may > may's Quotes

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  • #1
    We accept the love we think we deserve.
    “We accept the love we think we deserve.”
    Stephen Chbosky, The Perks of Being a Wallflower

  • #2
    Stephen Chbosky
    “So, this is my life. And I want you to know that I am both happy and sad and I'm still trying to figure out how that could be.”
    Stephen Chbosky, The Perks of Being a Wallflower

  • #3
    Donna Tartt
    “A great sorrow, and one that I am only beginning to understand: we don’t get to choose our own hearts. We can’t make ourselves want what’s good for us or what’s good for other people. We don’t get to choose the people we are.”
    Donna Tartt, The Goldfinch

  • #4
    Donna Tartt
    “Sometimes we want what we want even if we know it’s going to kill us.”
    Donna Tartt, The Goldfinch

  • #5
    Donna Tartt
    “But sometimes, unexpectedly, grief pounded over me in waves that left me gasping; and when the waves washed back, I found myself looking out over a brackish wreck which was illumined in a light so lucid, so heartsick and empty, that I could hardly remember that the world had ever been anything but dead.”
    Donna Tartt, The Goldfinch

  • #6
    Donna Tartt
    “...as we rise from the organic and sink back ignominiously into the organic, it is a glory and a privilege to love what Death doesn't touch.”
    Donna Tartt, The Goldfinch
    tags: art

  • #7
    Donna Tartt
    “And just as music is the space between notes, just as the stars are beautiful because of the space between them, just as the sun strikes raindrops at a certain angle and throws a prism of color across the sky - so the space where I exist, and I want to keep existing, and to be quite frank I hope I die in, is exactly this middle distance: where despair struck pure otherness and created something sublime.”
    Donna Tartt, The Goldfinch

  • #8
    Donna Tartt
    “Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart."

    Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?”
    Donna Tartt, The Goldfinch

  • #9
    Bianca Sparacino
    “You will hurt people. You will hurt, and you will be hurt. However, you will also love, and you will be loved in the most magnificent ways. To live life is to understand that together these extremes thrive within us — our heart is both a blessing and a blade. To put our soul into the hands of someone who could wound it or heal it is quite possibly the most courageously beautiful risk we take. It is like looking someone right in the eye and saying “You may hurt me, but you may also love me, and I am willing to take that chance. I am willing to trust.”
    Bianca Sparacino, Seeds Planted in Concrete

  • #10
    Stephen  King
    “I think it was the first real pain I ever felt in my life...It wasn't what I thought it would be at all. It didn't put an end to me as a person. I think...it gave me a basis for comparison, finding out you could still exist inside the pain, in SPITE of the pain.”
    Stephen King, It
    tags: pain

  • #11
    Stephen  King
    “Real loneliness was a smeary red: the color of the taillights of the car ahead of you reflected on wet hot-top in a driving rain.”
    Stephen King, It

  • #12
    Stephen  King
    “We lie best when we lie to ourselves.”
    Stephen King, It

  • #13
    Stephen  King
    “Maybe there aren't any such things as good friends or bad friends - maybe there are just friends, people who stand by you when you're hurt and who help you feel not so lonely. Maybe they're always worth being scared for, and hoping for, and living for. Maybe worth dying for too, if that's what has to be. No good friends. No bad friends. Only people you want, need to be with; people who build their houses in your heart.”
    Stephen King, It

  • #14
    Stephen  King
    “The energy you drew on so extravagantly when you were a kid, the energy you thought would never exhaust itself - that slipped away somewhere between eighteen and twenty-four, to be replaced by something much duller, something as bogus as a coke high: purpose, maybe, or goals, or whatever rah-rah Junior Chamber of Commerce word you wanted to use. It was no big deal; it didn't go all at once, with a bang. And maybe, Richie thought, that's the scary part. How you didn't stop being a kid all at once, with a big explosive bang, like one of that clown's trick balloons. The kid in you just leaked out, like the air of a tire.”
    Stephen King, It

  • #15
    Stephen  King
    “the late afternoon sunlight, warm as oil, sweet as childhood ...”
    Stephen King, Carrie

  • #16
    Donna Tartt
    “But depression wasn't the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn't he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells await them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten from top to bottom.”
    Donna Tartt, The Goldfinch

  • #17
    Donna Tartt
    “Every new event—everything I did for the rest of my life—would only separate us more and more: days she was no longer a part of, an ever-growing distance between us. Every single day for the rest of my life, she would only be further away.”
    Donna Tartt, The Goldfinch

  • #18
    Donna Tartt
    “We are so customed to disguise ourselves to others that, in the end, we become disguised to ourselves.”
    Donna Tartt, The Goldfinch

  • #19
    Donna Tartt
    “More than anything I was relieved that in my unfamiliar babbling-and-wanting-to-talk state I'd stopped myself from blurting the thing I'd never said, even though it was something we both knew well enough without me saying out loud to him in the street - which was, of course, I love you.”
    Donna Tartt, The Goldfinch

  • #20
    Donna Tartt
    “And I'm hoping there's some larger truth about suffering here, or at least my understanding of it - although I've come to realize that the only truths that matter to me are the ones I don't, and can't, understand.

    What's mysterious, ambiguous, inexplicable. What doesn't fit into a story, what doesn't have a story. Glint of brightness on a barely-there chain. Patch of sunlight on a yellow wall. The loneliness that separates every living creature from every other living creature. Sorrow inseparable from joy.”
    Donna Tartt, The Goldfinch

  • #21
    Donna Tartt
    “I missed her so much I wanted to die: a hard, physical longing, like a craving for air underwater. Lying awake, I tried to recall all my best memories of her—to freeze her in my mind so I wouldn’t forget her—but instead of birthdays and happy times I kept remembering things like how a few days before she was killed she’d stopped me halfway out the door to pick a thread off my school jacket. For some reason, it was one of the clearest memories I had of her: her knitted eyebrows, the precise gesture of her reaching out to me, everything. Several times too—drifting uneasily between dreaming and sleep—I sat up suddenly in bed at the sound of her voice speaking clearly in my head, remarks she might conceivably have made at some point but that I didn’t actually remember, things like Throw me an apple, would you? and I wonder if this buttons up the front or the back? and This sofa is in a terrible state of disreputableness.”
    Donna Tartt, The Goldfinch

  • #22
    Donna Tartt
    “The shame that tormented me was all the more corrosive for having no very clear origin: I didn't know why I felt so tainted, and worthless, and wrong-only that I did, and whenever I looked up from my books I was swamped by slimy waters rushing in from all sides.”
    Donna Tartt, The Goldfinch



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