Amanda > Amanda's Quotes

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  • #1
    Charlotte Brontë
    “Do you think, because I am poor, obscure, plain and little, I am soulless and heartless? You think wrong! - I have as much soul as you, - and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you!”
    Charlotte Brontë, Jane Eyre

  • #2
    “They wanted you to grow up into some helpless combination of old person and infant. They wanted you to have a house and a family and a refrigerator and a TV, and not know how any of it worked. They wanted you to spend your life working on something that was never concrete, never anything you could see or hold in your hands, and if you didn't do that they wanted to put you in jail. Cutting down forests, poisoning the earth - it was a country driven by stupid, blind impulse. It was a country where nobody knew where their food came from or where their garbage went, they just flushed the bowl, kept eating it and throwing it away, building bombs and computers, cars and TVs, sending people off to Vietnam so they could set it on fire. It was a country that had turned against everyone he knew, cast them out like garbage, and all they could do was smile to themselves at all they'd learned and wait patiently for the fires to start here at home.”
    Zachary Lazar, Sway

  • #3
    Frank Zappa
    “So many books, so little time.”
    Frank Zappa

  • #4
    Jack Kerouac
    “I like too many things and get all confused and hung-up running from one falling star to another till i drop. This is the night, what it does to you. I had nothing to offer anybody except my own confusion.”
    Jack Kerouac

  • #5
    Naomi Klein
    “So, if consumers are like roaches, then marketers must forever be dreaming up new concoctions for industrial-strength Raid.”
    Naomi Klein, No Logo

  • #6
    Julia Glass
    “There you are, diligently swimming a straight line, minding the form of your strokes, when you look up and see, always a shock, the currents you can't even feel have pulled you off course.”
    Julia Glass, I See You Everywhere

  • #7
    Chris Cleave
    “To be well in your mind you have first to be free.”
    Chris Cleave, Little Bee

  • #8
    Chris Cleave
    “Isn't it sad, growing up? You start off like my Charlie. You start off thinking you can kill all the baddies and save the world. Then you get a little bit older, maybe Little Bee's age, and you realize that some of the world's badness is inside you, that maybe you're a part of it. And then you get a bit older still, and a bit more comfortable, and you start wondering whether that badness you've seen in yourself is really all that bad at all. You start talking about ten per cent."

    Maybe that's just developing as a person, Sarah."

    I sighed and looked out at Little Bee

    Well," I said, "maybe this is a developing world.”
    Chris Cleave

  • #9
    Shirley Jackson
    “A pretty sight, a lady with a book.”
    Shirley Jackson, We Have Always Lived in the Castle

  • #10
    Edith Wharton
    “But after a moment a sense of waste and ruin overcame him. There they were, close together and safe and shut in; yet so chained to their separate destinies that they might as well been half the world apart.”
    Edith Wharton, The Age of Innocence

  • #11
    Edith Wharton
    “I shan't be lonely now. I was lonely; I was afraid. But the emptiness and the darkness are gone; when I turn back into myself now I'm like a child going at night into a room where there's always a light.”
    Edith Wharton, The Age of Innocence

  • #12
    Steve  Martin
    “[her] mind blackens. The blackness is not a thought, but if it could be pressed into a thought, if a chemical from a dropper could be dripped onto it causing its color and essence to become visible, it would take the shape of this sentence: Why does no one want me?”
    Steve Martin, Shopgirl

  • #13
    Steve  Martin
    “It's pain that changes our lives.”
    Steve Martin, Shopgirl

  • #14
    Steve  Martin
    “For a while, Mirabelle believes there will be a moment when he will cave in and let himself love her, but eventually she lets the idea go. She hits bottom. She dwells in the muck for several months, not depressed exactly, but involved in a mourning that at first she thinks is for Ray but soon realizes is for the loss of her old self.”
    Steve Martin, Shopgirl

  • #15
    Yann Martel
    “You must take life the way it comes at you and make the best of it.”
    Yann Martel, Life of Pi

  • #16
    Yann Martel
    “Life is so beautiful that death has fallen in love with it, a jealous, possessive love that grabs at what it can. But life leaps over oblivion lightly, losing only a thing or two of no importance, and gloom is but the passing shadow of a cloud...”
    Yann Martel, Life of Pi

  • #17
    Richard Yates
    “she had always been ready to take off the minute she happened to feel like it ("Don't talk to me that way, Frank, or I'm leaving. I mean it") or the minute anything went wrong.”
    Richard Yates, Revolutionary Road

  • #18
    Helen Keller
    “When one door of happiness closes, another opens; but often we look so long at the closed door that we do not see the one which has been opened for us.”
    Helen Keller

  • #19
    Penelope Mortimer
    “I don't know who I am, I don't know what I'm like, how can I know what I want? I only know that whether I'm good or bad, whether I'm a bitch or not, whether I'm strong or weak or contemptible or a bloody martyr - I mean whether I'm fat or thin, tall or short, because I don't know - I want to be happy.”
    Penelope Mortimer, The Pumpkin Eater

  • #20
    Marya Hornbacher
    “I wanted to kill the me underneath. That fact haunted my days and nights. When you realize you hate yourself so much, when you realize that you cannot stand who you are, and this deep spite has been the motivation behind your behavior for many years, your brain can’t quite deal with it. It will try very hard to avoid that realization; it will try, in a last-ditch effort to keep your remaining parts alive, to remake the rest of you. This is, I believe, different from the suicidal wish of those who are in so much pain that death feels like relief, different from the suicide I would later attempt, trying to escape that pain. This is a wish to murder yourself; the connotation of kill is too mild. This is a belief that you deserve slow torture, violent death.”
    Marya Hornbacher, Wasted: A Memoir of Anorexia and Bulimia

  • #21
    Marya Hornbacher
    “Bear in mind, people with eating disorders tend to be both competitive and intelligent. We are incredibly perfectionistic. We often excel in school,athletics,artistic pursuits. We also tend to quit without warning. Refuse to go to school,drop out,quit jobs,leave lovers,move,lose all our money. We get sick of being impressive. Rather,we tire of having to seem impressive. As a rule,most of us never really believed we were any good in the first place.”
    Marya Hornbacher

  • #22
    Elizabeth Wurtzel
    “Pick a man, any man. Every guy I fall for becomes Jesus Christ within the first twenty-four hours of our relationship. I know that this happens, I see it happening, I even feel myself, sometimes, standing at some temporal crossroads, some distinct moment at which I can walk away and keep it from happening, but I never do. I grab at everything, I end up with nothing, and then I feel bereft. I mourn for the loss of something I never even had.”
    Elizabeth Wurtzel, Prozac Nation

  • #23
    Edith Wharton
    “She felt a stealing sense of fatigue as she walked; the sparkle had died out of her, and the taste of life was stale on her lips. She hardly knew what she had been seeking, or why the failure to find it had so blotted the light from her sky: she was only aware of a vague sense of failure, of an inner isolation deeper than the loneliness about her.”
    Edith Wharton, The House of Mirth

  • #24
    Steve  Martin
    “Lacey was just as happy alone as with company. When she was alone, she was potential; with others she was realized. Alone, she was self-contained, her tightly spinning magnetic energy oscillating around her. When in company, she had invisible tethers to anyone in the room: as they moved away, she pulled them in.”
    Steve Martin, An Object of Beauty

  • #25
    Marya Hornbacher
    “This is the weird aftermath, when it is not exactly over, and yet you have given it up. You go back and forth in your head, often, about giving it up. It’s hard to understand, when you are sitting there in your chair, having breakfast or whatever, that giving it up is stronger than holding on, that “letting yourself go” could mean you have succeeded rather than failed. You eat your goddamn Cheerios and bicker with the bitch in your head that keeps telling you you’re fat and weak: Shut up, you say, I’m busy, leave me alone. When she leaves you alone, there’s a silence and a solitude that will take some getting used to. You will miss her sometimes...There is, in the end, the letting go.”
    Marya Hornbacher, Wasted: A Memoir of Anorexia and Bulimia

  • #26
    Steve  Martin
    “Lacy was just as happy alone as with company. When she was alone, she was potential; with others she was realized.”
    Steve Martin, An Object of Beauty

  • #27
    Steve  Martin
    “both you and paintings are layered… first, ephemera and notations on the back of the canvas. Labels indicate gallery shows, museum shows, footprints in the snow, so to speak. Then pencil scribbles on the stretcher, usually by the artist, usually a title or date. Next the stretcher itself. Pine or something. Wooden triangles in the corners so the picture can be tapped tighter when the canvas becomes loose. Nails in the wood securing the picture to the stretcher. Next, a canvas: linen, muslin, sometimes a panel; then the gesso - a primary coat, always white. A layer of underpaint, usually a pastel color, then, the miracle, where the secrets are: the paint itself, swished around, roughly, gently, layer on layer, thick or thin, not more than a quarter of an inch ever -- God can happen in that quarter of an inch -- the occasional brush hair left embedded, colors mixed over each other, tones showing through, sometimes the weave of the linen revealing itself. The signature on top of the entire goulash. Then varnish is swabbed over the whole. Finally, the frame, translucent gilt or carved wood. The whole thing is done.”
    Steve Martin, An Object of Beauty

  • #28
    Steve  Martin
    “I am tired, so very tired of thinking about Lacey Yeager, yet I worry that unless I write her story down, and see it bound and tidy on my bookshelf, I will be unable to ever write about anything else.”
    Steve Martin, An Object of Beauty

  • #29
    Tupelo Hassman
    “I may not have been born captain of this boat, but I was born to rock it.”
    Tupelo Hassman, Girlchild

  • #30
    Tupelo Hassman
    “But once in a while one loses his heart and once I think I did too, but never Mama. Her heart stays right in place and it's wham-bam-don't-give-a-damn every single time. Whatever she's got, that thing that can say good-bye like good-byes don't mean anything, I didn't get that. And the glass unicorn with the shiny gold horn and hooves that sits by my bed proves it, proves that I can't let go of things like Mama can.”
    Tupelo Hassman, Girlchild



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