Caitlin > Caitlin's Quotes

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  • #1
    Jonathan Safran Foer
    “Sometimes I can hear my bones straining under the weight of all the lives I'm not living.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #2
    Jonathan Safran Foer
    “You cannot protect yourself from sadness without protecting yourself from happiness.”
    Jonathan Safran Foer

  • #3
    Jonathan Safran Foer
    “Why didn't I learn to treat everything like it was the last time. My greatest regret was how much I believed in the future.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #4
    Jonathan Safran Foer
    “I think and think and think, I‘ve thought myself out of happiness one million times, but never once into it.”
    Jonathan Safran Foer

  • #5
    Jonathan Safran Foer
    “I'm sorry for my inability to let unimportant things go, for my inability to hold on to the important things.”
    Jonathan Safran Foer

  • #6
    Jonathan Safran Foer
    “She had fallen in love so many times that she began to suspect she was not falling in love at all, but doing something much more ordinary.”
    Jonathan Safran Foer

  • #7
    Jonathan Safran Foer
    “He awoke each morning with the desire to do right, to be a good and meaningful person, to be, as simple as it sounded and as impossible as it actually was, happy. And during the course of each day his heart would descend from his chest into his stomach. By early afternoon he was overcome by the feeling that nothing was right, or nothing was right for him, and by the desire to be alone. By evening he was fulfilled: alone in the magnitude of his grief, alone in his aimless guilt, alone even in his loneliness. I am not sad, he would repeat to himself over and over, I am not sad. As if he might one day convince himself. Or fool himself. Or convince others--the only thing worse than being sad is for others to know that you are sad. I am not sad. I am not sad. Because his life had unlimited potential for happiness, insofar as it was an empty white room. He would fall asleep with his heart at the foot of his bed, like some domesticated animal that was no part of him at all. And each morning he would wake with it again in the cupboard of his rib cage, having become a little heavier, a little weaker, but still pumping. And by the midafternoon he was again overcome with the desire to be somewhere else, someone else, someone else somewhere else. I am not sad.
    Jonathan Safran Foer, Everything is Illuminated

  • #8
    Jonathan Safran Foer
    “Does it break my heart, of course, every moment of every day, into more pieces than my heart was made of, I never thought of myself as quiet, much less silent, I never thought about things at all, everything changed, the distance that wedged itself between me and my happiness wasn't the world, it wasn't the bombs and burning buildings, it was me, my thinking, the cancer of never letting go, is ignorance bliss, I don't know, but it's so painful to think, and tell me, what did thinking ever do for me, to what great place did thinking ever bring me? I think and think and think, I've thought myself out of happiness one million times, but never once into it.”
    Jonathan Safran Foer

  • #9
    Jonathan Safran Foer
    “Brod's life was a slow realization that the world was not for her, and that for whatever reason, she would never be happy and honest at the same time. She felt as if she were brimming, always producing and hoarding more love inside her. But there was no release...

    So she had to satisfy herself with the idea of love--loving the loving of things whose existence she didn't care at all about. Love itself became the object of her love. She loved herself in love, she loved loving love, as love loves loving, and was able, in that way, to reconcile herself with a world that fell so short of what she would have hoped for. It was not the world that was the great and saving lie, but her willingness to make it beautiful and fair, to live a once-removed life, in a world once-removed from the one in which everyone else seemed to exist.”
    Jonathan Safran Foer
    tags: love

  • #10
    Jonathan Safran Foer
    “She was a genius of sadness, immersing herself in it, separating its numerous strands, appreciating its subtle nuances. She was a prism through which sadness could be divided into its infinite spectrum.”
    Jonathan Safran Foer, Everything is Illuminated

  • #11
    Jonathan Safran Foer
    “This is love, she thought, isn't it? When you notice someone's absence and hate that absence more than anything? More, even, than you love his presence?”
    Jonathan Safran Foer, Everything is Illuminated

  • #12
    Charles Bukowski
    “If you're going to try, go all the way. Otherwise, don't even start. This could mean losing girlfriends, wives, relatives and maybe even your mind. It could mean not eating for three or four days. It could mean freezing on a park bench. It could mean jail. It could mean derision. It could mean mockery--isolation. Isolation is the gift. All the others are a test of your endurance, of how much you really want to do it. And, you'll do it, despite rejection and the worst odds. And it will be better than anything else you can imagine. If you're going to try, go all the way. There is no other feeling like that. You will be alone with the gods, and the nights will flame with fire. You will ride life straight to perfect laughter. It's the only good fight there is.”
    Charles Bukowski, What Matters Most is How Well You Walk Through the Fire

  • #13
    Charles Bukowski
    “There's a bluebird in my heart that wants to get out
    but I'm too tough for him,
    I say, stay in there, I'm not going to let anybody see you.”
    Charles Bukowski

  • #14
    Charles Bukowski
    “my beerdrunk soul is sadder than all the dead christmas trees of the world.”
    Charles Bukowski

  • #15
    Charles Bukowski
    “there is a loneliness in this world so great that you can see it in the slow movement of the hands of a clock”
    Charles Bukowski, Love Is a Dog from Hell

  • #16
    Maya Angelou
    “Pretty women wonder where my secret lies.
    I'm not cute or built to suit a fashion model's size
    But when I start to tell them,
    They think I'm telling lies.
    I say,
    It's in the reach of my arms
    The span of my hips,
    The stride of my step,
    The curl of my lips.
    I'm a woman
    Phenomenally.
    Phenomenal woman,
    That's me.”
    Maya Angelou, Phenomenal Woman: Four Poems Celebrating Women

  • #17
    Maya Angelou
    “It's in the click of my heels,
    The bend of my hair,
    the palm of my hand,
    The need of my care,
    'Cause I'm a woman
    Phenomenally.
    Phenomenal woman,
    That's me. ”
    Maya Angelou, Phenomenal Woman: Four Poems Celebrating Women

  • #18
    Maya Angelou
    “It’s the fire in my eyes,
    And the flash of my teeth,
    The swing in my waist,
    And the joy in my feet.
    I’m a woman
    Phenomenally.”
    Maya Angelou, Phenomenal Woman: Four Poems Celebrating Women

  • #19
    Albert Einstein
    “Two things are infinite: the universe and human stupidity; and I'm not sure about the universe.”
    Albert Einstein

  • #20
    Chuck Klosterman
    “In and of itself, nothing really matters. What matters is that nothing is ever in and of itself.”
    Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

  • #21
    Chuck Klosterman
    “Important things are inevitably cliche, but nobody wants to admit that.”
    Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

  • #22
    Chuck Klosterman
    “There are two ways to look at life. The first view is that nothing stays the same and that nothing is inherently connected, and that the only driving force in anyone's life is entropy. The second is that everything pretty much stays the same (more or less) and that everything is completely connected, even if we don't realize it.”
    Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

  • #23
    Chuck Klosterman
    “What is going to happen in the course of my day that will be an improvement over lying on something very soft, underneath something very warm, wearing only underwear, doing absolutely nothing, all by myself?”
    Chuck Klosterman, Downtown Owl

  • #24
    Chuck Klosterman
    “Every one of Joel's important songs--including the happy ones--are ultimately about loneliness. And it's not 'clever lonely' (like Morrissey) or 'interesting lonely' (like Radiohead); it's 'lonely lonely,' like the way it feels when you're being hugged by someone and it somehow makes you sadder.”
    Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

  • #25
    Chuck Klosterman
    “Who Am I? Or (Perhaps More Accurately) Who Else Could Be Me?”
    Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

  • #26
    Chuck Klosterman
    “Whenever I can’t sleep, I like to lie in the darkness and pretend I’ve been assassinated. I’ve found this is the best way to get comfortable. I imagine I’m in the coffin at my funeral, and people from my past are walking by my corpse and making comments about my demise.”
    Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

  • #27
    Chuck Klosterman
    “The falling flakes were random and without purpose; the snow was drunker than she was.”
    Chuck Klosterman, Downtown Owl

  • #28
    Chuck Klosterman
    “The stark, pedestrian images used by filmmakers (probably out of financial necessity) expressed nothing, symbolically or metaphorically. The only purpose they served was to remind me that a huge chunk of my life is completely over, even though I will probably live 60 more years. There are so many things that will never happen to me again, and I never even noticed when those things stopped occurring. And this does not mean I wish I had my old life back, because I like my new life better; I was just shocked to discover how much of what used to be central to my existence doesn't even matter to me anymore.”
    Chuck Klosterman, Killing Yourself to Live: 85% of a True Story

  • #29
    Chuck Klosterman
    “Coldplay songs deliver an amorphous, irrefutable interpretation of how being in love is supposed to feel, and people find themselves wanting that feeling for real. They want men to adore them like Lloyd Dobler would, and they want women to think like Aimee Mann, and they expect all their arguments to sound like Sam Malone and Diane Chambers. They think everything will work out perfectly in the end (just like it did for Helen Fielding's Bridget Jones and Nick Hornby's Rob Fleming), and they don't stop believing because Journey's Steve Perry insists we should never do that.”
    Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

  • #30
    Chuck Klosterman
    “But it goes without saying that Michael Jordan could never date Pamela Anderson. That would cause the apocalypse.”
    Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto



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