Jay Kumar > Jay's Quotes

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  • #1
    William Gaddis
    “I know you, I know you. You're the only serious person in the room, aren't you, the only one who understands, and you can prove it by the fact that you've never finished a single thing in your life. You're the only well-educated person, because you never went to college, and you resent education, you resent social ease, you resent good manners, you resent success, you resent any kind of success, you resent God, you resent Christ, you resent thousand-dollar bills, you resent Christmas, by God, you resent happiness, you resent happiness itself, because none of that's real. What is real, then? Nothing's real to you that isn't part of your own past, real life, a swamp of failures, of social, sexual, financial, personal...spiritual failure. Real life. You poor bastard. You don't know what real life is, you've never been near it. All you have is a thousand intellectualized ideas about life. But life? Have you ever measured yourself against anything but your own lousy past? Have you ever faced anything outside yourself? Life! You poor bastard.”
    William Gaddis, The Recognitions

  • #2
    William Gaddis
    “Why do you treat me as they do, as though I were exactly what I want to be. Why do we treat people that way?”
    William Gaddis, The Recognitions

  • #3
    Jacques Lacan
    “The real is what resists symbolization absolutely.”
    Jacques Lacan, The Seminar of Jacques Lacan: Book 1, Freud's Papers on Technique, 1953-1954

  • #4
    Thomas Pynchon
    “Someday she might replace whatever of her had gone away by some prosthetic device, a dress of a certain color, a phrase in a letter, another lover. ”
    Thomas Pynchon, The Crying of Lot 49

  • #5
    Thomas Pynchon
    “Perhaps history this century, thought Eigenvalue, is rippled with gathers in its fabric such that if we are situated, as Stencil seemed to be, at the bottom of a fold, it's impossible to determine warp, woof, or pattern anywhere else. By virtue, however, of existing in one gather it is assumed there are others, compartmented off into sinuous cycles each of which had come to assume greater importance than the weave itself and destroy any continuity. Thus it is that we are charmed by the funny-looking automobiles of the '30's, the curious fashions of the '20's, the particular moral habits of our grandparents. We produce and attend musical comedies about them and are conned into a false memory, a phony nostalgia about what they were. We are accordingly lost to any sense of continuous tradition. Perhaps if we lived on a crest, things would be different. We could at least see.”
    Thomas Pynchon, V.

  • #6
    Thomas Pynchon
    “Poetry is not communication with angels or with the "subconscious." It is communication with the guts, genitals, and five portals of sense. Nothing more.”
    Thomas Pynchon, V.

  • #7
    Thomas Pynchon
    “Keep cool but care”
    Thomas Pynchon, V.

  • #8
    “Neo-China arrives from the future.”
    Ccru, Ccru: Writings 1997-2003

  • #9
    Cormac McCarthy
    “War was always here. Before man was, war waited for him. The ultimate trade awaiting its ultimate practitioner.”
    Cormac McCarthy, Blood Meridian, or, the Evening Redness in the West

  • #10
    Yukio Mishima
    “Do I, then, belong to the heavens?
    Why, if not so, should the heavens
    Fix me thus with their ceaseless blue stare,
    Luring me on, and my mind, higher
    Ever higher, up into the sky,
    Drawing me ceaselessly up
    To heights far, far above the human?
    Why, when balance has been strictly studied
    And flight calculated with the best of reason
    Till no aberrant element should, by rights, remain-
    Why, still, should the lust for ascension
    Seem, in itself, so close to madness?
    Nothing is that can satify me;
    Earthly novelty is too soon dulled;
    I am drawn higher and higher, more unstable,
    Closer and closer to the sun's effulgence.
    Why do these rays of reason destroy me?
    Villages below and meandering streams
    Grow tolerable as our distance grows.
    Why do they plead, approve, lure me
    With promise that I may love the human
    If only it is seen, thus, from afar-
    Although the goal could never have been love,
    Nor, had it been, could I ever have
    Belonged to the heavens?
    I have not envied the bird its freedom
    Nor have I longed for the ease of Nature,
    Driven by naught save this strange yearning
    For the higher, and the closer, to plunge myself
    Into the deep sky's blue, so contrary
    To all organic joys, so far
    From pleasures of superiority
    But higher, and higher,
    Dazzled, perhaps, by the dizzy incandescence
    Of waxen wings.

    Or do I then
    Belong, after all, to the earth?
    Why, if not so, should the earth
    Show such swiftness to encompass my fall?
    Granting no space to think or feel,
    Why did the soft, indolent earth thus
    Greet me with the shock of steel plate?
    Did the soft earth thus turn to steel
    Only to show me my own softness?
    That Nature might bring home to me
    That to fall, not to fly, is in the order of things,
    More natural by far than that improbable passion?
    Is the blue of the sky then a dream?
    Was it devised by the earth, to which I belonged,
    On account of the fleeting, white-hot intoxication
    Achieved for a moment by waxen wings?
    And did the heavens abet the plan to punish me?
    To punish me for not believing in myself
    Or for believing too much;
    Too earger to know where lay my allegiance
    Or vainly assuming that already I knew all;
    For wanting to fly off
    To the unknown
    Or the known:
    Both of them a single, blue speck of an idea?”
    Yukio Mishima, Sun & Steel

  • #11
    James Joyce
    “Welcome, O life! I go to encounter for the millionth time the reality of experience and to forge in the smithy of my soul the uncreated conscience of my race.”
    James Joyce, A Portrait of the Artist as a Young Man

  • #12
    James Joyce
    “Her lips touched his brain as they touched his lips, as though they were a vehicle of some vague speech and between them he felt an unknown and timid preasure, darker than the swoon of sin, softer than sound or odor.”
    James Joyce, A Portrait of the Artist as a Young Man

  • #13
    George R.R. Martin
    “Sunset found her squatting in the grass, groaning. Every stool was looser than the one before, and smelled fouler. By the time the moon came up, she was shitting brown water. The more she drank the more she shat, but the more she shat, the thirstier she grew.”
    George R.R. Martin

  • #14
    William Shakespeare
    “The lady doth protest too much, methinks.”
    William Shakespeare, Hamlet

  • #15
    William Shakespeare
    “Alas, poor Yorick! I knew him, Horatio: a fellow
    of infinite jest, of most excellent fancy: he hath
    borne me on his back a thousand times; and now, how
    abhorred in my imagination it is! my gorge rims at
    it. Here hung those lips that I have kissed I know
    not how oft. Where be your gibes now? your
    gambols? your songs? your flashes of merriment,
    that were wont to set the table on a roar? Not one
    now, to mock your own grinning? quite chap-fallen?”
    William Shakespeare, Hamlet

  • #16
    William Shakespeare
    “Get thee to a nunnery.”
    William Shakespeare, Hamlet

  • #17
    William Shakespeare
    “Not a whit, we defy augury: there's a special
    providence in the fall of a sparrow. If it be now,
    'tis not to come; if it be not to come, it will be
    now; if it be not now, yet it will come: the
    readiness is all.”
    William Shakespeare, Hamlet

  • #18
    William Shakespeare
    “A little more than kin, a little less than kind.”
    William Shakespeare, Hamlet

  • #19
    William Shakespeare
    “O, that this too too solid flesh would melt
    Thaw and resolve itself into a dew!
    Or that the Everlasting had not fix'd
    His canon 'gainst self-slaughter! O God! God!
    How weary, stale, flat and unprofitable,
    Seem to me all the uses of this world!
    Fie on't! ah fie! 'tis an unweeded garden,
    That grows to seed; things rank and gross in nature
    Possess it merely. That it should come to this!
    But two months dead: nay, not so much, not two:
    So excellent a king; that was, to this,
    Hyperion to a satyr; so loving to my mother
    That he might not beteem the winds of heaven
    Visit her face too roughly. Heaven and earth!
    Must I remember? why, she would hang on him,
    As if increase of appetite had grown
    By what it fed on: and yet, within a month--
    Let me not think on't--Frailty, thy name is woman!--
    A little month, or ere those shoes were old
    With which she follow'd my poor father's body,
    Like Niobe, all tears:--why she, even she--
    O, God! a beast, that wants discourse of reason,
    Would have mourn'd longer--married with my uncle,
    My father's brother, but no more like my father
    Than I to Hercules: within a month:
    Ere yet the salt of most unrighteous tears
    Had left the flushing in her galled eyes,
    She married. O, most wicked speed, to post
    With such dexterity to incestuous sheets!
    It is not nor it cannot come to good:
    But break, my heart; for I must hold my tongue.”
    William Shakespeare, Hamlet

  • #20
    William Shakespeare
    “There is a willow grows aslant the brook that shows his hoar leaves in the glassy stream; therewith fantastic garlands did she make of crow-flowers, nettles, daisies, and long purples that the liberal shepherds give a grosser name, but our cold maids do dead men's fingers call them. There, on the pendent boughs her coronet weeds clamb'ring to hang, an envious sliver broke; when down her weedy trophies and herself fell in the weeping brook. Her clothes spread wide and, mermaid-like, awhile they bore her up; which time she chanted snatches of old lauds, as one incapable of her own distress, or like a creature native and indued unto that element; but long it could not be till that her garments, heavy with their drink, pull'd the poor wretch from her melodious lay to muddy death.”
    William Shakespeare, Hamlet

  • #21
    James Joyce
    “A few light taps upon the pane made him turn to the window. It had begun to snow again. He watched sleepily the flakes, silver and dark, falling obliquely against the lamplight. The time had come for him to set out on his journey westward. Yes, the newspapers were right: snow was general all over Ireland. It was falling on every part of the dark central plain, on the treeless hills, falling softly upon the Bog of Allen and, farther westward, softly falling into the dark mutinous Shannon waves. It was falling, too, upon every part of the lonely churchyard on the hill where Michael Furey lay buried. It lay thickly drifted on the crooked crosses and headstones, on the spears of the little gate, on the barren thorns. His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead.”
    James Joyce, Dubliners

  • #22
    James Joyce
    “I wanted real adventures to happen to myself. But real
    adventures, I reflected, do not happen to people who remain at home: they must be sought abroad.”
    James Joyce, Dubliners

  • #23
    James Joyce
    “He lived at a little distance from his body, regarding his own acts with doubtful side-glances. He had an odd autobiographical habit which led him to compose in his mind from time to time a short sentence about himself containing a subject in the third person and a verb in the past tense.”
    James Joyce, Dubliners

  • #24
    James Joyce
    “He looked down the slope and, at the base, in the shadow of the wall of the Park, he saw some human figures lying. Those venal and furtive loves filled him with despair. He gnawed the rectitude of his life; he felt that he had been outcast from life's feast. He turned his eyes to the grey gleaming river, winding along towards Dublin. Beyond the river he saw a goods train winding out of Kingsbridge Station, like a worm with a fiery head winding through the darkness, obstinately and laboriously. It passed slowly out of sigh; but still he heard in his ears the laborious drone of the engine reiterating the syllables of her name.”
    James Joyce, A Painful Case

  • #25
    Jordan B. Peterson
    “I dreamed I saw my maternal grandmother sitting by the bank of a swimming pool, that was also a river. In real life, she had been a victim of Alzheimer’s disease, and had regressed, before her death, to a semi-conscious state. In the dream, as well, she had lost her capacity for self-control. Her genital region was exposed, dimly; it had the appearance of a thick mat of hair. She was stroking herself, absent-mindedly. She walked over to me, with a handful of pubic hair, compacted into something resembling a large artist’s paint-brush. She pushed this at my face. I raised my arm, several times, to deflect her hand; finally, unwilling to hurt her, or interfere with her any farther, I let her have her way. She stroked my face with the brush, gently, and said, like a child, “isn’t it soft?” I looked at her ruined face and said, “yes, Grandma, it’s soft.”
    Jordan B. Peterson, Maps of Meaning: The Architecture of Belief



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