Prim > Prim's Quotes

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  • #1
    Rebecca Solnit
    “The desire to go home that is a desire to be whole, to know where you are, to be the point of intersection of all the lines drawn through all the stars, to be the constellation-maker and the center of the world, that center called love. To awaken from sleep, to rest from awakening, to tame the animal, to let the soul go wild, to shelter in darkness and blaze with light, to cease to speak and be perfectly understood.”
    Rebecca Solnit, Storming the Gates of Paradise: Landscapes for Politics

  • #2
    Rebecca Solnit
    “The art is not one of forgetting but letting go. And when everything else is gone, you can be rich in loss.”
    Rebecca Solnit, A Field Guide to Getting Lost

  • #3
    Rebecca Solnit
    “The stars we are given. The constellations we make. That is to say, stars exist in the cosmos, but constellations are the imaginary lines we draw between them, the readings we give the sky, the stories we tell.”
    Rebecca Solnit, Storming the Gates of Paradise: Landscapes for Politics

  • #4
    Rebecca Solnit
    “Getting lost was not a matter of geography so much as identity, a passionate desire, even an urgent need, to become no one and anyone, to shake off the shackles that remind you who you are, who others think you are.”
    Rebecca Solnit, A Field Guide to Getting Lost

  • #5
    Rebecca Solnit
    “Stories are compasses and architecture, we navigate by them, we build our sanctuaries and our prisons out of them, and to be without a story is to be lost in the vastness of a world that spreads in all directions like arctic tundra or sea ice.”
    Rebecca Solnit, The Faraway Nearby

  • #6
    Rebecca Solnit
    “Lost really has two disparate meanings. Losing things is about the familiar falling away, getting lost is about the unfamiliar appearing. There are objects and people that disappear from your sight or knowledge or possession; you lose a bracelet, a friend, the key. You still know where you are. Everything is familiar except that there is one item less, one missing element. Or you get lost, in which case the world has become larger than your knowledge of it. Either way, there is a loss of control. Imagine yourself streaming through time shedding gloves, umbrellas, wrenches, books, friends, homes, names. This is what the view looks like if you take a rear-facing seat on the train. Looking forward you constantly acquire moments of arrival, moments of realization, moments of discovery. The wind blows your hair back and you are greeted by what you have never seen before. The material falls away in onrushing experience. It peels off like skin from a molting snake. Of course to forget the past is to lose the sense of loss that is also memory of an absent richness and a set of clues to navigate the present by; the art is not one of forgetting but letting go. And when everything else is gone, you can be rich in loss.”
    Rebecca Solnit, A Field Guide to Getting Lost

  • #7
    Robert Frost
    “In three words I can sum up everything I've learned about life: it goes on.”
    Robert Frost

  • #8
    Louisa May Alcott
    “I am not afraid of storms, for I am learning how to sail my ship.”
    Louisa May Alcott, Little Women

  • #9
    Amy Tan
    “She cried, 'No choice! No choice!' She doesn't know. If she doesn't speak, she is making a choice. If she doesn't try, she can lose her chance forever.
    I know this, because I was raised the Chinese way: I was taught to desire nothing, to swallow other people's misery, to eat my own bitterness.
    and even though I taught my daughter the opposite, she still came out the same way! Maybe it is because she was born to me and she was born a girl. And I was born to my mother and I was born a girl. All of us are like stairs, one step after another, going up and down, but all going the same way.
    I know how it is to be quiet, to listen and watch, as if your life were a dream. You can close your eyes when you no longer want to watch. But when you no longer want to listen, what can you do? I can still hear what happened more than sixty years ago. ”
    Amy Tan, The Joy Luck Club

  • #10
    Albert Camus
    “If those whom we begin to love could know us as we were before meeting them … they could perceive what they have made of us.”
    Albert Camus, Notebooks, 1935-1951

  • #11
    Chimamanda Ngozi Adichie
    “I think you travel to search and you come back home to find yourself there.”
    Chimamanda Ngozi Adichie

  • #12
    Chimamanda Ngozi Adichie
    “This was love: a string of coincidences that gathered significance and became miracles.”
    Chimamanda Ngozi Adichie, Half of a Yellow Sun

  • #13
    Chimamanda Ngozi Adichie
    “There are people, she once wrote, who think that we cannot rule ourselves because the few times we tried, we failed, as if all the others who rule themselves today got it right the first time. It is like telling a crawling baby who tries to walk, and then falls back on his buttocks, to stay there. As if the adults walking past him did not all crawl, once.”
    Chimamanda Ngozi Adichie, Purple Hibiscus

  • #14
    Rupi Kaur
    “for you to see beauty here
    does not mean
    there is beauty in me
    it means there is beauty rooted
    so deep within you
    you can't help but
    see it everywhere”
    Rupi Kaur, Milk and honey

  • #15
    Rebecca Solnit
    “Walkers are 'practitioners of the city,' for the city is made to be walked. A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities. Just as language limits what can be said, architecture limits where one can walk, but the walker invents other ways to go.”
    Rebecca Solnit, Wanderlust: A History of Walking

  • #16
    Ted Chiang
    “People are made of stories. Our memories are not the impartial accumulation of every second we’ve lived; they’re the narrative that we assembled out of selected moments.”
    Ted Chiang, The Best of Subterranean

  • #17
    Paul Kalanithi
    “Don’t think I ever spent a minute of any day wondering why I did this work, or whether it was worth it. The call to protect life—and not merely life but another’s identity; it is perhaps not too much to say another’s soul—was obvious in its sacredness. Before operating on a patient’s brain, I realized, I must first understand his mind: his identity, his values, what makes his life worth living, and what devastation makes it reasonable to let that life end. The cost of my dedication to succeed was high, and the ineluctable failures brought me nearly unbearable guilt. Those burdens are what make medicine holy and wholly impossible: in taking up another’s cross, one must sometimes get crushed by the weight.”
    Paul Kalanithi, When Breath Becomes Air

  • #18
    Paul Kalanithi
    “Death comes for all of us. For us, for our patients: it is our fate as living, breathing, metabolizing organisms. Most lives are lived with passivity toward death -- it's something that happens to you and those around you. But Jeff and I had trained for years to actively engage with death, to grapple with it, like Jacob with the angel, and, in so doing, to confront the meaning of a life. We had assumed an onerous yoke, that of mortal responsibility. Our patients' lives and identities may be in our hands, yet death always wins. Even if you are perfect, the world isn't. The secret is to know that the deck is stacked, that you will lose, that your hands or judgment will slip, and yet still struggle to win for your patients. You can't ever reach perfection, but you can believe in an asymptote toward which you are ceaselessly striving.”
    Paul Kalanithi, When Breath Becomes Air

  • #19
    J. Courtney Sullivan
    “There were so many ways to be twenty-six years old.”
    J. Courtney Sullivan, Commencement

  • #20
    Ann Brashares
    “Different people were good at different things, Lena mused. Lena was good at writing thank-you notes, for instance, and Effie was good at being happy.”
    Ann Brashares, The Second Summer of the Sisterhood

  • #21
    Helen Oyeyemi
    “Please tell a story about a girl who gets away.”
    I would, even if I had to adapt one, even if I had to make one up just for her. “Gets away from what, though?”
    “From her fairy godmother. From the happy ending that isn’t really happy at all. Please have her get out and run off the page altogether, to somewhere secret where words like ‘happy’ and ‘good’ will never find her.”
    “You don’t want her to be happy and good?”
    “I’m not sure what’s really meant by happy and good. I would like her to be free. Now. Please begin.”
    Helen Oyeyemi, White Is for Witching

  • #22
    Warsan Shire
    “My alone feels so good, I'll only have you if you're sweeter than my solitude.”
    Warsan Shire

  • #23
    Celeste Ng
    “Sometimes you need to scorch everything to the ground, and start over. After the burning the soil is richer, and new things can grow. People are like that, too. They start over. They find a way.”
    Celeste Ng, Little Fires Everywhere

  • #24
    Emily Rapp
    “Here’s the truth: friendships between women are often the deepest and most profound love stories, but they are often discussed as if they are ancillary, “bonus” relationships to the truly important ones. Women’s friendships outlast jobs, parents, husbands, boyfriends, lovers, and sometimes children…it’s possible to transcend the limits of your skin in a friendship…This kind of friendship is not a frivolous connection, a supplementary relationship to the ones we’re taught and told are primary – spouses, children, parents. It is love…Support, salvation, transformation, life: this is what women give to one another when they are true friends, soul friends”
    Emily Rapp

  • #25
    J. Courtney Sullivan
    “With the Smithies, it was different. There was sometimes no telling where one of them began and the others left off.”
    J. Courtney Sullivan, Commencement

  • #26
    Katherine Mansfield
    “What I feel for you can’t be conveyed in phrasal combinations; It either screams out loud or stays painfully silent but I promise — it beats words. It beats worlds.”
    Katherine Mansfield
    tags: love

  • #27
    Mary Oliver
    “Why I Wake Early

    Hello, sun in my face.

    Hello, you who made the morning

    and spread it over the fields

    and into the faces of the tulips

    and the nodding morning glories,

    and into the windows of, even, the

    miserable and the crotchety –



    best preacher that ever was,

    dear star, that just happens

    to be where you are in the universe

    to keep us from ever-darkness,

    to ease us with warm touching,

    to hold us in the great hands of light –

    good morning, good morning, good morning.



    Watch, now, how I start the day

    in happiness, in kindness.”
    Mary Oliver

  • #28
    Mary Oliver
    “Sometimes I need
    only to stand
    wherever I am
    to be blessed.”
    Mary Oliver, Evidence: Poems

  • #29
    Helen Oyeyemi
    “Solitary people, these book lovers. I think it's swell that there are people you don't have to worry about when you don't see them for a long time, you don't have to wonder what they do, how they're getting along with themselves. You just know that they're all right, and probably doing something they like.”
    Helen Oyeyemi, Mr. Fox

  • #30
    Helen Oyeyemi
    “Her heart was heavy because it was open, and so things filled it, and so things rushed out of it, but still the heart kept beating, tough and frighteningly powerful and meaning to shrug off the rest of her and continue on its own.”
    Helen Oyeyemi, Mr. Fox



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