Manobarbosa > Manobarbosa's Quotes

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  • #1
    Haruki Murakami
    “Anyone who falls in love is searching for the missing pieces of themselves. So anyone who's in love gets sad when they think of their lover. It's like stepping back inside a room you have fond memories of, one you haven't seen in a long time.”
    Murakami, Haruki

  • #2
    Haruki Murakami
    “But who can say what's best? That's why you need to grab whatever chance you have of happiness where you find it, and not worry about other people too much. My experience tells me that we get no more than two or three such chances in a life time, and if we let them go, we regret it for the rest of our lives.”
    Haruki Murakami, Norwegian Wood

  • #3
    Haruki Murakami
    “No matter what they wish for, no matter how far they go, people can never be anything but themselves. That's all.”
    Haruki Murakami, Blind Willow, Sleeping Woman: 24 Stories

  • #4
    Haruki Murakami
    “I want you always to remember me. Will you remember that I existed, and that I stood next to you here like this?”
    Haruki Murakami, Norwegian Wood

  • #5
    Haruki Murakami
    “Being with her I feel a pain, like a frozen knife stuck in my chest. An awful pain, but the funny thing is I'm thankful for it. It's like that frozen pain and my very existence are one.
    The pain is an anchor, mooring me here.
    Haruki Murakami, Kafka on the Shore

  • #6
    Haruki Murakami
    “here she is, all mine, trying her best to give me all she can. How could I ever hurt her? But I didn’t understand then. That I could hurt somebody so badly she would never recover. That a person can, just by living, damage another human being beyond repair.”
    Haruki Murakami, South of the Border, West of the Sun

  • #7
    Haruki Murakami
    “We knew exactly what we wanted in each other. And even so, it ended. One day it stopped, as if the film simply slipped off the reel. ”
    Haruki Murakami, Dance Dance Dance

  • #8
    Haruki Murakami
    “Kumiko and I felt something for each other from the beginning. It was not one of those strong, impulsive feelings that can hit two people like an electric shock when they first meet, but something quieter and gentler, like two tiny lights traveling in tandem through a vast darkness and drawing imperceptibly closer to each other as they go. As our meetings grew more frequent, I felt not so much that I had met someone new as that I had chanced upon a dear old friend.”
    Haruki Murakami, The Wind-Up Bird Chronicle

  • #9
    Haruki Murakami
    “Things like that happen all the time in this great big world of ours. It's like taking a boat out on a beautiful lake on a beautiful day and thinking both the sky and the lake are beautiful. So stop eating yourself up alive. Things will go where they're supposed to go if you just let them take their natural course.”
    Haruki Murakami, Norwegian Wood

  • #10
    Haruki Murakami
    “And you know, this thought crossed my mind at the time: maybe chance is a pretty common thing after all. Those kinds of coincidences are happening all around us, all the time, but most of them don't attract our attention and we just let them go by. It's like fireworks in the daytime. You might hear a faint sound, but even if you look up at the sky you can't see a thing. But if we're really hoping something may come true it may become visible, like a message rising to the surface. Then we're able to make it out clearly, decipher what it means. And seeing it before us we're surprised and wonder at how strange things like this can happen. Even though there's nothing strange about it.”
    Haruki Murakami, Blind Willow, Sleeping Woman: Twenty-Four Stories

  • #11
    Haruki Murakami
    “Me, I've seen 45 years, and I've only figured out one thing. That's this: if a person would just make the effort, there's something to be learned from everything. From even the most ordinary, commonplace things, there's always something you can learn. I read somewhere that they said there's even different philosophies in razors. Fact is, if it weren't for that, nobody'd survive.”
    Murakami, Haruki, Pinball, 1973

  • #12
    Haruki Murakami
    “I really like you, Midori. A lot.”
    “How much is a lot?”
    “Like a spring bear,” I said.
    “A spring bear?” Midori looked up again. “What’s that all about? A spring bear.”
    “You’re walking through a field all by yourself one day in spring, and this sweet little bear cub with velvet fur and shiny little eyes comes walking along. And he says to you, “Hi, there, little lady. Want to tumble with me?’ So you and the bear cub spend the whole day in each other’s arms, tumbling down this clover-covered hill. Nice, huh?”
    “Yeah. Really nice.”
    “That’s how much I like you.”
    Haruki Murakami, Norwegian Wood

  • #13
    Haruki Murakami
    “I'm in no position to hand down any advice," he said, "but there's a rule I follow when I don't know what to do."

    "A rule?"

    "If you have to choose between something that has form and something that doesn't, go for the one without form. That's my rule. Whenever I run into a wall I follow that rule, and it always works out. Even if it's hard going at the time.”
    Haruki Murakami, Blind Willow, Sleeping Woman: 24 Stories

  • #14
    Haruki Murakami
    “Anyway, it seems to me that the way most people go on living (I suppose there are a few exceptions), they think that the world of life (or whatever) is this place where everything is (or is supposed to be) basically logical and consistent.... It's like when you put instant rice pudding mix in a bowl in the microwave and push the button, and you take the cover off when it rings, and there you've got rice pudding. I mean, what happens in between the time when you push the switch and when the microwave rings? You can't tell what's going on under the cover. Maybe the instant rice pudding first turns into macaroni gratin in the darkness when nobody's looking and only then turns back into rice pudding. We think it's natural to get rice pudding after we put rice pudding mix in the microwave and the bell rings, but to me that's just a presumption. I would be kind of relieved if, every once in a while, after you put rice pudding mix in the microwave and it rang and you opened the top, you got macaroni gratin.”
    Haruki Murakami, The Wind-Up Bird Chronicle

  • #15
    Haruki Murakami
    “He was silent for thirty seconds, maybe a minute. I uncrossed my legs under the table and wondered if this was the right moment to leave. It was as if my whole life revolved around trying to judge the right point in a conversation to say goodbye.”
    Haruki Murakami, Blind Willow, Sleeping Woman: 24 Stories

  • #16
    Haruki Murakami
    “You don’t get it, do you?" I said. “It’s not a question of ‘what then’. Some people get a kick out of reading railroad timetables and that’s all they do all day. Some people make huge model boats out of matchsticks. So what’s wrong if there happens to be one guy in the world who enjoys trying to understand you?”
    Haruki Murakami, Norwegian Wood

  • #17
    Haruki Murakami
    “I get irritated, I get upset. Especially when I'm in a hurry. But I see it all as part of our training. To get irritated is to lose our way in life.”
    Haruki Murakami, A Wild Sheep Chase

  • #18
    Haruki Murakami
    “Your heart is like a great river after a long spell of rain, spilling over its banks. All signposts that once stood on the ground are gone, inundated and carried away by that rush of water. And still the rain beats down on the surface of the river. Every time you see a flood like that on the news you tell yourself: That’s it. That’s my heart.”
    Haruki Murakami, Kafka on the Shore

  • #19
    Haruki Murakami
    “So what can I do now?" she spoke up a minute later.
    "Nothing," I said. "Just think about what comes before words. You owe that to the dead. As time goes on, you'll understand. What lasts, lasts; what doesn't, doesn't. Time solves most things. And what time can't solve, you have to solve yourself. Is that too much to ask?"
    "A little," she said, trying to smile.
    "Well, of course it is," I said, trying to smile too.
    "I doubt that this makes sense to most people. But I think I'm right. People die all the time. Life is a lot more fragile than we think. So you should treat others in a way that leaves no regrets. Fairly, and if posible, sincerely. It's too easy not to make the effort, then weep and wring your hands after the person dies. Personally, I don't buy it."
    Yuki leaned against the car door. "But that's real hard, isn't it?" she said.
    "Real hard," I said. "But it's worth trying for.”
    Haruki Murakami, Dance Dance Dance

  • #20
    Haruki Murakami
    “I don't know, there's something about you. Say there's an hourglass: the sand's about to run out. Someone like you can always be counted on to turn the thing over.”
    Haruki Murakami, A Wild Sheep Chase

  • #21
    Haruki Murakami
    “Well, think of what I’m doing to you right now. For me I’m the self, and you’re the object. For you, of course, it’s the exact opposite—you’re the self to you and I’m the object. And by exchanging self and object, we can project ourselves onto the other and gain self-consciousness. Volitionally.” “I still don’t get it, but it sure feels good.” “That’s the whole idea,” the girl said.”
    Haruki Murakami, Kafka on the Shore

  • #22
    Virginia Woolf
    “When you consider things like the stars, our affairs don't seem to matter very much, do they?”
    Virginia Woolf

  • #23
    Virginia Woolf
    “Love, the poet said, is woman's whole existence.”
    Virginia Woolf, Orlando

  • #24
    Virginia Woolf
    “It is in our idleness, in our dreams, that the submerged truth sometimes makes its way to the surface.”
    Virginia Woolf

  • #25
    Virginia Woolf
    “To look life in the face, always, to look life in the face, and to know it for what it is...at last, to love it for what it is, and then, to put it away...”
    Virginia Woolf

  • #26
    Virginia Woolf
    “Arrange whatever pieces come your way.”
    Virginia Woolf, A Writer's Diary

  • #27
    Virginia Woolf
    “They went in and out of each other's minds without any effort.”
    Virginia Woolf

  • #28
    Virginia Woolf
    “First a warning, musical; then the hour, irrevocable. The leaden circles dissolved in the air.”
    Virginia Woolf, Mrs. Dalloway

  • #29
    Sylvia Plath
    “Kiss me, and you will see how important I am.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #30
    Sylvia Plath
    “If you expect nothing from somebody you are never disappointed.”
    Sylvia Plath, The Bell Jar



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