Mark Wallace > Mark's Quotes

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  • #1
    Joan Didion
    “We tell ourselves stories in order to live...We look for the sermon in the suicide, for the social or moral lesson in the murder of five. We interpret what we see, select the most workable of the multiple choices. We live entirely, especially if we are writers, by the imposition of a narrative line upon disparate images, by the "ideas" with which we have learned to freeze the shifting phantasmagoria which is our actual experience.”
    Joan Didion, The White Album

  • #2
    Ernest Hemingway
    “I was trying to write then and I found the greatest difficulty, aside from knowing truly what you really felt, rather than what you were supposed to feel, and had been taught to feel, was to put down what really happened in action; what the actual things were which produced the emotion that you experienced. In writing for a newspaper you told what happened and, with one trick and another, you communicated the emotion aided by the element of timeliness which gives a certain emotion to any account of something that has happened on that day; but the real thing, the sequence of motion and fact which made the emotion and which would be as valid in a year or in ten years or, with luck and if you stated it purely enough, always, was beyond me and I was working very hard to try to get it.”
    Ernest Hemingway, Death in the Afternoon

  • #3
    Ernest Hemingway
    “The best way is always to stop when you are going good and when you know what will happen next. If you do that every day when you are writing a novel you will never be stuck. That is the most valuable thing I can tell you so try to remember it.”
    Ernest Hemingway

  • #4
    William Gibson
    “A year here and he still dreamed of cyberspace, hope fading nightly. All the speed he took, all the turns he'd taken and the corners he cut in Night City, and he'd still see the matrix in his dreams, bright lattices of logic unfolding across that colourless void... The Sprawl was a long, strange way home now over the Pacific, and he was no Console Man, no cyberspace cowboy. Just another hustler, trying to make it through. But the dreams came on in the Japanese night like livewire voodoo, and he'd cry for it, cry in his sleep, and wake alone in the dark, curled in his capsule in some coffin hotel, hands clawed into the bedslab, temper foam bunched between his fingers, trying to reach the console that wasn't there.”
    William Gibson, Neuromancer

  • #5
    Samuel Beckett
    “You must go on. I can't go on. I'll go on.”
    Samuel Beckett, The Unnamable

  • #6
    Marianne Williamson
    “Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness that most frightens us. We ask ourselves, 'Who am I to be brilliant, gorgeous, talented, fabulous?' Actually, who are you not to be? You are a child of God. Your playing small does not serve the world. There is nothing enlightened about shrinking so that other people won't feel insecure around you. We are all meant to shine, as children do. We were born to make manifest the glory of God that is within us. It's not just in some of us; it's in everyone. And as we let our own light shine, we unconsciously give other people permission to do the same. As we are liberated from our own fear, our presence automatically liberates others.”
    Marianne Williamson, A Return to Love: Reflections on the Principles of "A Course in Miracles"

  • #7
    Walter Pater
    “All art constantly aspires towards the condition of music. For while in all other kinds of art it is possible to distinguish the matter from the form, and the understanding can always make this distinction, yet it is the constant effort of art to obliterate it.”
    Walter Pater
    tags: art, music

  • #8
    Stephen  King
    “Don't wait for the muse. As I've said, he's a hardheaded guy who's not susceptible to a lot of creative fluttering. This isn't the Ouija board or the spirit-world we're talking about here, but just another job like laying pipe or driving long-haul trucks. Your job is to make sure the muse knows where you're going to be every day from nine 'til noon. or seven 'til three. If he does know, I assure you that sooner or later he'll start showing up.”
    Stephen King, On Writing: A Memoir of the Craft
    tags: muse

  • #9
    Thomas Pynchon
    “Like so many named places in California it was less an identifiable city than a grouping of concepts--census tracts, special purpose bond-issue districts, shopping nuclei, all overlaid with access roads to its own freeway.”
    Thomas Pynchon, The Crying of Lot 49

  • #10
    Tony Kushner
    “We won't die secret deaths anymore. The world only spins forward. We will be citizens. The time has come. Bye now. You are fabulous creatures, each and every one. And I bless you: More Life. The Great Work Begins.”
    Tony Kushner, Angels in America

  • #11
    Andrea Lawlor
    “Paul felt an incisive critique of capitalism coming on and ordered an expensive latte as a distraction. When he tried to pay for the latte, the counter girl waved his money away. This, though Paul, buoyed, will be my city. He left the full price of the drink in the tip jar, $91 left in his pocket.”
    Andrea Lawlor, Paul Takes the Form of a Mortal Girl



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