Jane > Jane's Quotes

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  • #1
    Jonathan Franzen
    “It was true that Al had asked her to move the jars and magazines, and there was probably a word for the way she'd stepped around those jars and magazines for the last eleven days, often nearly stumbling on them; maybe a psychiatric word with many syllables or maybe a simple word like "spite." But it seemed to her that he'd asked her to do more than "one thing" while he was gone. He'd also asked her to make the boys three meals a day, and clothe them and read to them and nurse them in sickness, and scrub the kitchen floor and wash the sheets and iron his shirts, and do it all without a husband's kisses or kind words. If she tried to get credit for these labors of hers, however, Al simply asked her whose labors had paid for the house and food and linens? Never mind that his work so satisfied him that he didn't need her love, while her chores so bored her that she needed his love doubly. In any rational accounting, his work canceled her work.”
    Jonathan Franzen, The Corrections

  • #2
    Jonathan Franzen
    “There came a time, however, when death ceased to be the enforcer of finitude and began to look, instead, like the last opportunity for radical transformation, the only plausible portal to the infinite.
    But to be seen as the finite carcass in a sea of blood and bone chips and gray matter-- to inflict that version of himself on other people-- was a violation of privacy so profound it seemed it would outlive him.
    He was also afraid that it might hurt.
    And there was a very important question that he still wanted answered. His children were coming, Gary and Denise and maybe even Chip, his intellectual son. It was possible that Chip, if he came, could answer the very important question.
    And the question was:
    The question was:”
    Jonathan Franzen, The Corrections

  • #3
    Jonathan Franzen
    “He didn't understand what happened to him. He felt like a piece of paper that had once had coherent writing on it but had been through the wash. He felt roughened, bleached, and worn out along the fold lines.”
    Jonathan Franzen, The Corrections

  • #4
    Jonathan Franzen
    “She had to tell him, while she still had time, how wrong he’d been and how right she’d been. How wrong not to love her more, how wrong not to cherish her and have sex at every opportunity, how wrong not to trust her financial instincts, how wrong to have spent so much time at work and so little with the children, how wrong to have been so negative, how wrong to have been gloomy, how wrong to have run away from life, how wrong to have said no, again and again, instead of yes: she had to tell him all of this, every single day.”
    Jonathan Franzen, The Corrections

  • #5
    Robert A. Heinlein
    “A human being should be able to change a diaper, plan an invasion, butcher a hog, conn a ship, design a building, write a sonnet, balance accounts, build a wall, set a bone, comfort the dying, take orders, give orders, cooperate, act alone, solve equations, analyze a new problem, pitch manure, program a computer, cook a tasty meal, fight efficiently, die gallantly. Specialization is for insects.”
    Robert A. Heinlein
    tags: rah

  • #6
    Rebecca Solnit
    “What is the message that wild animals bring, the message that seems to say everything and nothing? What is this message that is wordless, that is nothing more or less than the animals themselves- that the world is wild, that life is unpredictable in its goodness and its danger, that the world is larger than your imagination.”
    Rebecca Solnit

  • #7
    Rebecca Solnit
    “...to be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery. And one does not get lost but loses oneself, with the implication that it is a conscious choice, a chosen surrender...”
    Rebecca Solnit, A Field Guide to Getting Lost

  • #8
    Walt Whitman
    “This is what you shall do; Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families, read these leaves in the open air every season of every year of your life, re-examine all you have been told at school or church or in any book, dismiss whatever insults your own soul, and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.”
    Walt Whitman

  • #9
    Walt Whitman
    “Not I, nor anyone else can travel that road for you.
    You must travel it by yourself.
    It is not far. It is within reach.
    Perhaps you have been on it since you were born, and did not know.
    Perhaps it is everywhere - on water and land.”
    Walt Whitman, Leaves of Grass

  • #10
    Walt Whitman
    “I exist as I am, that is enough,
    If no other in the world be aware I sit content,
    And if each and all be aware I sit content.
    One world is aware, and by the far the largest to me, and that is myself,
    And whether I come to my own today or in ten thousand or ten million years,
    I can cheerfully take it now, or with equal cheerfulness, I can wait.”
    Walt Whitman

  • #11
    Rainer Maria Rilke
    “But your solitude will be a support and a home for you, even in the midst of very unfamiliar circumstances, and from it you will find all your paths.”
    Rainer Maria Rilke, Letters to a Young Poet

  • #12
    James Joyce
    “He was alone. He was unheeded, happy, and near to the wild heart of life. He was alone and young and wilful and wildhearted, alone amid a waste of wild air and brackish waters and the seaharvest of shells and tangle and veiled grey sunlight.”
    James Joyce, A Portrait of the Artist as a Young Man

  • #13
    Rainer Maria Rilke
    “Therefore, dear Sir, love your solitude and try to sing out with the pain it causes you. For those who are near you are far away... and this shows that the space around you is beginning to grow vast.... be happy about your growth, in which of course you can't take anyone with you, and be gentle with those who stay behind; be confident and calm in front of them and don't torment them with your doubts and don't frighten them with your faith or joy, which they wouldn't be able to comprehend. Seek out some simple and true feeling of what you have in common with them, which doesn't necessarily have to alter when you yourself change again and again; when you see them, love life in a form that is not your own and be indulgent toward those who are growing old, who are afraid of the aloneness that you trust.... and don't expect any understanding; but believe in a love that is being stored up for you like an inheritance, and have faith that in this love there is a strength and a blessing so large that you can travel as far as you wish without having to step outside it.”
    Rainer Maria Rilke, Letters to a Young Poet

  • #14
    Hermann Hesse
    “We must become so alone, so utterly alone, that we withdraw into our innermost self. It is a way of bitter suffering. But then our solitude is overcome, we are no longer alone, for we find that our innermost self is the spirit, that it is God, the indivisible. And suddenly we find ourselves in the midst of the world, yet undisturbed by its multiplicity, for our innermost soul we know ourselves to be one with all being.”
    Hermann Hesse

  • #15
    Ralph Waldo Emerson
    “Guard well your spare moments. They are like uncut diamonds. Discard them and their value will never be known. Improve them and they will become the brightest gems in a useful life.”
    Ralph Waldo Emerson

  • #16
    Walt Whitman
    “Resist much, obey little.”
    Walt Whitman, Leaves of Grass

  • #17
    Walt Whitman
    “Whoever you are, now I place my hand upon you/ That you may be my poem/ I whisper with my lips close to your ear/ I have loved many women and men, but I love none better than you.”
    Walt Whitman

  • #18
    Zhuangzi
    “The fish trap exists because of the fish. Once you've gotten the fish you can forget the trap. The rabbit snare exists because of the rabbit. Once you've gotten the rabbit, you can forget the snare. Words exist because of meaning. Once you've gotten the meaning, you can forget the words. Where can I find a man who has forgotten words so I can talk with him?”
    Zhuangzi, Chuang Tsu: Inner Chapters

  • #19
    Zhuangzi
    “Once upon a time, I dreamt I was a butterfly, fluttering hither and thither, to all intents and purposes a butterfly. I was conscious only of my happiness as a butterfly, unaware that I was myself. Soon I awaked, and there I was, veritably myself again. Now I do not know whether I was then a man dreaming I was a butterfly, or whether I am now a butterfly, dreaming I am a man.”
    Zhuangzi, The Butterfly as Companion: Meditations on the First Three Chapters of the Chuang Tzu

  • #20
    Philip Larkin
    “They fuck you up, your mum and dad.
    They may not mean to, but they do.
    They fill you with the faults they had
    And add some extra, just for you.

    But they were fucked up in their turn
    By fools in old-style hats and coats,
    Who half the time were soppy-stern
    And half at one another's throats.

    Man hands on misery to man.
    It deepens like a coastal shelf.
    Get out as early as you can,
    And don't have any kids yourself.”
    Philip Larkin, High Windows

  • #21
    Edward Abbey
    “Wilderness is not a luxury but a necessity of the human spirit, and as vital to our lives as water and good bread. A civilization which destroys what little remains of the wild, the spare, the original, is cutting itself off from its origins and betraying the principle of civilization itself.”
    Edward Abbey, Desert Solitaire

  • #22
    Edward Abbey
    “Men come and go, cities rise and fall, whole civilizations appear and disappear-the earth remains, slightly modified. The earth remains, and the heartbreaking beauty where there are no hearts to break....I sometimes choose to think, no doubt perversely, that man is a dream, thought an illusion, and only rock is real. Rock and sun.”
    Edward Abbey, Desert Solitaire: A Season in the Wilderness

  • #23
    Edward Abbey
    “most of my wandering in the desert i've done alone. not so much from choice as from necessity - i generally prefer to go into places where no one else wants to go. i find that in contemplating the natural world my pleasure is greater if there are not too many others contemplating it with me, at the same time.”
    Edward Abbey, Desert Solitaire

  • #24
    Edward Abbey
    “The extreme clarity of the desert light is equaled by the extreme individuation of desert life forms. Love flowers best in openness and freedom.”
    Edward Abbey, Desert Solitaire

  • #25
    Edward Abbey
    “Standing there, gaping at this monstrous and inhumane spectacle of rock and cloud and sky and space, I feel a ridiculous greed and possessiveness come over me. I want to know it all, posess it all, embrace the entire scene intimately, deeply, totally...”
    Edward Abbey, Desert Solitaire

  • #26
    Edward Abbey
    “The shock of the real. For a little while we are again able to see, as the child sees, a world of marvels. For a few moments we discover that nothing can be taken for granted, for if this ring of stone is marvelous then all which shaped it is marvelous, and our journey here on earth, able to see and touch and hear in the midst of tangible and mysterious things-in-themselves, is the most strange and daring of all adventures.”
    Edward Abbey, Desert Solitaire

  • #27
    Edward Abbey
    “All things are in motion, all is in process, nothing abides, nothing will ever change in this eternal moment.”
    Edward Abbey, Desert Solitaire

  • #28
    Edward Abbey
    “The beauty of Delicate Arch explains nothing, for each thing in it's way, when true to it's own character, is equally beautiful. If Delicate Arch has any significance it lies, I will venture, in the power of the odd and unexpected to startle the senses and surprise the mind out of their ruts of habit, to compel us into a reawakened awareness of the wonderful-that which is full of wonder.”
    Edward Abbey, Desert Solitaire

  • #29
    Edward Abbey
    “If a man knew enough he could write a whole book about the juniper tree. Not juniper trees in general but that one particular juniper tree which grows from a ledge of naked sandstone near the old entrance to Arches National Monument.”
    Edward Abbey, Desert Solitaire

  • #30
    Edward Abbey
    “It seems to me possible, even probable, that many of the nonhuman undomesticated animals experience emotions unknown to us. What do the coyotes mean when they yodel at the moon? What are the dolphins trying so patiently to tell us? Precisely what did those two enraptured gopher snakes have in mind when they came gliding toward my eyes over the naked sandstone? If I had been as capable of trust as I am susceptible to fear I might have learned something new or some truth so very old we have all forgotten it. They”
    Edward Abbey, Desert Solitaire



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