Myshko > Myshko's Quotes

“I can see exactly what not to do at the moment. No doubt through the usual process of elimination I'll arrive at my favourite strategy of total paralysis.”
― Don Paterson, The Blind Eye: A Book of Late Advice

“There must have been a moment, at the beginning, where we could have said -- no. But somehow we missed it.”
― Tom Stoppard, Rosencrantz and Guildenstern Are Dead

“We cross our bridges when we come to them and burn them behind us, with nothing to show for our progress except a memory of the smell of smoke, and a presumption that once our eyes watered.”
― Tom Stoppard, Rosencrantz and Guildenstern Are Dead

“Rosencrantz: I don't believe in it anyway.
Guildenstern: What?
Rosencrantz: England.
Guildenstern: Just a conspiracy of cartographers, then? ”
― Tom Stoppard, Rosencrantz and Guildenstern Are Dead

“Life is a gamble, at terrible odds. If it were a bet you wouldn’t take it.”
― Tom Stoppard, Rosencrantz and Guildenstern Are Dead

“Pirates could happen to anyone.”
― Tom Stoppard, Rosencrantz and Guildenstern Are Dead

“The colours red, blue and green are real. The colour yellow is a mystical experience shared by everybody.”
― Tom Stoppard, Rosencrantz and Guildenstern Are Dead

“Wheels have been set in motion, and they have their own pace, to which we are...condemned. Each move is dictated by the previous one - that is the meaning of order. If we start being arbitrary it'll just be a shambles: at least, let us hope so. Because if we happened, just happened to discover, or even suspect, that our spontaneity was part of their order, we'd know that we were lost. A Chinaman of the T'ang Dynasty - and, by which definition, a philosopher - dreamed he was a butterfly, and from that moment he was never quite sure that he was not a butterfly dreaming it was a Chinese philosopher. Envy him; his two-fold security. ”
― Tom Stoppard, Rosencrantz and Guildenstern Are Dead

“We must be born with an intuition of mortality. Before we know the word for it. Before we know that there are words. Out we come, bloodied and squalling, with the knowledge that for all the points of the compass, there's only one direction. And time is its only measure.”
― Tom Stoppard, Rosencrantz and Guildenstern Are Dead

“Autumnal -- nothing to do with leaves. It is to do with a certain brownness at the edges of the day ... Brown is creeping up on us, take my word for it ... Russets and tangerine shades of old gold flushing the very outside edge of the senses... deep shining ochres, burnt umber and parchments of baked earth -- reflecting on itself and through itself, filtering the light. At such times, perhaps, coincidentally, the leaves might fall, somewhere, by repute. Yesterday was blue, like smoke.”
― Tom Stoppard, Rosencrantz and Guildenstern Are Dead

“GUIL: It [Hamlet's madness] really boils down to symptoms. Pregnant replies, mystic allusions, mistaken identities, arguing his father is his mother, that sort of thing; intimations of suicide, forgoing of exercise, loss of mirth, hints of claustrophobia not to say delusions of imprisonment; invocations of camels, chameleons, capons, whales, weasels, hawks, handsaws -- riddles, quibbles and evasions; amnesia, paranoia, myopia; day-dreaming, hallucinations; stabbing his elders, abusing his parents, insulting his lover, and appearing hatless in public -- knock-kneed, droop-stockinged and sighing like a love-sick schoolboy, which at his age is coming on a bit strong.

ROS: And talking to himself.

GUIL: And talking to himself.”
― Tom Stoppard, Rosencrantz and Guildenstern Are Dead

“You can only hold a smile for so long, after that it's just teeth.”
― Chuck Palahniuk, Invisible Monsters

“Age is a very high price to pay for maturity.”
― Tom Stoppard

“Words, words. They're all we have to go on.”
― Tom Stoppard, Rosencrantz and Guildenstern Are Dead

“Well, we'll know better next time.”
― Tom Stoppard, Rosencrantz and Guildenstern Are Dead

“Kissing girls is not like science, nor is it like sport. It is the third thing when you thought there were only two.”
― Tom Stoppard, The Invention of Love

“All was forgiven.

All living things were brothers, and all dead things were even more so.”
― Kurt Vonnegut, The Sirens of Titan

“Her lips are full and red and tend to wetness and do not ask but rather demand, in a pout of liquid silk, to be kissed. I kiss them often, I admit it, it is what I do, I am a kisser, and a kiss with Lenore is, if I may indulge a bit for a moment here, not so much a kiss as it is a dislocation, a removal and rude transportation of essence from self to lip, so that it is not so much two human bodies coming together and doing the usual things with their lips as it is two sets of lips spawned together and joined in kind from the beginning of post-Scarsdale time, achieving full ontological status only in subsequent union and trailing behind and below them, as they join and become whole, two now utterly superfluous fleshly bodies, drooping outward and downward from the kiss like the tired stems of overblossomed flora, trailing shoes on the ground, husks.”
― David Foster Wallace, The Broom of the System

“I cannot say what color Lenore Beadsman’s eyes are; I cannot look at them; they are the sun to me.”
― David Foster Wallace, The Broom of the System

“...that, to repeat what I heard for years and years and suspect you’ve been hearing over and over, yourself, something’s meaning is nothing more or less than its function. Et cetera et cetera et cetera. Has she done the thing with the broom with you? No? What does she use now? No. What she did with me--I must have been eight, or twelve, who remembers--was to sit me down in the kitchen and take a straw broom and start furiously sweeping the floor, and she asked me which part of the broom was more elemental, more fundamental, in my opinion, the bristles or the handle. The bristles or the handle. And I hemmed and hawed, and she swept more and more violently, and I got nervous, and finally when I said I supposed the bristles, because you could after a fashion sweep without the handle, by just holding on to the bristles, but couldn’t sweep with just the handle, she tackled me, and knocked me out of my chair, and yelled into my ear something like, ’Aha, that’s because you want to sweep with the broom, isn’t it? It’s because of what you want the broom for, isn’t it?’ Et cetera. And that if what we wanted a broom for was to break windows, then the handle was clearly the fundamental essence of the broom, and she illustrated with the kitchen window, and a crowd of the domestics gathered; but that if we wanted the broom to sweep with, see for example the broken glass, sweep sweep, the bristles were the thing’s essence. No? What now, then? With pencils? No matter. Meaning as fundamentalness. Fundamentalness as use. Meaning as use. Meaning as fundamentalness.”
― David Foster Wallace, The Broom of the System

“Most really pretty girls have pretty ugly feet, and so does Mindy Metalman, Lenore notices, all of a sudden.”
― David Foster Wallace, The Broom of the System

“Weight Watchers holds as a descriptive axiom the transparently true fact that for each of us the universe is deeply and sharply and completely divided into for example in my case, me, on one side, and everything else, on the other. This for each of us exhaustively defines the whole universe... And then they hold by a prescriptive axiom the undoubtedly equally true and inarguable fact that we each ought to desire our own universe to be as full as possible, that the Great Horror consists in an empty, rattling personal universe, one where one finds oneself with Self, on one hand, and vastly empty lonely spaces before Others begin to enter the picture at all, on the other. A non-full universe... The emptier one’s universe is, the worse it is... Weight Watchers perceives the problem as one involving the need to have as much Other around as possible, so that the relation is one of minimum Self to maximum Other... We each need a full universe. Weight Watchers and their allies would have us systematically decrease the Self-component of the universe, so that the great Other-set will be physically attracted to the now more physically attractive Self, and rush in to fill the void caused by that diminution of Self. Certainly not incorrect, but just as certainly only half of the range of valid solutions to the full-universe problem... Is my drift getting palpable? Just as in genetic engineering... There is always more than one solution... An autonomously full universe... Rather than diminishing Self to entice Other to fill our universe, we may also of course obviously choose to fill the universe with Self... Yes. I plan to grow to infinite size... There will of course eventually cease to be room for anyone else in the universe at all.”
― David Foster Wallace, The Broom of the System

“If you've never wept and want to, have a child.”
― David Foster Wallace

“Somewhere beyond the battening, urged sweep of three-bedroom houses rushing by their thousands across all the dark beige hills, somehow implicit in an arrogance or bite to the smog the more inland somnolence of San Narciso did lack, lurked the sea, the unimaginable Pacific, the one to which all surfers, beach pads, sewage disposal schemes, tourist incursions, sunned homosexuality, chartered fishing are irrelevant, the hole left by the moon’s tearing-free and monument to her exile; you could not hear or even smell this but it was there, something tidal began to reach feelers in past eyes and eardrums, perhaps to arouse fractions of brain current your most gossamer microelectrode is yet too gross for finding.”
― Thomas Pynchon, The Crying of Lot 49

“And when the event, the big change in your life, is simply an insight—isn't that a strange thing? That absolutely nothing changes except that you see things differently and you're less fearful and less anxious and generally stronger as a result: isn't it amazing that a completely invisible thing in your head can feel realer than anything you've experienced before? You see things more clearly and you know that you're seeing them more clearly. And it comes to you that this is what it means to love life, this is all anybody who talks seriously about God is ever talking about. Moments like this.”
― Jonathan Franzen, The Corrections