Sander > Sander's Quotes

“I had told the truth, or a version of it, anyway.”
― John Boyne, A Ladder to the Sky

“..time is always the price we pay for the unlived life.”
― André Aciman, Find Me

“Noa stared at her. She would always believe that he was someone else, that he wasn't himself but some fanciful idea of a foreign person; she would always feel like she was someone special because she had condescended to be with someone everyone else hated. His presence would prove to the world that she was a good person, an educated person, a liberal person. Noa didn't care about being Korean when he was with her; in fact, he didn't care about being Korean or Japanese with anyone. He wanted to be just himself, whatever that meant; he wanted to forget himself sometimes. But that wasn't possible. It would never be possible with her.”
― Min Jin Lee, Pachinko

“And on that evening when we grow older still we'll speak about these two young men as though they were two strangers we met on the train and whom we admire and want to help along. And we'll want to call it envy, because to call it regret would break our hearts.”
― André Aciman, Call Me by Your Name

“I’ve spent so much time pushing the boat out that I forgot to jump on and now it’s out beyond the harbour on the high seas, but it’s very nice to look at.”
― John Boyne, The Heart's Invisible Furies

“Two people rarely see the same thing.”
― Agatha Christie, The Murder on the Links

“What I feel is that if one has got to have a murder actually happening in one's house, one might as well enjoy it, if you know what I mean.”
― Agatha Christie, The Body in the Library

“It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires.”
― Hilary Mantel, Wolf Hall

“There are no endings. If you think so you are deceived as to their nature. They are all beginnings. Here is one.”
― Hilary Mantel, Bring Up the Bodies

“But the law is not an instrument to find out truth. It is there to create a fiction that will help us move past atrocious acts and face our future. It seems there is no mercy in this world, but a kind of haphazard justice: men pay for crimes, but not necessarily their own.”
― Hilary Mantel, The Mirror & the Light

“My list of sins is so extensive that the recording angel has run out of tablets, and sits in the corner with his quill blunted, wailing and ripping out his curls.”
― Hilary Mantel, The Mirror & the Light

“And now that you don't have to be perfect, you can be good.”
― John Steinbeck, East of Eden

“When a child first catches adults out -- when it first walks into his grave little head that adults do not always have divine intelligence, that their judgments are not always wise, their thinking true, their sentences just -- his world falls into panic desolation. The gods are fallen and all safety gone. And there is one sure thing about the fall of gods: they do not fall a little; they crash and shatter or sink deeply into green muck. It is a tedious job to build them up again; they never quite shine. And the child's world is never quite whole again. It is an aching kind of growing.”
― John Steinbeck, East of Eden

“No one who is young is ever going to be old.”
― John Steinbeck, East of Eden

“I avoided you, so that you couldn’t avoid me.”
― Tomasz Jedrowski, Swimming in the Dark

“Sometimes reality comes crashing down on you. Other times reality simply waits, patiently, for you to run out of the energy it takes to deny it.”
― Taylor Jenkins Reid, The Seven Husbands of Evelyn Hugo

“Advice!Nobody tells us how to be men. We just are." "That is probably why you make such a bad job of it.- Perrin and Egwene”
― Robert Jordan, The Eye of the World

“What is given may be taken away, at any time. Cruelty and devastation wait for you around corners, inside coffers, behind doors: they can leap out at you at any time, like a thief or brigand. The trick is never to let down your guard. Never think you are safe. Never take for granted that your children's hearts beat, that they sup milk, that they draw breath, that they walk and speak and smile and argue and play. Never for a moment forget they may be gone, snatched from you, in the blink of an eye, borne away from you like thistledown.”
― Maggie O'Farrell, Hamnet

“She, like all mothers, constantly casts out her thoughts, like fishing lines, towards her children, reminding herself of where they are, what they are doing, how they fare. From habit, while she sits there near the fireplace, some part of her mind is tabulating them and their whereabouts: Judith, upstairs. Susanna, next door. And Hamnet? Her unconscious mind casts, again and again, puzzled by the lack of bite, by the answer she keeps giving it: he is dead, he is gone. And Hamnet? The mind will ask again. At school, at play, out at the river? And Hamnet? And Hamnet? Where is he? Here, she tries to tell herself. Cold and lifeless, on this board, right in front of you. Look, here, see. And Hamnet? Where is”
― Maggie O'Farrell, Hamnet

“The House is valuable because it is the House. It is enough in and of Itself. It is not the means to an end.”
― Susanna Clarke, Piranesi

“They say nothing lasts forever but they're just scared it will last longer than they can love it.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“I miss you more than I remember you.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“Too much joy, I swear, is lost in our desperation to keep it.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“All freedom is relative—you know too well—and sometimes it’s no freedom at all, but simply the cage widening far away from you, the bars abstracted with distance but still there, as when they “free” wild animals into nature preserves only to contain them yet again by larger borders. But I took it anyway, that widening. Because sometimes not seeing the bars is enough”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“Let no one mistake us for the fruit of violence - but that violence, having passed through the fruit, failed to spoil it.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“To be or not to be. That is the question. A question, yes, but not a choice.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“As a girl, you watched, from a banana grove, your schoolhouse collapse after an American napalm raid. At five, you never stepped into a classroom again. Our mother tongue, then, is no mother at all—but an orphan. Our Vietnamese a time capsule, a mark of where your education ended, ashed. Ma, to speak in our mother tongue is to speak only partially in Vietnamese, but entirely in war.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“Better to stay alive," I said. "At least while there's a chance to get free." I thought of the sleeping pills in my bag and wondered just how great a hypocrite I was. It was so easy to advise other people to live with their pain.”
― Octavia E. Butler, Kindred

“I’ll not have you bleeding to death on me. That would be just like you, to die and leave me the work of burying you. You have no consideration.”
― Robert Jordan, The Shadow Rising

“She had loved him, and he had needed to break her completely to leave her for good. Agnes Bain was too rare a thing to let someone else love. It wouldn't do to leave pieces of her for another man to collect and repair later.”
― Douglas Stuart, Shuggie Bain