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  • #1
    Yann Martel
    “I've never forgotten him. Dare I say I miss him? I do. I miss him. I still see him in my dreams. They are nightmares mostly, but nightmares tinged with love. Such is the strangeness of the human heart. I still cannot understand how he could abandon me so unceremoniously, without any sort of goodbye, without looking back even once. The pain is like an axe that chops my heart. ”
    Yann Martel, Life of Pi

  • #2
    Neil Gaiman
    “If I come back, it will be a place, but it won't be a home any longer.”
    Neil Gaiman, The Graveyard Book

  • #3
    Neil Gaiman
    “You are ignorant, boy,” said Miss Lupescu. “This is bad. And you are content to be ignorant, which is worse.”
    Neil Gaiman, The Graveyard Book

  • #4
    Neil Gaiman
    “Most books on witchcraft will tell you that witches work naked. This is because most books on witchcraft were written by men.”
    Neil Gaiman

  • #5
    Gayle Forman
    “I'm not sure this is a world I belong in anymore. I'm not sure that I want to wake up.”
    Gayle Forman, If I Stay

  • #6
    Kazuo Ishiguro
    “It never occurred to me that our lives, until then so closely interwoven, could unravel and separate over a thing like that. But the fact was, I suppose, there were powerful tides tugging us apart by then, and it only needed something like that to finish the task. If we'd understood that back then-who knows?-maybe we'd have kept a tighter hold of one another.”
    Kazuo Ishiguro, Never Let Me Go

  • #7
    Kazuo Ishiguro
    “That was the only time, as I stood there, looking at that strange rubbish, feeling the wind coming across those empty fields, that I started to imagine just a little fantasy thing, because this was Norfolk after all, and it was only a couple of weeks since I’d lost him. I was thinking about the rubbish, the flapping plastic in the branches, the shore-line of odd stuff caught along the fencing, and I half-closed my eyes and imagined this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field, and gradually get larger until I'd see it was Tommy, and he'd wave, maybe even call. The fantasy never got beyond that --I didn't let it-- and though the tears rolled down my face, I wasn't sobbing or out of control. I just waited a bit, then turned back to the car, to drive off to wherever it was I was supposed to be.”
    Kazuo Ishiguro, Never Let Me Go

  • #8
    Patricia A. McKillip
    “Those who fear the imagination condemn it: something childish, they say, something monsterish, misbegotten. Not all of us dream awake. But those of us who do have no choice.”
    Patricia A. McKillip

  • #9
    Patricia A. McKillip
    “I did not want to think about people. I wanted the trees, the scents and colors, the shifting shadows of the wood, which spoke a language I understood. I wished I could simply disappear in it, live like a bird or a fox through the winter, and leave the things I had glimpsed to resolve themselves without me.”
    Patricia A. McKillip, Winter Rose

  • #10
    “Some people had too much power and too much cruelty to live. Some people were too horrible, no matter if you loved them; no matter that you had to make yourself terrible too, in order to stop them. Some things just had to be done.
    I forgive myself, thought Fire. Today, I forgive myself.”
    Kristin Cashore, Fire

  • #11
    Steven Moffat
    “So is this how it works Doctor? You never interfere with the affairs of other peoples or planets, unless there are children crying?”
    Steven Moffat

  • #12
    Steven Moffat
    “There's something that doesn't make sense. Let's go and poke it with a stick.”
    Steven Moffat

  • #13
    Steven Moffat
    “You don't want to take over the universe. You wouldn't know what to do with it beyond shout at it.”
    Steven Moffat

  • #14
    “There was a goblin, or a trickster or a warrior. A nameless, terrible thing, soaked in the blood of a billion galaxies. The most feared being in all the cosmos. Nothing could stop it or hold it or reason with it. One day it would just drop out of the sky and tear down your world...”
    Steve Moffat

  • #15
    Margaret Atwood
    “War is what happens when language fails.”
    Margaret Atwood

  • #16
    Margaret Atwood
    “I would like to be the air that inhabits you for a moment only. I would like to be that unnoticed and that necessary.”
    Margaret Atwood

  • #17
    Margaret Atwood
    “A word after a word after a word is power.”
    Margaret Atwood

  • #18
    Margaret Atwood
    “In the spring, at the end of the day, you should smell like dirt.”
    Margaret Atwood, Bluebeard's Egg

  • #19
    Margaret Atwood
    “Ignoring isn’t the same as ignorance, you have to work at it.”
    Margaret Atwood, The Handmaid's Tale

  • #20
    Margaret Atwood
    “I don't want to see anyone. I lie in the bedroom with the curtains drawn and nothingness washing over me like a sluggish wave. Whatever is happening to me is my own fault. I have done something wrong, something so huge I can't even see it, something that's drowning me. I am inadequate and stupid, without worth. I might as well be dead.”
    Margaret Atwood, Cat's Eye

  • #21
    Margaret Atwood
    “If you knew what was going to happen, if you knew everything that was going to happen next—if you knew in advance the consequences of your own actions—you'd be doomed. You'd be ruined as God. You'd be a stone. You'd never eat or drink or laugh or get out of bed in the morning. You'd never love anyone, ever again. You'd never dare to.”
    Margaret Atwood, The Blind Assassin

  • #22
    Margaret Atwood
    “The only way you can write the truth is to assume that what you set down will never be read. Not by any other person, and not even by yourself at some later date. Otherwise you begin excusing yourself. You must see the writing as emerging like a long scroll of ink from the index finger of your right hand; you must see your left hand erasing it.”
    Margaret Atwood, The Blind Assassin

  • #23
    Margaret Atwood
    “Male fantasies, male fantasies, is everything run by male fantasies? Up on a pedestal or down on your knees, it's all a male fantasy: that you're strong enough to take what they dish out, or else too weak to do anything about it. Even pretending you aren't catering to male fantasies is a male fantasy: pretending you're unseen, pretending you have a life of your own, that you can wash your feet and comb your hair unconscious of the ever-present watcher peering through the keyhole, peering through the keyhole in your own head, if nowhere else. You are a woman with a man inside watching a woman. You are your own voyeur.”
    Margaret Atwood, The Robber Bride

  • #24
    Margaret Atwood
    “A truth should exist,
    it should not be used
    like this. If I love you

    is that a fact or a weapon?”
    Margaret Atwood

  • #25
    Margaret Atwood
    “Knowing too much about other people puts you in their power, they have a claim on you, you are forced to understand their reasons for doing things and then you are weakened.”
    Margaret Atwood, Cat’s Eye

  • #26
    Margaret Atwood
    “Touch comes before sight, before speech. It is the first language and the last, and it always tells the truth.”
    Margaret Atwood, Der blinde Mörder

  • #27
    Margaret Atwood
    “Farewells can be shattering, but returns are surely worse. Solid flesh can never live up to the bright shadow cast by its absence. Time and distance blur the edges; then suddenly the beloved has arrived, and it's noon with its merciless light, and every spot and pore and wrinkle and bristle stands clear.”
    Margaret Atwood, The Blind Assassin

  • #28
    Margaret Atwood
    “We thought we had such problems. How were we to know we were happy?”
    Margaret Atwood, The Handmaid’s Tale

  • #29
    Margaret Atwood
    “But some people can't tell where it hurts. They can't calm down. They can't ever stop howling.”
    Margaret Atwood

  • #30
    Margaret Atwood
    “She imagines him imagining her. This is her salvation.
    In spirit she walks the city, traces its labyrinths, its dingy mazes: each assignation, each rendezvous, each door and stair and bed. What he said, what she said, what they did, what they did then. Even the times they argued, fought, parted, agonized, rejoined. How they’d loved to cut themselves on each other, taste their own blood. We were ruinous together, she thinks. But how else can we live, these days, except in the midst of ruin?”
    Margaret Atwood, The Blind Assassin



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