“Marcel had heard people describe empty galleries as being eerie, spooky, somehow lesser for the absence of people. Personally, he found that to be utter drivel. While he knew better than to say it out loud, galleries looked so much better to him without people wandering around, cluttering up the place, gawping at things. He knew the official message was that art must be brought to the public and the public must learn to appreciate art, et cetera, et cetera. He toed the party line but, deep down, all that was nonsense to him. Art existed because he saw it and it was good because he said it was. Everyone is entitled to their opinion, of course, but why must we pretend all opinions are equal? He had worked so very hard, fought tooth and nail, to get where he was today – a curator at the Louvre. That meant he knew better. Knowing better was almost in his job title.”
―
Caimh McDonnell,
The Family Jewels