Suzanne > Suzanne's Quotes

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  • #1
    Kaui Hart Hemmings
    “That's how you know you love someone, I guess, when you can't experience anything without wishing the other person were there to see it, too.”
    Kaui Hart Hemmings, The Descendants

  • #2
    Lisa Wingate
    “But the love of sisters needs no words. It does not depend on memories, or mementos, or proof. It runs as deep as a heartbeat. It is as ever present as a pulse.”
    Lisa Wingate, Before We Were Yours

  • #3
    C.S. Lewis
    “Some day you will be old enough to start reading fairy tales again.”
    C.S. Lewis

  • #4
    C.S. Lewis
    “No one ever told me that grief felt so like fear.”
    C.S. Lewis, A Grief Observed

  • #5
    C.S. Lewis
    “For in grief nothing "stays put." One keeps on emerging from a phase, but it always recurs. Round and round. Everything repeats. Am I going in circles, or dare I hope I am on a spiral?

    But if a spiral, am I going up or down it?

    How often -- will it be for always? -- how often will the vast emptiness astonish me like a complete novelty and make me say, "I never realized my loss till this moment"? The same leg is cut off time after time.”
    C.S. Lewis, A Grief Observed

  • #6
    C.S. Lewis
    “Her absence is like the sky, spread over everything.”
    C.S. Lewis, A Grief Observed

  • #7
    Max Porter
    “Moving on, as a concept, is for stupid people, because any sensible person knows grief is a long-term project. I refuse to rush. The pain that is thrust upon us let no man slow or speed or fix.”
    Max Porter, Grief Is the Thing with Feathers

  • #8
    Kazuo Ishiguro
    “Memories, even your most precious ones, fade surprisingly quickly. But I don’t go along with that. The memories I value most, I don’t ever see them fading.”
    Kazuo Ishiguro, Never Let Me Go

  • #9
    Kazuo Ishiguro
    “What I'm not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we've lived through, or feel we've had enough time.”
    Kazuo Ishiguro, Never Let Me Go

  • #10
    Kazuo Ishiguro
    “That was the only time, as I stood there, looking at that strange rubbish, feeling the wind coming across those empty fields, that I started to imagine just a little fantasy thing, because this was Norfolk after all, and it was only a couple of weeks since I’d lost him. I was thinking about the rubbish, the flapping plastic in the branches, the shore-line of odd stuff caught along the fencing, and I half-closed my eyes and imagined this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field, and gradually get larger until I'd see it was Tommy, and he'd wave, maybe even call. The fantasy never got beyond that --I didn't let it-- and though the tears rolled down my face, I wasn't sobbing or out of control. I just waited a bit, then turned back to the car, to drive off to wherever it was I was supposed to be.”
    Kazuo Ishiguro, Never Let Me Go

  • #11
    Joan Didion
    “I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends.”
    Joan Didion, Slouching Towards Bethlehem

  • #12
    Joan Didion
    “We tell ourselves stories in order to live.”
    Joan Didion, The White Album

  • #13
    Joan Didion
    “Grief is different. Grief has no distance. Grief comes in waves, paroxysms, sudden apprehensions that weaken the knees and blind the eyes and obliterate the dailiness of life.”
    Joan Didion, The Year of Magical Thinking

  • #14
    Alice Sebold
    “These were the lovely bones that had grown around my absence: the connections-sometimes tenuous, sometimes made at great cost, but often magnificent-that happened after I was gone. And I began to see things in a way that let me hold the world without me in it. The events that my death wrought were merely the bones of a body that would become whole at some unpredictable time in the future. The price of what I came to see as this miraculous body had been my life.”
    Alice Sebold, The Lovely Bones

  • #15
    Alice Sebold
    “Each time I told my story, I lost a bit, the smallest drop of pain. It was that day that I knew I wanted to tell the story of my family. Because horror on Earth is real and it is every day. It is like a flower or like the sun; it cannot be contained.”
    Alice Sebold, The Lovely Bones

  • #16
    Alice Sebold
    “Sometimes you cry, Susie, even when someone you love has been gone a long time.”
    Alice Sebold, The Lovely Bones
    tags: love

  • #17
    Alice Sebold
    “You look invincible,' my mother said one night.
    I loved these times, when we seemed to feel the same thing. I turned to her, wrapped in my thin gown, and said:
    I am.”
    Alice Sebold, The Lovely Bones

  • #18
    Jeffrey Eugenides
    “It didn't matter in the end how old they had been, or that they were girls, but only that we had loved them, and that they hadn't heard us calling, still do not hear us, up here in the tree house, with our thinning hair and soft bellies, calling them out of those rooms where they went to be alone for all time, alone in suicide, which is deeper than death, and where we will never find the pieces to put them back together.”
    Jeffrey Eugenides, The Virgin Suicides

  • #19
    Jeffrey Eugenides
    “We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we all existed in space like animals with identical skins, and that they knew everything about us though we couldn’t fathom them at all. We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.”
    Jeffrey Eugenides, The Virgin Suicides

  • #20
    Jeffrey Eugenides
    “In the end we had the pieces of the puzzle, but no matter how we put them together, gaps remained, oddly shaped emptinesses mapped by what surrounded them, like countries we couldn't name.”
    Jeffrey Eugenides, The Virgin Suicides

  • #21
    Jeffrey Eugenides
    “They had killed themselves over our dying forests, over manatees maimed by propellers as they surfaced to drink from garden hoses; they had killed themselves at the sight of used tires stacked higher than the pyramids; they had killed themselves over the failure to find a love none of us could ever be. In the end, the tortures tearing the Lisbon girls pointed to a simple reasoned refusal to accept the world as it was handed down to them, so full of flaws.”
    Jeffrey Eugenides, The Virgin Suicides

  • #22
    Janet Fitch
    “Let me tell you a few things about regret...There is no end to it. You cannot find the beginning of the chain that brought us from there to here. Should you regret the whole chain, and the air in between, or each link separately as if you could uncouple them? Do you regret the beginning which ended so badly, or just the ending itself?”
    Janet Fitch, White Oleander

  • #23
    Mitch Albom
    “There are no random acts...We are all connected...You can no more separate one life from another than you can separate a breeze from the wind...”
    Mitch Albom, The Five People You Meet in Heaven
    tags: life

  • #24
    Mitch Albom
    “Life has to end. Love doesn't.”
    Mitch Albom, The Five People You Meet in Heaven

  • #25
    Helen Prejean
    “There are spaces of sorrow only God can touch.”
    Helen Prejean, Dead Man Walking: The Eyewitness Account Of The Death Penalty That Sparked a National Debate

  • #26
    Margery Williams Bianco
    “Real isn't how you are made,' said the Skin Horse. 'It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.'

    'Does it hurt?' asked the Rabbit.

    'Sometimes,' said the Skin Horse, for he was always truthful. 'When you are Real you don't mind being hurt.'

    'Does it happen all at once, like being wound up,' he asked, 'or bit by bit?'

    'It doesn't happen all at once,' said the Skin Horse. 'You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand.”
    Margery Williams Bianco, The Velveteen Rabbit

  • #27
    J.K. Rowling
    “The truth." Dumbledore sighed. "It is a beautiful and terrible thing, and should therefore be treated with great caution.”
    J.K. Rowling, Harry Potter and the Sorcerer's Stone

  • #28
    Sylvia Plath
    “I took a deep breath and listened to the old brag of my heart. I am, I am, I am.”
    Sylvia Plath, The Bell Jar

  • #29
    Sylvia Plath
    “I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
    Sylvia Plath, The Bell Jar

  • #31
    Mary Karr
    “The image pleases me enough : to slip from the body's tight container and into some luminous womb, gliding there without effort till the distant shapes glow brighter and more familiar, till all your beloveds hover before you, their lit arms held out in welcome.”
    Mary Karr, The Liars' Club



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