Stephanie > Stephanie's Quotes

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  • #1
    Anaïs Nin
    “It is the function of art to renew our perception. What we are familiar with we cease to see. The writer shakes up the familiar scene, and, as if by magic, we see a new meaning in it.”
    Anais Nin

  • #2
    Anaïs Nin
    “Had I not created my whole world, I would certainly have died in other people’s. ”
    Anaïs Nin

  • #3
    Anaïs Nin
    “For you and for me the highest moment, the keenest joy, is not when our minds dominate but when we lose our minds, and you and I both lose it in the same way, through love.”
    Anais Nin, Fire: From A Journal of Love - The Unexpurgated Diary of Anaïs Nin

  • #4
    Anaïs Nin
    “What I cannot love, I overlook. Is that real friendship?”
    Anaïs Nin

  • #5
    Anaïs Nin
    “I really believe that if I were not a writer, not a creator, not an experimenter, I might have been a very faithful wife. I think highly of faithfulness. But my temperament belongs to the writer, not to the woman”
    Anais Nin

  • #6
    Anaïs Nin
    “My ideas usually come not at my desk writing but in the midst of living.”
    Anaïs Nin

  • #7
    Anaïs Nin
    “The role of a writer is not to say what we can all say, but what we are unable to say.”
    Anais Nin

  • #8
    Anaïs Nin
    “Do not seek the because - in love there is no because, no reason, no explanation, no solutions.”
    Anaïs Nin, HENRY AND JUNE

  • #9
    Anaïs Nin
    “You live like this, sheltered, in a delicate world, and you believe you are living. Then you read a book… or you take a trip… and you discover that you are not living, that you are hibernating. The symptoms of hibernating are easily detectable: first, restlessness. The second symptom (when hibernating becomes dangerous and might degenerate into death): absence of pleasure. That is all. It appears like an innocuous illness. Monotony, boredom, death. Millions live like this (or die like this) without knowing it. They work in offices. They drive a car. They picnic with their families. They raise children. And then some shock treatment takes place, a person, a book, a song, and it awakens them and saves them from death. Some never awaken.”
    Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

  • #10
    Alain de Botton
    “Every fall into love involves the triumph of hope over self-knowledge. We fall in love hoping we won't find in another what we know is in ourselves, all the cowardice, weakness, laziness, dishonesty, compromise, and stupidity. We throw a cordon of love around the chosen one and decide that everything within it will somehow be free of our faults. We locate inside another a perfection that eludes us within ourselves, and through our union with the beloved hope to maintain (against the evidence of all self-knowledge) a precarious faith in our species.”
    Alain de Botton, On Love

  • #11
    Alain de Botton
    “We are all more intelligent than we are capable, and awareness of the insanity of love has never saved anyone from the disease.”
    Alain De Botton, On Love

  • #12
    Alain de Botton
    “Intimacy is the capacity to be rather weird with someone - and finding that that's ok with them.”
    Alain de Botton

  • #13
    Alain de Botton
    “We fall in love because we long to escape from ourselves with someone as beautiful, intelligent, and witty as we are ugly, stupid, and dull. But what if such a perfect being should one day turn around and decide they will love us back? We can only be somewhat shocked-how can they be as wonderful as we had hoped when they have the bad taste to approve of someone like us?”
    Alain de Botton, On Love

  • #14
    Alain de Botton
    “Perhaps the easiest people to fall in love with are those about whom
    we know nothing. Romances are never as pure as those we imagine during
    long train journeys, as we secretly contemplate a beautiful person who is
    gazing out of the window – a perfect love story interrupted only when the
    beloved looks back into the carriage and starts up a dull conversation
    about the excessive price of the on-board sandwiches with a neighbour or
    blows her nose aggressively into a handkerchief.”
    Alain de Botton, On Love
    tags: love

  • #15
    Haruki Murakami
    “If you really want to know something, you have to be willing to pay the price.”
    Haruki Murakami, After Dark

  • #16
    Haruki Murakami
    “In this world, there are things you can only do alone, and things you can only do with somebody else. It's important to combine the two in just the right amount.”
    Haruki Murakami, After Dark

  • #17
    Haruki Murakami
    “But why should you be interested in me?"
    Good question. I can’t explain it myself right this moment. But maybe – just maybe – if we start getting together and talking, after a while something like Francis Lai’s soundtrack music will start playing in the background, and a whole slew of concrete reasons why I’m interested in you will line up out of nowhere. With luck, it might even snow for us.”
    Haruki Murakami, After Dark

  • #18
    Haruki Murakami
    “Memory is so crazy! It's like we've got these drawers crammed with tons of useless stuff. Meanwhile, all the really important things we just keep forgetting, one after the other.”
    Haruki Murakami, After Dark

  • #19
    Haruki Murakami
    “Time moves in it special way in the middle of the night.”
    Haruki murakami , After Dark

  • #20
    Haruki Murakami
    “I've had sex with lots of guys, but I think I did it mostly out of fear. I was scared not to have somebody putting his arms around me, so I could never say no. That's all. Nothing good ever came of sex like that. All it does is grind down the meaning of life a piece at a time.”
    Haruki Murakami, After Dark

  • #21
    Haruki Murakami
    “And her sleep was too long and deep for that:so deep that she left her normal reality behind.”
    Haruki Murakami, After Dark

  • #22
    Haruki Murakami
    “If only I could fall
    sound asleep and wake up in my old reality!”
    Haruki Murakami, After Dark

  • #23
    Haruki Murakami
    “But that was the last time. That was…how should I say it? ... the one moment in my life when I was able to draw closest to Eri ... the one moment when she and I joined heart to heart as one: there was nothing separating us. After that, it seems, we grew further and further apart. We separated, and before long we were living in different worlds. That sense of union I felt in the darkness of the lift, that strong bond between our hearts, never came back again. I don't know what went wrong, but we were never able to go back to where we started from.”
    Haruki Murakami, After Dark

  • #24
    Marc Maron
    “Have you ever had one of those moments when you look up and realize that you're one of those people you see on the train talking to themselves?”
    Marc Maron

  • #25
    Milan Kundera
    “You can't measure the mutual affection of two human beings by the number of words they exchange.”
    Milan Kundera

  • #26
    Milan Kundera
    “When the heart speaks, the mind finds it indecent to object.”
    Milan Kundera, The Unbearable Lightness of Being

  • #27
    James Kavanaugh
    “I saw my face today
    And it looked older,
    Without the warmth of wisdom
    Or the softness
    Born of pain and waiting.
    The dreams were gone from my eyes,
    Hope lost in hollowness
    On my cheeks,
    A finger of death
    Pulling at my jaws.

    So I did my push-ups
    And wondered if I'd ever find you,
    To see my face
    With friendlier eyes than mine.”
    James Kavanaugh, There Are Men Too Gentle to Live Among Wolves

  • #28
    “Sometimes you’re 23 and standing in the kitchen of your house making breakfast and brewing coffee and listening to music that for some reason is really getting to your heart. You’re just standing there thinking about going to work and picking up your dry cleaning. And also more exciting things like books you’re reading and trips you plan on taking and relationships that are springing into existence. Or fading from your memory, which is far less exciting. And suddenly you just don’t feel at home in your skin or in your house and you just want home but “Mom’s” probably wouldn’t feel like home anymore either. There used to be the comfort of a number in your phone and ears that listened every day and arms that were never for anyone else. But just to calm you down when you started feeling trapped in a five-minute period where nostalgia is too much and thoughts of this person you are feel foreign. When you realize that you’ll never be this young again but this is the first time you’ve ever been this old. When you can’t remember how you got from sixteen to here and all the same feel like sixteen is just as much of a stranger to you now. The song is over. The coffee’s done. You’re going to breath in and out. You’re going to be fine in about five minutes.”
    Kalyn Roseanne Livernois, High Wire Darlings



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