Sharyn Constantine > Sharyn's Quotes

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  • #1
    Isaac Asimov
    “The saddest aspect of life right now is that science gathers knowledge faster than society gathers wisdom.”
    Isaac Asimov

  • #2
    Kurt Vonnegut Jr.
    “To practice any art, no matter how well or badly, is a way to make your soul grow. So do it.”
    Kurt Vonnegut, A Man Without a Country

  • #3
    T.S. Eliot
    “This is the way the world ends
    Not with a bang but a whimper.”
    T.S. Eliot

  • #4
    Alan Garner
    “She wants to be flowers, but you make her owls. You must not complain, then, if she goes hunting.”
    Alan Garner, The Owl Service

  • #5
    Alan Garner
    “Lleu is a hard lord,” said Huw, “He is killing Gronw without anger, without love, without mercy. He is hurt too much by the woman and the spear. Yet what is there when it is done? His pride. No spear. No friend.”
    Roger started at Huw. “You’re not so green as you’re grass-looking, are you?” he said. “Now you mention it, I have been thinking— That bloke Gronw was the only one with any real guts at the end.”
    “But none of them is all to blame,” said Huw. “It is only together they are destroying each other.”
    “That Blod-woman was pretty poor,” said Roger, “however you look at it.”
    “No,” said Huw. “She was made for her lord. Nobody is asking her if she wants him. It is bitter twisting to be shut up with a person you are not liking very much. I think she was longing for the time when she was flowers on the mountain, and it is making her cruel, as the rose is growing thorns.”
    Alan Garner, The Owl Service

  • #6
    Alan Garner
    “I hope there isn't,' [a final answer] said Colin. "I'm for uncertainty. As soon as you think you know, you're done for. You don't listen and you can't hear. If you're certain of anything, you shut the door on the possibility of revelation, of discovery. You can think. You can believe. But you can't, you mustn't, 'know'. There's the real Entropy.”
    Alan Garner, Boneland

  • #7
    Alan Garner
    “The deed is nothing. It is the thought that breeds fear; and we achieve little by lingering.”
    Alan Garner, The Weirdstone of Brisingamen

  • #8
    Alan Garner
    “Why are you here?"
    "To fetch the woman I cut from the veil of the rock."
    “Why did you cut?"
    "To send her spirit out, so that she would come to make the child, for me to teach to dance and sing and dream, to free the beasts within the rock to fill the world."
    “Have you found her?"
    "She is not here. There are only people horrible to see."
    “Where are your stories?" said the other.
    "I cannot tell them. My head is a cloud.”
    Alan Garner, Boneland

  • #9
    Alan Garner
    “The prince went straight to the king of dragons, who took him on his back to the distant mountain, and with his fire he split the crystal, and the red fox that had shimmered like a ruby in its clear heart ran out. But the king of eagles pounced on it from the sky, and ripped the fur a darker red. Up sprang the raven, and fled on the wind, but the king of falcons closed with it, and the talons met in the raven’s heart.”
    Alan Garner, Collected Folk Tales

  • #10
    Alan Garner
    “That man’s gaga,” said Roger when they were out of hearing. “He’s so far gone he’s coming back.”
    Alan Garner, The Owl Service

  • #11
    Alan Garner
    “It's not a job but a condition.
    (Alan Garner on writing)”
    Alan Garner

  • #12
    Alan Garner
    “He cut the veil of the rock; the hooves clattered the bellowing waters below him in the dark. The lamp brought the moon from the blade, and the blade the bull from the rock. The ice rang.”
    Alan Garner, Boneland

  • #13
    J.R.R. Tolkien
    “How do you pick up the threads of an old life? How do you go on, when in your heart you begin to understand... there is no going back? There are some things that time cannot mend. Some hurts that go too deep, that have taken hold.”
    JRR Tolkein

  • #14
    Patrick Rothfuss
    “The Waystone was his, just as the third silence was his. This was appropriate, as it was the greatest silence of the three, wrapping the others inside itself. It was deep and wide as autumn’s ending. It was heavy as a great river-smooth stone. It was the patient, cut-flower sound of a man who is waiting to die.”
    Patrick Rothfuss, The Name of the Wind

  • #15
    Patrick Rothfuss
    “It's the questions we can't answer that teach us the most. They teach us how to think. If you give a man an answer, all he gains is a little fact. But give him a question and he'll look for his own answers.”
    Patrick Rothfuss, The Wise Man's Fear

  • #16
    Patrick Rothfuss
    “If you want to write a fantasy story with Norse gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you're at it? Go ahead. Nothing's off limits. But the endless possibility of the genre is a trap. It's easy to get distracted by the glittering props available to you and forget what you're supposed to be doing: telling a good story. Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be.”
    Patrick Rothfuss

  • #17
    Patrick Rothfuss
    “There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
    Patrick Rothfuss, The Wise Man's Fear



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