A. > A.'s Quotes

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  • #1
    Samuel Johnson
    “He who makes a beast of himself gets rid of the pain of being a man.”
    Samuel Johnson

  • #2
    David  Mitchell
    “& only as you gasp your dying breath shall you understand, your life amounted to no more than one drop in a limitless ocean!
    Yet what is any ocean but a multitude of drops?”
    David Mitchell, Cloud Atlas

  • #3
    Michael Chabon
    “The problem, if anything, was precisely the opposite. I had too much to write:

    too many fine and miserable buildings to construct and streets to name and clock towers to set chiming,

    too many characters to raise up from the dirt like flowers whose petals I peeled down to the intricate frail organs within,

    too many terrible genetic and fiduciary secrets to dig up and bury and dig up again,

    too many divorces to grant,

    heirs to disinherit,

    trysts to arrange,

    letters to misdirect into evil hands,

    innocent children to slay with rheumatic fever,

    women to leave unfulfilled and hopeless,

    men to drive to adultery and theft,

    fires to ignite at the hearts of ancient houses. ”
    Michael Chabon, Wonder Boys

  • #4
    Leo Tolstoy
    “He stepped down, trying not to look long at her, as if she were the sun, yet he saw her, like the sun, even without looking.”
    Leo Tolstoy, Anna Karenina

  • #5
    R.K. Narayan
    “We always question the bonafides of the man who tells us unpleasant facts.”
    R. K. Narayan

  • #6
    Plato
    “Be kind, for everyone you meet is fighting a harder battle.”
    Plato

  • #7
    Haruki Murakami
    “I realize full well how hard it must be to go on living alone in a place from which someone has left you, but there is nothing so cruel in this world as the desolation of having nothing to hope for.”
    Haruki Murakami, The Wind-Up Bird Chronicle

  • #8
    Haruki Murakami
    “This person, this self, this me, finally, was made somewhere else. Everything had come from somewhere else, and it would all go somewhere else. I was nothing but a pathway for the person known as me.”
    Haruki Murakami, The Wind-Up Bird Chronicle

  • #9
    Haruki Murakami
    “Results aside, the ability to have complete faith in another human being is one of the finest qualities a person can possess.”
    Haruki Murakami, The Wind-Up Bird Chronicle

  • #10
    Haruki Murakami
    “I clicked the gate shut and slipped down the alley. Through one fence after another, I caught glimpses of people in their dining rooms and living rooms, eating and watching TV dramas. Food smells drifted into the alley through kitchen windows and exhaust fans. One teenaged boy was practicing a fast passage on his electric guitar, with the volume turned down. In a second floor window, a tiny girl was studying at her desk, an earnest expression on her face. A married couple in a heated argument sent their voices out to the alley. A baby was screaming. A telephone rang. Reality spilled out into the alley like water from an overfilled bowl - as sound, as smell, as image, as plea, as response.”
    Haruki Murakami, The Wind-Up Bird Chronicle

  • #11
    Haruki Murakami
    “If you only read the books that everyone else is reading, you can only think what everyone else is thinking.”
    Haruki Murakami, Norwegian Wood

  • #12
    James Thurber
    “All human beings should try to learn before they die what they are running from, and to, and why.”
    James Thurber

  • #13
    Jim Thompson
    “I kissed her, a long hard kiss. Because baby didn't know it, but baby was dead, and in a way I couldn't have loved her more.”
    Jim Thompson, The Killer Inside Me

  • #14
    Jim Thompson
    “I just learned two things there at that college, Mr. Ford, that was ever of any use to me. One was that I couldn’t do any worse than the people that were in the saddle, so maybe I’d better try pulling ’em down and riding myself. The other was a definition I got out of the agronomy book, and I reckon it was even more important than the first. It did more to revise my thinking, if I’d really done any thinking up until that time. Before that I’d seen everything in black and white, good and bad. But after I was set straight I saw that the name you put to a thing depended on where you stood and where it stood. And…and here’s the definition, right out of the agronomy books: ‘A weed is a plant out of place.’ Let me repeat that. ‘A weed is a plant out of place.’ I find a hollyhock in my cornfield, and it’s a weed. I find it in my yard, and it’s a flower.”
    Jim Thompson, The Killer Inside Me

  • #15
    Jim Thompson
    “When life attains a crisis, man’s focus narrows. […] The world becomes a stage of immediate concern, swept free of illusion.”
    Jim Thompson, The Killer Inside Me

  • #16
    David Sedaris
    “A good [short story] would take me out of myself and then stuff me back in, outsized, now, and uneasy with the fit.”
    David Sedaris

  • #17
    Toni Morrison
    “If there's a book that you want to read, but it hasn't been written yet, then you must write it.”
    Toni Morrison

  • #18
    Toni Morrison
    “Definitions belong to the definers, not the defined.”
    Toni Morrison, Beloved

  • #19
    Toni Morrison
    “If you surrendered to the air, you could ride it.”
    Toni Morrison, Song of Solomon

  • #20
    Ian McEwan
    “The world should take note: not everything is getting worse.”
    Ian McEwan, Saturday

  • #21
    Ian McEwan
    “You can tell a lot from a person's nails. When a life starts to unravel, they're among the first to go.”
    Ian McEwan, Saturday

  • #22
    Ian McEwan
    “This is the pre-verbal language that linguists call Mentalese. Hardly a language, more a matrix of shifting patterns, consolidating and compressing meaning in fractions of a second, and blending it inseparably with its distinctive emotional hue. ... So that when a flash of red streaks in across his left peripheral vision ... it already has the quality of an idea ... unexpected and dangerous, but entirely his, and not of the world beyond himself.”
    Ian McEwan, Saturday

  • #23
    Bret Easton Ellis
    “…there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there. It is hard for me to make sense on any given level. Myself is fabricated, an aberration. I am a noncontingent human being. My personality is sketchy and unformed, my heartlessness goes deep and is persistent. My conscience, my pity, my hopes disappeared a long time ago (probably at Harvard) if they ever did exist. There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it, I have now surpassed. I still, though, hold on to one single bleak truth: no one is safe, nothing is redeemed. Yet I am blameless. Each model of human behavior must be assumed to have some validity. Is evil something you are? Or is it something you do? My pain is constant and sharp and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others. I want no one to escape. But even after admitting this—and I have countless times, in just about every act I’ve committed—and coming face-to-face with these truths, there is no catharsis. I gain no deeper knowledge about myself, no new understanding can be extracted from my telling. There has been no reason for me to tell you any of this. This confession has meant nothing….”
    Bret Easton Ellis, American Psycho

  • #24
    Bret Easton Ellis
    “Where there was nature and earth, life and water, I saw a desert landscape that was unending, resembling some sort of crater, so devoid of reason and light and spirit that the mind could not grasp it on any sort of conscious level and if you came close the mind would reel backward, unable to take it in. It was a vision so clear and real and vital to me that in its purity it was almost abstract. This was what I could understand, this was how I lived my life, what I constructed my movement around, how I dealt with the tangible. This was the geography around which my reality revolved: it did not occur to me, ever, that people were good or that a man was capable of change or that the world could be a better place through one’s own taking pleasure in a feeling or a look or a gesture, of receiving another person’s love or kindness. Nothing was affirmative, the term “generosity of spirit” applied to nothing, was a cliche, was some kind of bad joke. Sex is mathematics. Individuality no longer an issue. What does intelligence signify? Define reason. Desire- meaningless. Intellect is not a cure. Justice is dead. Fear, recrimination, innocence, sympathy, guilt, waste, failure, grief, were things, emotions, that no one really felt anymore. Reflection is useless, the world is senseless. Evil is its only permanence. God is not alive. Love cannot be trusted. Surface, surface, surface, was all that anyone found meaning in…this was civilization as I saw it, colossal and jagged…”
    Bret Easton Ellis, American Psycho

  • #25
    J.M. Coetzee
    “Truth is not spoken in anger. Truth is spoken, if it ever comes to be spoken, in love. The gaze of love is not deluded. It sees what is best in the beloved even when what is best in the beloved finds it hard to emerge into the light.”
    J.M. Coetzee, Slow Man

  • #26
    J.M. Coetzee
    “His own opinion, which he does not air, is that the origin of speech lie in song, and the origins of song in the need to fill out with sound the overlarge and rather empty human soul.”
    J.M. Coetzee, Disgrace

  • #27
    J.M. Coetzee
    “There seemed nothing to do but live.”
    Coetze, J.M.

  • #28
    J.M. Coetzee
    “Our lies reveal as much about us as our truths”
    J.M. Coetzee, Slow Man

  • #29
    Roberto Bolaño
    “Without turning, the pharmacist answered that he liked books like The Metamorphosis, Bartleby, A Simple Heart, A Christmas Carol. And then he said that he was reading Capote's Breakfast at Tiffany's. Leaving aside the fact that A Simple Heart and A Christmas Carol were stories, not books, there was something revelatory about the taste of this bookish young pharmacist, who ... clearly and inarguably preferred minor works to major ones. He chose The Metamorphosis over The Trial, he chose Bartleby over Moby Dick, he chose A Simple Heart over Bouvard and Pecouchet, and A Christmas Carol over A Tale of Two Cities or The Pickwick Papers. What a sad paradox, thought Amalfitano. Now even bookish pharmacists are afraid to take on the great, imperfect, torrential works, books that blaze a path into the unknown. They choose the perfect exercises of the great masters. Or what amounts to the same thing: they want to watch the great masters spar, but they have no interest in real combat, when the great masters struggle against that something, that something that terrifies us all, that something that cows us and spurs us on, amid blood and mortal wounds and stench.”
    Roberto Bolano, 2666

  • #30
    Roberto Bolaño
    “There's no place on earth with more dumb girls per square foot than a college in California.”
    Roberto Bolaño



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