Yeuksze Tam > Yeuksze's Quotes

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  • #1
    Caitlyn Siehl
    “Do not fall in love with people like me.
    I will take you to museums, and parks, and monuments, and kiss you in every beautiful place, so that you can never go back to them without tasting me like blood in your mouth.
    I will destroy you in the most beautiful way possible. And when I leave you will finally understand, why storms are named after people.”
    Caitlyn Siehl, Literary Sexts: A Collection of Short & Sexy Love Poems

  • #2
    Caitlyn Siehl
    “When is a monster not a monster? Oh, when you love it.”
    Caitlyn Siehl, Literary Sexts: A Collection of Short & Sexy Love Poems

  • #3
    Caitlyn Siehl
    “when your little girl
    asks you if she’s pretty
    your heart will drop like a wineglass
    on the hardwood floor
    part of you will want to say
    of course you are, don’t ever question it
    and the other part
    the part that is clawing at
    you
    will want to grab her by her shoulders
    look straight into the wells of
    her eyes until they echo back to you
    and say
    you do not have to be if you don’t want to
    it is not your job
    both will feel right
    one will feel better
    she will only understand the first
    when she wants to cut her hair off
    or wear her brother’s clothes
    you will feel the words in your
    mouth like marbles
    you do not have to be pretty if you don’t want to
    it is not your job”
    Caitlyn Siehl

  • #4
    Meggie C. Royer
    “On your worst days do not look in the mirror and call yourself pretty. Call yourself trying, call yourself surviving, call yourself learning how to get through a day, a week, a month or year. Call yourself still learning.”
    Meggie Royer

  • #5
    Walt Whitman
    “Not I, nor anyone else can travel that road for you.
    You must travel it by yourself.
    It is not far. It is within reach.
    Perhaps you have been on it since you were born, and did not know.
    Perhaps it is everywhere - on water and land.”
    Walt Whitman, Leaves of Grass

  • #6
    Rainer Maria Rilke
    “For one human being to love another human being: that is perhaps the most difficult task that has been given to us, the ultimate, the final problem and proof, the work for which all other work is merely preparation.”
    Rainer Maria Rilke, The Selected Poetry of Rainer Maria Rilke
    tags: love

  • #7
    Rainer Maria Rilke
    “If no one else, the dying must notice how unreal, how full of pretense, is all that we accomplish here, where nothing is allowed to be itself.”
    Rainer Maria Rilke, The Selected Poetry of Rainer Maria Rilke

  • #8
    Catherynne M. Valente
    “I do not want to be human. I want to be myself. They think I’m a lion, that I will chase them. I will not deny that I have lions in me. I am the monster in the wood. I have wonders in my house of sugar. I have parts of myself I do not yet understand.

    I am not a Good Robot. To tell a story about a robot who wants to be human is a distraction. There is no difference. Alive is alive.

    There is only one verb that matters: to be.”
    Catherynne M. Valente, Silently and Very Fast

  • #9
    Catherynne M. Valente
    “Humanity lived many years and ruled the earth, sometimes wisely, sometimes well, but mostly neither.”
    Catherynne M. Valente, Silently and Very Fast

  • #10
    Neil LaBute
    “You're crossing the ocean on a wooden ship. One of the boards rots, so you replace it with another that you've stored on your hold. It is still the same ship? Most people will agree that it is. But what if, bit by bit, as you make your journey, your ships sustains more and more damage, so that by the time you reach your destination, you have substituted each piece with its counterpart and not a single piece remains unreplaced. Now is it the same ship? Why or why not? How much of a thing is its pattern and how much its physical material? I was fascinated by the question of wether and how long you could remain the same person after casting off part of your body or, for that matter, after casting part of your history, part of your personality, part of your life.”
    Neil LaBute, My Mother She Killed Me, My Father He Ate Me: Forty New Fairy Tales

  • #11
    Francesca Lia Block
    “If you were sad about something that hadn't happened yet you couldn't be disappointed.”
    Francesca Lia Block, My Mother She Killed Me, My Father He Ate Me: Forty New Fairy Tales

  • #12
    Nicole Krauss
    “Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering.”
    Nicole Krauss, The History of Love

  • #13
    Nicole Krauss
    “there are two types of people in the world: those who prefer to be sad among others, and those who prefer to be sad alone.”
    Nicole Krauss, The History of Love

  • #14
    Nicole Krauss
    “One of us had loved the other more perfectly, had watched the other more closely, and one of us listened and the other hadn’t, and one of us held on to the ambition of the one idea far longer than was reasonable, whereas the other, passing a garbage can one night, had casually thrown it away.”
    Nicole Krauss, Great House

  • #15
    Nicole Krauss
    “There are times when the kindness of strangers only makes things worse because one realizes how badly one is in need of kindness and that the only source is a stranger.”
    Nicole Krauss, Great House

  • #16
    Nicole Krauss
    “We search for patterns, you see, only to find where the patterns break. And it’s there, in that fissure, that we pitch our tents and wait.”
    Nicole Krauss, Great House

  • #17
    Nicole Krauss
    “I smiled back, the importance of manners, my mother always said, is inversely related to how inclined one is to use them, or, in other words, sometimes politeness is all that stands between oneself and madness.”
    Nicole Krauss, Great House

  • #18
    Nicole Krauss
    “Like most music that affects me deeply, I would never listen to it while others were around, just as I would not pass on a book that I especially loved to another. I am embarrassed to admit this, knowing that it reveals some essential lack or selfishness in my nature, and aware that it runs contrary to the instincts of most, whose passion for something leads them to want to share it, to ignite a similar passion in others, and that without the benefit of such enthusiasm I would still be ignorant of many of the books and much of the music I love most... But rather than an expansion, I've always felt a diminishment of my own pleasure when I've invited someone else to take part in it, a rupture in the intimacy I felt with the work, an invasion of privacy. It is worst when someone else picks up the copy of a book I've just been enthralled by and begins casually to thumb through the pages.”
    Nicole Krauss, Great House

  • #19
    M.L. Stedman
    “You only have to forgive once. To resent, you have to do it all day, every day.”
    M.L Stedman

  • #20
    M.L. Stedman
    “Scars are just another kind of memory.”
    M.L. Stedman, The Light Between Oceans

  • #21
    M.L. Stedman
    “There are still more days to travel in this life. And he knows that the man who makes the journey has been shaped by every day and every person along the way. Scars are just another kind of memory....Soon enough the days will close over their lives, the grass will grow over their graves, until their story is just an unvisited headstone.”
    M.L. Stedman, The Light Between Oceans

  • #22
    Rebecca Solnit
    “The art is not one of forgetting but letting go. And when everything else is gone, you can be rich in loss.”
    Rebecca Solnit, A Field Guide to Getting Lost

  • #23
    Rebecca Solnit
    “When someone doesn't show up, the people who wait sometimes tell stories about what might have happened and come to half believe the desertion, the abduction, the accident. Worry is a way to pretend that you have knowledge or control over what you don't--and it surprises me, even in myself, how much we prefer ugly scenarios to the pure unknown. Perhaps fantasy is what you fill up maps with rather than saying that they too contain the unknown.”
    Rebecca Solnit, A Field Guide to Getting Lost

  • #24
    Rebecca Solnit
    “I love going out of my way, beyond what I know, and finding my way back a few extra miles, by another trail, with a compass that argues with the map…nights alone in motels in remote western towns where I know no one and no one I know knows where I am, nights with strange paintings and floral spreads and cable television that furnish a reprieve from my own biography, when in Benjamin’s terms, I have lost myself though I know where I am. Moments when I say to myself as feet or car clear a crest or round a bend, I have never seen this place before. Times when some architectural detail on vista that has escaped me these many years says to me that I never did know where I was, even when I was home.”
    Rebecca Solnit, A Field Guide to Getting Lost

  • #25
    Rebecca Solnit
    “Leave the door open for the unknown, the door into the dark. That’s where the most important things come from, where you yourself came from, and where you will go.”
    Rebecca Solnit, A Field Guide to Getting Lost

  • #26
    Rebecca Solnit
    “To lose yourself: a voluptuous surrender, lost in your arms, lost to the world, utterly immersed in what is present so that its surroundings fade away. In Benjamin’s terms, to be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery.”
    Rebecca Solnit, A Field Guide to Getting Lost

  • #27
    F. Scott Fitzgerald
    “I don't want to repeat my innocence. I want the pleasure of losing it again.”
    F. Scott Fitzgerald, This Side of Paradise

  • #28
    F. Scott Fitzgerald
    “I'm not sentimental--I'm as romantic as you are. The idea, you know,
    is that the sentimental person thinks things will last--the romantic
    person has a desperate confidence that they won't.”
    F. Scott Fitzgerald, This Side of Paradise

  • #29
    F. Scott Fitzgerald
    “Actually that’s my secret — I can’t even talk about you to anybody because I don’t want any more people to know how wonderful you are.”
    F. Scott Fitzgerald, Tender Is the Night

  • #30
    F. Scott Fitzgerald
    “You're the only girl I've seen for a long time that actually did look like something blooming.”
    F. Scott Fitzgerald, Tender Is the Night



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