Marlene > Marlene's Quotes

“En människa som ramlat. Hjälp honom upp.
En människa som lagt sig ner. Låt honom ligga.”
― Karin Smirnoff, Vi for upp med mor

“Dånet och sorlet från havsstranden fyller mina örons snäckor. Men de förmår inte driva undan mina förföljare: Mina tankars frågor ställes och upprepas. Men det finns inga svar åt dem --- de slår sönder sig bara, emot en granithård mur. De kastas tillbaka, sköljs bort. Men de kommer igen, alltid igen, som vågorna utifrån vattenvidden.”
― Vilhelm Moberg, A Time on Earth

“Hon kunde aldrig hänge sig helt åt något. Om hon älskade, ja, vad hon än gjorde, stod liksom ena hälften av hennes jag och såg på med ett kallt hånlöje.”
― Selma Lagerlöf, Gösta Berling's Saga

“The world is not a solid continent of facts sprinkled by a few lakes of uncertainties, but a vast ocean of uncertainties speckled by a few islands of calibrated and stabilized forms”
― Bruno Latour, Reassembling the Social: An Introduction to Actor-Network-Theory

“The various manifestations of socialism destroyed both their peoples and their ecosystems, whereas the powers of the North and the West have been able to save their peoples and some of their countrysides by destroying the rest of the world and reducing it's people to abject poverty.”
― Bruno Latour, We Have Never Been Modern

“Using a slogan from ANT, you have 'to follow the actors themselves', that is try to catch up with their often wild innovations in order to learn from them what the collective existence has become in their hands, which methods they have elaborated to make it fit together, which accounts best define the new associations that they have been forced to established.”
― Bruno Latour, Reassembling the Social: An Introduction to Actor-Network-Theory

“But in situations where innovations proliferate, where group boundaries are uncertain, when the range of entities to be taken into account fluctuates, the sociology of the social is no longer able to trace actors’ new associations. At this point, the last thing to do would be to limit in advance the shape, size, heterogeneity, and combination of associations. To the convenient shorthand of the social, one has to substitute the painful and costly longhand of its associations. The duties of the social scientist mutate accordingly: it is no longer enough to limit actors to the role of informers offering cases of some well-known types. You have to grant them back the ability to make up their own theories of what the social is made of. Your task is no longer to impose some order, to limit the range of acceptable entities, to teach actors what they are, or to add some reflexivity to their blind practice. Using a slogan from ANT, you have ‘to follow the actors themselves’, that is try to catch up with their often wild innovations in order to learn from them what the collective existence has become in their hands, which methods they have elaborated to make it fit together, which accounts could best define the new associations that they have been forced to establish.”
― Bruno Latour, Reassembling the Social: An Introduction to Actor-Network-Theory