories; a man goes on a journey or a stranger comes to town.”
― Leo Tolstoy

“Though one of the greatest love stories in world literature, Anna Karenin is of course not just a novel of adventure. Being deeply concerned with moral matters, Tolstoy was eternally preoccupied with issues of importance to all mankind at all times. Now, there is a moral issue in Anna Karenin, though not the one that a casual reader might read into it. This moral is certainly not that having committed adultery, Anna had to pay for it (which in a certain vague sense can be said to be the moral at the bottom of the barrel in Madame Bovary). Certainly not this, and for obvious reasons: had Anna remained with Karenin and skillfully concealed from the world her affair, she would not have paid for it first with her happiness and then with her life. Anna was not punished for her sin (she might have got away with that) nor for violating the conventions of a society, very temporal as all conventions are and having nothing to do with the eternal demands of morality. What was then the moral "message" Tolstoy has conveyed in his novel? We can understand it better if we look at the rest of the book and draw a comparison between the Lyovin-Kitty story and the Vronski-Anna story. Lyovin's marriage is based on a metaphysical, not only physical, concept of love, on willingness for self-sacrifice, on mutual respect. The Anna-Vronski alliance was founded only in carnal love and therein lay its doom.
It might seem, at first blush, that Anna was punished by society for falling in love with a man who was not her husband.
Now such a "moral" would be of course completely "immoral," and completely inartistic, incidentally, since other ladies of fashion, in that same society, were having as many love-affairs as they liked but having them in secrecy, under a dark veil.
(Remember Emma's blue veil on her ride with Rodolphe and her dark veil in her rendezvous at Rouen with Léon.) But frank unfortunate Anna does not wear this veil of deceit. The decrees of society are temporary ones ; what Tolstoy is interested in are the eternal demands of morality. And now comes the real moral point that he makes: Love cannot be exclusively carnal because then it is egotistic, and being egotistic it destroys instead of creating. It is thus sinful. And in order to make his point as artistically clear as possible, Tolstoy in a flow of extraordinary imagery depicts and places side by side, in vivid contrast, two loves: the carnal love of the Vronski-Anna couple (struggling amid their richly sensual but fateful and spiritually sterile emotions) and on the other hand the authentic, Christian love, as Tolstoy termed it, of the Lyovin-Kitty couple with the riches of sensual nature still there but balanced and harmonious in the pure atmosphere of responsibility, tenderness, truth, and family joys.”
― Vladimir Nabokov, Lectures on Russian Literature

“There was a boy called Eustace Clarence Scrubb, and he almost deserved it.”
― C.S. Lewis, The Voyage of the “Dawn Treader”

“10th October 1877

I am in love! Her name is Drusilla MacAvoy.

15th October 1877

Too hasty by far! The MacAvoy woman was not for me. I am planning to kill myself, and if the remainder of these pages are blank anyone who comes across this diary will know I succeeded.”
― Christopher Priest, The Prestige

“Yes, in my life, since we must call it so, there were three things, the inability to speak, the inability to be silent, and solitude, that’s what I’ve had to make the best of.”
― Samuel Beckett, The Unnamable

“To sit alone in the lamplight with a book spread out before you and hold intimate converse with men of unseen generations - such is pleasure beyond compare.”
― Yoshida Kenko, Essays in Idleness: The Tsurezuregusa of Kenkō

“He rose and turned toward the lights of town. The tidepools bright as smelterpots among the dark rocks where the phosphorescent seacrabs clambered back. Passing through the salt grass he looked back. The horse had not moved. A ship's light winked in the swells. The colt stood against the horse with its head down and the horse was watching, out there past men's knowing, where the stars are drowning and whales ferry their vast souls through the black and seamless sea.”
― Cormac McCarthy, Blood Meridian, or, the Evening Redness in the West

“Nuestra vida son los ríos
que van a dar en la mar,
que es el morir”
― Jorge Manrique, Coplas a la muerte de su padre

“I have always imagined that Paradise will be a kind of library.”
― Jorge Luis Borges

“It occurs to me that our survival may depend upon our talking to one another.”
― Dan Simmons, Hyperion

“There is nothing more dreadful than the habit of doubt. Doubt separates people. It is a poison that disintegrates friendships and breaks up pleasant relations. It is a thorn that irritates and hurts; it is a sword that kills.”
― Buddha Siddhartha Guatama Shakyamuni

“χαλεπὰ τὰ καλά

Nothing beautiful without struggle.”
― Plato, The Republic