Greg MacPherson > Greg's Quotes

“My life amounts to no more than one drop in a limitless ocean. Yet what is any ocean, but a multitude of drops?”
― David Mitchell, Cloud Atlas

“I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it -- to be fed so much love I couldn't take any more. Just once. ”
― Haruki Murakami, Norwegian Wood

“In his extreme youth Stoner had thought of love as an absolute state of being to which, if one were lucky, one might find access; in his maturity he had decided it was the heaven of a false religion, toward which one ought to gaze with an amused disbelief, a gently familiar contempt, and an embarrassed nostalgia. Now in his middle age he began to know that it was neither a state of grace nor an illusion; he saw it as a human act of becoming, a condition that was invented and modified moment by moment and day by day, by the will and the intelligence and the heart.”
― John Williams, Stoner

“What wouldn't I give now for a never-changing map of the ever-constant ineffable? To possess, as it were, an atlas of clouds.”
― David Mitchell, Cloud Atlas

“Sometimes, immersed in his books, there would come to him the awareness of all that he did not know, of all that he had not read; and the serenity for which he labored was shattered as he realized the little time he had in life to read so much, to learn what he had to know.”
― John Williams, Stoner

“A war doesn’t merely kill off a few thousand or a few hundred thousand young men. It kills off something in a people that can never be brought back. And if a people goes through enough wars, pretty soon all that’s left is the brute, the creature that we—you and I and others like us—have brought up from the slime.”
― John Williams, Stoner

“One part of him recoiled in instinctive horror at the daily waste, the inundation of destruction and death that inexorably assaulted the mind and heart; once again he saw the faculty depleted, he saw the haunted looks upon those who remained behind, and saw in those looks the slow death of the heart, the bitter attrition of feeling and care.”
― John Williams

“When I was little, I had this science book. There was a section on 'What would happen to the world if there was no friction?' Answer: 'Everything on earth would fly into space from the centrifugal force of revolution.' That was my mood.”
― Haruki Murakami, Dance Dance Dance

“I really like you, Midori. A lot.”
“How much is a lot?”
“Like a spring bear,” I said.
“A spring bear?” Midori looked up again. “What’s that all about? A spring bear.”
“You’re walking through a field all by yourself one day in spring, and this sweet little bear cub with velvet fur and shiny little eyes comes walking along. And he says to you, “Hi, there, little lady. Want to tumble with me?’ So you and the bear cub spend the whole day in each other’s arms, tumbling down this clover-covered hill. Nice, huh?”
“Yeah. Really nice.”
“That’s how much I like you.”
― Haruki Murakami, Norwegian Wood

“He listened to his words fall as if from the mouth of another, and watched his father’s face, which received those words as a stone receives the repeated blows of a fist.”
― John Williams, Stoner

“Nothing had changed. Their lives had been expended in the cheerless labor, their wills broken, their intelligences numbed. Now they were in the earth to which they had given their lives; and slowly, year by year, the earth would take them. Slowly the damp and rot would infest the pine boxes which held their bodies, and slowly it would touch their flesh and finally it would consume the last vestiges of their substances. And they would become a meaningless part of that stubborn earth to which they had long ago given themselves.”
― John Williams, Stoner

“Whoever opined "Money can't buy you happiness" obviously had far too much of the stuff.”
― David Mitchell, Cloud Atlas

“People pontificate, "Suicide is selfishness." Career churchmen like Pater go a step further and call in a cowardly assault on the living. Oafs argue this specious line for varying reason: to evade fingers of blame, to impress one's audience with one's mental fiber, to vent anger, or just because one lacks the necessary suffering to sympathize. Cowardice is nothing to do with it - suicide takes considerable courage. Japanese have the right idea. No, what's selfish is to demand another to endure an intolerable existence, just to spare families, friends, and enemies a bit of soul-searching.”
― David Mitchell, Cloud Atlas

“Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.”
― David Mitchell, The Thousand Autumns of Jacob de Zoet

“Don't feel sorry for yourself. Only assholes do that.”
― Haruki Murakami, Norwegian Wood

“But who can say what's best? That's why you need to grab whatever chance you have of happiness where you find it, and not worry about other people too much. My experience tells me that we get no more than two or three such chances in a life time, and if we let them go, we regret it for the rest of our lives.”
― Haruki Murakami, Norwegian Wood

“There are only two stories: either you go forward or you die.”
― John Darnielle, Wolf in White Van

“I didn’t feel like I’d really won anything, but I had come through the day no worse off than I’d come into it, which, as I have been telling myself for many years now, is a victory whether it feels like one or not.”
― John Darnielle, Wolf in White Van

“And I started to say “fine,” and I meant to say “fine,” but I ended up saying that I felt my life was filled like a big jug to the brim with almost indescribable joy, so much that I hardly knew how to handle it.”
― John Darnielle, Wolf in White Van

“I would say that since the war, our methods-out and those of the opposition-have become much the same. I mean you can't be less ruthless than the opposition simply because your government's 'policy' is benevolent, can you now?”
― John le Carré, The Spy Who Came In from the Cold

“He knew then what it was that Liz had given him; the thing that he would have to go back and find if ever he got home to England; it was the caring about little things - the faith in ordinary life; the simplicity that made you break up a bit of bread into a paper bag, walk down to the beach and throw it to the gulls. It was this respect for triviality which he had never been allowed to possess; whether it was bread of the seagulls or love”
― John le Carré, The Spy Who Came In from the Cold

“Scars have the strange power to remind us that our past is real.”
― Cormac McCarthy, All the Pretty Horses

“He wondered again at the easy, graceful manner in which the Roman lyricists accepted the fact of death, as if the nothingness they faced were a tribute to the richness of the years they had enjoyed; and he marveled at the bitterness, the terror, the barely concealed hatred he found in some of the later Christian poets of the Latin tradition when they looked to that death which promised, however vaguely, a rich and ecstatic eternity of life, as if that death and promise were a mockery that soured the days of their living.”
― John Williams, Stoner