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  • #1
    Nicole Krauss
    “If I had a camera," I said, "I'd take a picture of you every day. That way I'd remember how you looked every single day of your life."

    "I look exactly the same."

    "No, you don't. You're changing all the time. Every day a tiny bit. If I could, I'd keep a record of it all."

    "If you're so smart, how did I change today?"

    "You got a fraction of a millimeter taller, for one thing. Your hair grew a fraction of a millimeter longer. And your breasts grew a fraction of a—"

    "They did not!"

    "Yes, they did."

    "Did NOT."

    "Did too."

    "What else, you big pig?"

    "You got a little happier and also a little sadder."

    "Meaning they cancel out each other, leaving me exactly the same."

    "Not at all. The fact that you got a little happier today doesn't change the fact that you also become a little sadder. Every day you become a little more of both, which means that right now, at this exact moment, you're the happiest and the saddest you've ever been in your whole life."

    "How do you know?"

    "Think about it. Have you ever been happier or sadder than right now, lying here in this grass?"

    "I guess not. No."

    "And have you ever been sadder?"

    "No."

    "It isn't like that for everyone, you know. Some people[...]"

    "What about you? Are you the happiest and saddest right now that you've ever
    been?"

    "Of course I am."

    "Why?"

    "Because nothing makes me happier and nothing makes me sadder than you.”
    Nicole Krauss, The History of Love

  • #2
    Oscar Wilde
    “tone of colour in a room or a morning sky, a particular perfume that you had once loved and that brings subtle memories with it, a line from a forgotten poem that you had come across again, a cadence from a piece of music that you had ceased to play— I tell you, Dorian, that it is on things like these that our lives depend.”
    Oscar Wilde, The Picture of Dorian Gray

  • #3
    F. Scott Fitzgerald
    “You know, you’re a little complicated after all.”
    “Oh no,” she assured him hastily. “No, I’m not really - I’m just a - I’m just a whole lot of different simple people.”
    F.Scott Fitzgerald

  • #4
    Jonathan Safran Foer
    “What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboarded down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #5
    “Even if there is only one possible unified theory, it is just a set of rules and equations. What is it that breathes fire into the equations and makes a universe for them to describe? The usual approach of science of constructing a mathematical model cannot answer the questions of why there should be a universe for the model to describe. Why does the universe go to all the bother of existing?”
    Stephen Hawking, A Brief History of Time

  • #6
    Friedrich Nietzsche
    “All truly great thoughts are conceived while walking.”
    Friedrich Nietzsche, Twilight of the Idols

  • #7
    Nicole Krauss
    “...we take comfort in the symmetries we find in life because they suggest a design where there is none.”
    Nicole Krauss, Great House

  • #8
    Nicole Krauss
    “Sometimes I imagine my own autopsy. Disappointment in myself: right kidney. Disappointment of others in me: left kidney. Personal failures: kishkes. ... When the clocks are turned back and the dark falls before I'm ready, this, for reasons I can't explain, I feel in my wrists. And when I wake up and my fingers are stiff , almost certainly I was dreaming of my childhood. ... Yesterday I saw a man kicking a dog and I felt it behind my eyes. I don't know what to call this, a place before tears. The pain of forgetting: spine. The pain of remembering: spine. All the times I have suddenly realized that my parents are dead, even now, it still surprises me, to exist in the world while that which made me has ceased to exist: my knees. ... To everything a season, to every time I've woken only to make the mistake of believing for a moment that someone was sleeping beside me: a hemorrhoid. Loneliness: there is no organ that can take it all.”
    Nicole Krauss

  • #9
    Nicole Krauss
    “For her I changed pebbles into diamonds, shoes into mirrors, I changed glass into water, I gave her wings and pulled birds from her ears and in her pockets she found the feathers, I asked a pear to become a pineapple, a pineapple to become a lightbulb, a lightbulb to become the moon, and the moon to become a coin I flipped for her love...”
    Nicole Krauss, The History of Love

  • #10
    Oscar Wilde
    “To live is the rarest thing in the world. Most people exist, that is all.”
    Oscar Wilde

  • #11
    Jonathan Safran Foer
    “In bed that night I invented a special drain that would be underneath every pillow in New York, and would connect to the reservoir. Whenever people cried themselves to sleep, the tears would all go to the same place, and in the morning the weatherman could report if the water level of the Reservoir of Tears had gone up or down, and you could know if New York is in heavy boots.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close
    tags: love

  • #12
    “We have finally found something that doesn’t have a cause, because there was no time for a cause to exist in. For me this means that there is no possibility of a creator, because there is no time for a creator to have existed in.”
    Stephen Hawking, Brief Answers to the Big Questions

  • #13
    Oscar Wilde
    “What of Art?
    -It is a malady.
    --Love?
    -An Illusion.
    --Religion?
    -The fashionable substitute for Belief.
    --You are a sceptic.
    -Never! Scepticism is the beginning of Faith.
    --What are you?
    -To define is to limit.”
    Oscar Wilde , The Picture of Dorian Gray

  • #14
    Jeanette Winterson
    “Now that physics is proving the intelligence of the universe what are we to do about the stupidity of mankind? I include myself. I know that the earth is not flat but my feet are. I know that space is curved but my brain has been condoned by habit to grow in a straight line. What I call light is my own blend of darkness. What I call a view is my hand-painted trompe-l'oeil. I run after knowledge like a ferret down a ferret hole. My limitations, I call the boundaries of what can be known. I interpret the world by confusing other people's psychology with my own.”
    Jeanette Winterson, Gut Symmetries

  • #15
    Nicole Krauss
    “("Let's stand under a tree," she said.

    "Why?"

    "Because it's nicer."

    "Maybe you should sit on a chair, and I'll stand above you, like they always do with husbands and wives."

    "That's stupid."

    "Why's it stupid?"

    "Because we're not married."

    "Should we hold hands?"

    "We can't."

    "But why?"

    "Because, people will know."

    "Know what?"

    "About us."

    "So what if they know?"

    "It's better when it's a secret."

    "Why?"

    "So no one can take it from us.")”
    Nicole Krauss, The History of Love

  • #16
    Nicole Krauss
    “She was gone, and all that was left was the space you'd grown around her, like a tree that grows around a fence. For a long time, it remained hollow. Years, maybe. And when at last it was filled again, you knew that the new love you felt for a woman would have been impossible without Alma. If it weren't for her, there would never have been an empty space, or the need to fill it.”
    Nicole Krauss, The History of Love

  • #17
    Oscar Wilde
    “Words! Mere words! How terrible they were! How clear, and vivid, and cruel! One could not escape from them. And yet what a subtle magic there was in them! They seemed to be able to give a plastic form to formless things, and to have a music of their own as sweet as that of viol or of lute. Mere words! Was there anything so real as words?”
    Oscar Wilde, The Picture of Dorian Gray

  • #18
    Homer
    “Without a sign, his sword the brave man draws, and asks no omen, but his country's cause. ”
    Homer, The Iliad

  • #19
    Nicole Krauss
    “Once upon a time there was a boy who lived in a house across the field from a girl who no longer exists. They made up a thousand games. She was Queen and he was King. In the autumn light, her hair shone like a crown. They collected the world in small handfuls. When the sky grew dark they parted with leaves in their hair.”
    Nicole Krauss

  • #20
    Sylvia Plath
    “You smile.
    No, it is not fatal.

    --from "The Other", written 2 July 1962”
    Sylvia Plath, Ariel: The Restored Edition

  • #21
    Jonathan Safran Foer
    “Sometimes I can hear my bones straining under the weight of all the lives I'm not living.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #22
    Sarah Dessen
    “It's just that...I just think that some things are meant to be broken. Imperfect. Chaotic. It's the universe's way of providing contrast, you know? There have to be a few holes in the road. It's how life is.”
    Sarah Dessen, The Truth About Forever

  • #23
    Oscar Wilde
    “Now and then, however, he is horribly thoughtless, and seems to take a real delight in giving me pain. Then I feel, Harry, that I have given away my whole soul to some one who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer’s day.”
    Oscar Wilde, The Picture of Dorian Gray

  • #24
    Sylvia Plath
    “I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones and variations of mental and physical experience possible in my life. And I am horribly limited.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #25
    Sylvia Plath
    “If the moon smiled, she would resemble you.
    You leave the same impression
    Of something beautiful, but annihilating.”
    Sylvia Plath, Ariel: The Restored Edition

  • #26
    Nicole Krauss
    “She’s kept her love for him as alive as the summer they first met. In order to do this, she’s turned life away. Sometimes she subsists for days on water and air. Being the only known complex life-form to do this, she should have a species named after her. Once Uncle Julian told me how the sculptor and painter Alberto Giacometti said that sometimes just to paint a head you have to give up the whole figure. To paint a leaf, you have to sacrifice the whole landscape. It might seem like you’re limiting yourself at first, but after a while you realize that having a quarter-of-an-inch of something you have a better chance of holding on to a certain feeling of the universe than if you pretended to be doing the whole sky.

    My mother did not choose a leaf or a head. She chose my father. And to hold on to a certain feeling, she sacrificed the world.”
    Nicole Krauss, The History of Love

  • #27
    Sylvia Plath
    “I shut my eyes and all the world drops dead;
    I lift my lids and all is born again.
    (I think I made you up inside my head.)”
    Sylvia Plath

  • #28
    Jonathan Safran Foer
    “We stopped laughing, I took the world into me, rearranged it, and sent it back out as a question: "Do you like me?”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #29
    Nicole Krauss
    “The truth is the thing I invented so I could live.”
    Nicole Krauss, The History of Love

  • #30
    Milan Kundera
    “When we want to give expression to a dramatic situation in our lives, we tend to use metaphors of heaviness. We say that something has become a great burden to us. We either bear the burden or fail and go down with it, we struggle with it, win or lose. And Sabina - what had come over her? Nothing. She had left a man because she felt like leaving him. Had he persecuted her? Had he tried to take revenge on her? No. Her drama was a drama not of heaviness but of lightness. What fell to her lot was not the burden, but the unbearable lightness of being.”
    Milan Kundera, The Unbearable Lightness of Being



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