Yeganeh > Yeganeh's Quotes

Showing 1-30 of 138
« previous 1 3 4 5
sort by

  • #1
    A.A. Milne
    “Piglet sidled up to Pooh from behind.
    "Pooh!" he whispered.
    "Yes, Piglet?"
    "Nothing," said Piglet, taking Pooh's paw. "I just wanted to be sure of you.”
    A.A. Milne, The House at Pooh Corner

  • #2
    C.S. Lewis
    “Her absence is like the sky spread over everything.”
    C.S. Lewis, A Grief Observed

  • #3
    James Joyce
    “My sweet little whorish Nora I did as you told me, you dirty little girl, and pulled myself off twice when I read your letter. I am delighted to see that you do like being fucked arseways. Yes, now I can remember that night when I fucked you for so long backwards. It was the dirtiest fucking I ever gave you, darling. My prick was stuck in you for hours, fucking in and out under your upturned rump. I felt your fat sweaty buttocks under my belly and saw your flushed face and mad eyes. At every fuck I gave you your shameless tongue came bursting out through your lips and if a gave you a bigger stronger fuck than usual, fat dirty farts came spluttering out of your backside. You had an arse full of farts that night, darling, and I fucked them out of you, big fat fellows, long windy ones, quick little merry cracks and a lot of tiny little naughty farties ending in a long gush from your hole. It is wonderful to fuck a farting woman when every fuck drives one out of her. I think I would know Nora’s fart anywhere. I think I could pick hers out in a roomful of farting women. It is a rather girlish noise not like the wet windy fart which I imagine fat wives have. It is sudden and dry and dirty like what a bold girl would let off in fun in a school dormitory at night. I hope Nora will let off no end of her farts in my face so that I may know their smell also.

    You say when I go back you will suck me off and you want me to lick your cunt, you little depraved blackguard. I hope you will surprise me some time when I am asleep dressed, steal over to me with a whore’s glow in your slumberous eyes, gently undo button after button in the fly of my trousers and gently take out your lover’s fat mickey, lap it up in your moist mouth and suck away at it till it gets fatter and stiffer and comes off in your mouth. Sometimes too I shall surprise you asleep, lift up your skirts and open your drawers gently, then lie down gently by you and begin to lick lazily round your bush. You will begin to stir uneasily then I will lick the lips of my darling’s cunt. You will begin to groan and grunt and sigh and fart with lust in your sleep. Then I will lick up faster and faster like a ravenous dog until your cunt is a mass of slime and your body wriggling wildly.

    Goodnight, my little farting Nora, my dirty little fuckbird! There is one lovely word, darling, you have underlined to make me pull myself off better. Write me more about that and yourself, sweetly, dirtier, dirtier.”
    James Joyce, Selected Letters of James Joyce

  • #4
    Fredrik Backman
    “The truth of course is that if people really were as happy as they look on the Internet, they wouldn’t spend so much damn time on the Internet, because no one who’s having a really good day spends half of it taking pictures of themselves. Anyone can nurture a myth about their life if they have enough manure, so if the grass looks greener on the other side of the fence, that’s probably because it’s full of shit.”
    Fredrik Backman, Anxious People

  • #5
    Ray Bradbury
    “They blended religion and art and science because, at base, science is no more than an investigation of a miracle we can never explain, and art is an interpretation of that miracle.”
    Ray Bradbury

  • #6
    Ray Bradbury
    “The minute you get a religion you stop thinking. Believe in one thing too much and you have no room for new ideas.”
    Ray Bradbury, The October Country

  • #7
    Sara Teasdale
    There Will Come Soft Rains

    There will come soft rains and the smell of the ground,
    And swallows circling with their shimmering sound;

    And frogs in the pool singing at night,
    And wild plum-trees in tremulous white;

    Robins will wear their feathery fire
    Whistling their whims on a low fence-wire;

    And not one will know of the war, not one
    Will care at last when it is done.

    Not one would mind, neither bird nor tree
    If mankind perished utterly;

    And Spring herself, when she woke at dawn,
    Would scarcely know that we were gone.”
    Sara Teasdale, Flame and Shadow

  • #8
    Kurt Vonnegut Jr.
    “The most important thing I learned on Tralfamadore was that when a person dies he only appears to die. He is still very much alive in the past, so it is very silly for people to cry at his funeral. All moments, past, present, and future, always have existed, always will exist. The Tralfamadorians can look at all the different moments just the way we can look at a stretch of the Rocky Mountains, for instance. They can see how permanent all the moments are, and they can look at any moment that interests them. It is just an illusion we have here on Earth that one moment follows another one, like beads on a string, and that once a moment is gone it is gone forever.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #9
    Kurt Vonnegut Jr.
    “It was a movie about American bombers in World War II and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation.

    The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers , and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans though and some of the bombers were in bad repair. Over France though, German fighters came up again, made everything and everybody as good as new.

    When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #10
    Madeline Miller
    “He showed me his scars, and in return he let me pretend that I had none.”
    Madeline Miller, Circe

  • #11
    Madeline Miller
    “But in a solitary life, there are rare moments when another soul dips near yours, as stars once a year brush the earth. Such a constellation was he to me.”
    Madeline Miller, Circe

  • #12
    Kevin    Wilson
    “A lot of times when I think I’m being self-sufficient, I’m really just learning to live without the things that I need.”
    Kevin Wilson, Nothing to See Here

  • #13
    Shirley Jackson
    “No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.”
    Shirley Jackson, The Haunting of Hill House

  • #14
    Neil Gaiman
    “Grown-ups don't look like grown-ups on the inside either. Outside, they're big and thoughtless and they always know what they're doing. Inside, they look just like they always have. Like they did when they were your age. Truth is, there aren't any grown-ups. Not one, in the whole wide world.”
    Neil Gaiman, The Ocean at the End of the Lane

  • #15
    Neil Gaiman
    “Books were safer than other people anyway.”
    Neil Gaiman, The Ocean at the End of the Lane

  • #16
    Neil Gaiman
    “And did I pass?" The face of the old woman on my right was unreadable in the gathering dusk. On my left the younger woman said, "You don't pass or fail at being a person, dear.”
    Neil Gaiman, The Ocean at the End of the Lane

  • #17
    Neil Gaiman
    “Nothing's ever the same," she said. "Be it a second later or a hundred years. It's always churning and roiling. And people change as much as oceans.”
    Neil Gaiman, The Ocean at the End of the Lane

  • #18
    Neil Gaiman
    “You don't pass or fail at being a person, dear.”
    Neil Gaiman, The Ocean at the End of the Lane

  • #19
    Neil Gaiman
    “. . . I lay on the bed and lost myself in the stories.
    I liked that. Books were safer than other people anyway.”
    Neil Gaiman, The Ocean at the End of the Lane

  • #20
    Catriona Ward
    “Everything in life is a rehearsal for loss. Only the smart people know it.”
    Catriona Ward, The Last House on Needless Street

  • #21
    L.M. Montgomery
    “I'm so glad I live in a world where there are Octobers.”
    L. M. Montgomery, Anne of Green Gables

  • #22
    Jalal ad-Din Muhammad ar-Rumi
    “Don't be satisfied with stories, how things have gone with others. Unfold your own myth.”
    Rumi, The Essential Rumi

  • #23
    Kazuo Ishiguro
    “I do not think I responded immediately, for it took me a moment or two to fully digest these words of Miss Kenton. Moreover, as you might appreciate, their implications were such as to provoke a certain degree of sorrow within me. Indeed- why should I not admit it? - at that moment, my heart was breaking.”
    Kazuo Ishiguro, The Remains of the Day

  • #24
    Hiro Arikawa
    “As we count up the memories from one journey, we head off on another. Remembering those who went ahead. Remembering those who will follow after. And someday, we will meet all those people again, out beyond the horizon.”
    Hiro Arikawa, The Travelling Cat Chronicles

  • #25
    “Well, that's the nice thing about trees," Mosscap put its hands on its hips as it looked around. "They're not going anywhere. You can take all the time you need to get to know them.”
    Becky Chambers, A Prayer for the Crown-Shy

  • #26
    “was always a strange thing, coming home. Coming home meant that you had, at one point, left it and, in doing so, irreversibly changed. How odd, then, to be able to return to a place that would always be anchored in your notion of the past. How could this place still be there, if the you that once lived there no longer existed?”
    Becky Chambers, A Prayer for the Crown-Shy

  • #27
    Emily Habeck
    “He was an aimless kite in search of a string to ground him to the world, but instead, he’d found Wren, a great, strong wind who’d supported his exploration of the sky”
    Emily Habeck, Shark Heart

  • #28
    Emily Habeck
    “...he did not fear death but grief, the ache of being alone and mangled by change. Yet he was not ready to make peace with the end.”
    Emily Habeck, Shark Heart

  • #29
    Jacqueline Harpman
    “I was forced to acknowledge too late, much too late, that I too had loved, that I was capable of suffering, and that I was human after all.”
    Jacqueline Harpman, I Who Have Never Known Men

  • #30
    Jacqueline Harpman
    “My memory begins with my anger.”
    Jacqueline Harpman, I Who Have Never Known Men



Rss
« previous 1 3 4 5