Rimsha Bashir > Rimsha's Quotes

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  • #1
    Cath Crowley
    “But I love you, and before you say it words do matter. They're not pointless. If they were pointless then they couldn't start revolutions and they wouldn't change history and they wouldn't be the things that you think about every night before you go to sleep. If they were just words we wouldn't listen to songs, we wouldn't beg to be read to when we're kids. If they were just words, then they'd have no meaning and stories wouldn't have been around since before humans could write. We wouldn't have learned to write. If they were just words then people wouldn't fall in love because of them, feel bad because of them, ache because of them, stop aching because of them, have sex, quite a lot of the time, because of them.”
    Cath Crowley, Words in Deep Blue

  • #2
    Cath Crowley
    “Sometimes science isn't enough. Sometimes you need the poets.”
    Cath Crowley, Words in Deep Blue

  • #3
    Cath Crowley
    “The past is with me; the present is here. The future is unmapped and changeable. Ours for the imagining: spreading out before us. Sunlight filled, deep blue, and the darkness.”
    Cath Crowley, Words in Deep Blue
    tags: hope

  • #4
    Cath Crowley
    “Second hand books have a way of travelling, sure. But what travels forward can come back.”
    Cath Crowley, Words in Deep Blue

  • #5
    Cath Crowley
    “words do matter. They’re not pointless. If they were pointless then they couldn’t start revolutions and they wouldn’t change history and they wouldn’t be the things that you think about every night before you go to sleep. If they were just words we wouldn’t listen to songs,”
    Cath Crowley, Words in Deep Blue

  • #6
    Cath Crowley
    “Death is something we shy away from, except in literature or television, when we tend to stare right at it.”
    Cath Crowley, Words in Deep Blue
    tags: death

  • #7
    Cath Crowley
    “Words matter, in fact. They're not pointless, as you've suggested. If they were pointless, then they couldn't start revolutions and they wouldn't change history. If they were just words, we wouldn't write songs or listen to them. We wouldn't beg to be read to as kids. If they were just words, then stories wouldn't have been around since before we could write. We wouldn't have learned to write. If they were just words, people wouldn't fall in love because of them, feel bad because of them, ache because of them, and stop aching because of them." (p. 210) (Henry Jones)”
    Cath Crowley, Words in Deep Blue

  • #8
    Cath Crowley
    “Shitness, my sister says, has a momentum that good luck just doesn't have.”
    Cath Crowley, Words in Deep Blue

  • #9
    Cath Crowley
    “ I like to think of love as being slightly more forgiving than time.”
    Cath Crowley, Words in Deep Blue

  • #10
    Gail Honeyman
    “If someone asks you how you are, you are meant to say FINE. You are not meant to say that you cried yourself to sleep last night because you hadn't spoken to another person for two consecutive days. FINE is what you say.”
    Gail Honeyman, Eleanor Oliphant Is Completely Fine

  • #11
    Gail Honeyman
    “These days, loneliness is the new cancer—a shameful, embarrassing thing, brought upon yourself in some obscure way. A fearful, incurable thing, so horrifying that you dare not mention it; other people don’t want to hear the word spoken aloud for fear that they might too be afflicted, or that it might tempt fate into visiting a similar horror upon them.”
    Gail Honeyman, Eleanor Oliphant Is Completely Fine

  • #12
    Gail Honeyman
    “A philosophical question: if a tree falls in a forest and no one is around to hear it, does it make a sound? And if a woman who's wholly alone occasionally talks to a pot plant, is she certifiable? I think that it is perfectly normal to talk to oneself occasionally. It's not as though I'm expecting a reply. I'm fully aware that Polly is a houseplant.”
    Gail Honeyman, Eleanor Oliphant Is Completely Fine

  • #13
    Gail Honeyman
    “There are days when I feel so lightly connected to the earth that the threads that tether me to the planet are gossamer thin, spun sugar. A strong gust of wind could dislodge me completely, and I’d lift off and blow away, like one of those seeds in a dandelion clock. The threads tighten slightly from Monday to Friday.”
    Gail Honeyman, Eleanor Oliphant Is Completely Fine

  • #14
    Sarah Kay
    “If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.”

    She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried.

    And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.”

    But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it.

    I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away.

    You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life.

    And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it.

    “Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.”

    Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining.

    Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.”
    Sarah Kay

  • #15
    Sarah Kay
    “Because there’s nothing more beautiful than the way the ocean refuses to stop kissing the shoreline, no matter how many times it’s sent away.”
    Sarah Kay

  • #16
    Sarah Kay
    “I have seen the best of you, and the worst of you, and I choose both.”
    Sarah Kay

  • #17
    Jane Austen
    “If a book is well written, I always find it too short.”
    Jane Austen, Sense and Sensibility

  • #18
    Arundhati Roy
    “They’re mostly rich folk who live in our poor country like captive animals, incarcerated by their own wealth, locked and barred in their gilded cages, protecting themselves from the threat of the vulgar and unruly multitudes whom they have systematically dispossessed over the centuries.”
    Arundhati Roy, Listening to Grasshoppers: Field Notes on Democracy

  • #19
    Arundhati Roy
    “That's what careless words do. They make people love you a little less.”
    Arundhati Roy, The God of Small Things

  • #20
    Arundhati Roy
    “And the air was full of Thoughts and Things to Say. But at times like these, only the Small Things are ever said. Big Things lurk unsaid inside.”
    Arundhati Roy, The God of Small Things

  • #21
    Arundhati Roy
    “The way her body existed only where he touched her. The rest of her was smoke.”
    Arundhati Roy, The God of Small Things

  • #22
    Arundhati Roy
    “He folded his fear into a perfect rose. He held it out in the palm of his hand. She took it from him and put it in her hair.”
    Arundhati Roy, The God of Small Things
    tags: love

  • #23
    Arundhati Roy
    “Perhaps it’s true that things can change in a day. That a few dozen hours can affect the outcome of whole lifetimes. And that when they do, those few dozen hours, like the salvaged remains of a burned house—the charred clock, the singed photograph, the scorched furniture—must be resurrected from the ruins and examined. Preserved. Accounted for. Little events, ordinary things, smashed and reconstituted. Imbued with new meaning. Suddenly they become the bleached bones of a story.”
    Arundhati Roy, The God of Small Things

  • #24
    Arundhati Roy
    “Writers imagine that they cull stories from the world. I'm beginning to believe that vanity makes them think so. That it's actually the other way around. Stories cull writers from the world. Stories reveal themselves to us. The public narrative, the private narrative - they colonize us. They commission us. They insist on being told. Fiction and nonfiction are only different techniques of story telling. For reasons that I don't fully understand, fiction dances out of me, and nonfiction is wrenched out by the aching, broken world I wake up to every morning.”
    Arundhati Roy, The God of Small Things

  • #25
    Arundhati Roy
    “But when they made love he was offended by her eyes. They behaved as though they belonged to someone else. Someone watching. Looking out of the window at the sea. At a boat in the river. Or a passerby in the mist in a hat.

    He was exasperated because he didn't know what that look meant. He put it somewhere between indifference and despair. He didn’t know that in some places, like the country that Rahel came from, various kinds of despair competed for primacy. And that personal despair could never be desperate enough. That something happened when personal turmoil dropped by at the wayside shrine of the vast, violent, circling, driving, ridiculous, insane, unfeasible, public turmoil of a nation. That Big God howled like a hot wind, and demanded obeisance. Then Small God (cozy and contained, private and limited) came away cauterized, laughing numbly at his own temerity. Inured by the confirmation of his own inconsequence, he became resilient and truly indifferent. Nothing mattered much. Nothing much mattered. And the less it mattered, the less it mattered. It was never important enough. Because Worse Things had happened. In the country that she came from, poised forever between the terror of war and the horror of peace, Worse Things kept happening.

    So Small God laughed a hollow laugh, and skipped away cheerfully. Like a rich boy in shorts. He whistled, kicked stones. The source of his brittle elation was the relative smallness of his misfortune. He climbed into people’s eyes and became an exasperating expression.”
    Arundhati Roy, The God of Small Things

  • #26
    Jane Austen
    “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.”
    Jane Austen, Pride and Prejudice

  • #27
    Jane Austen
    “I cannot fix on the hour, or the spot, or the look or the words, which laid the foundation. It is too long ago. I was in the middle before I knew that I had begun.”
    Jane Austen, Pride and Prejudice

  • #28
    Jane Austen
    “Angry people are not always wise.”
    Jane Austen, Pride and Prejudice

  • #29
    Jane Austen
    “From the very beginning— from the first moment, I may almost say— of my acquaintance with you, your manners, impressing me with the fullest belief of your arrogance, your conceit, and your selfish disdain of the feelings of others, were such as to form the groundwork of disapprobation on which succeeding events have built so immovable a dislike; and I had not known you a month before I felt that you were the last man in the world whom I could ever be prevailed on to marry.”
    Jane Austen, Pride and Prejudice

  • #30
    Jane Austen
    “I have faults enough, but they are not, I hope, of understanding. My temper I dare not vouch for. It is, I believe, too little yielding— certainly too little for the convenience of the world. I cannot forget the follies and vices of other so soon as I ought, nor their offenses against myself. My feelings are not puffed about with every attempt to move them. My temper would perhaps be called resentful. My good opinion once lost, is lost forever.”
    Jane Austen, Pride and Prejudice



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