Danny Howell > Danny's Quotes

“It is the soul that sees; the outward eyes
Present the object, but the Mind descries.
We see nothing till we truly understand it.”
― John Constable

“I am—yet what I am none cares or knows;
My friends forsake me like a memory lost:
I am the self-consumer of my woes—
They rise and vanish in oblivious host,
Like shadows in love’s frenzied stifled throes
And yet I am, and live—like vapours tossed”
― John Clare, "I Am": The Selected Poetry of John Clare

“I found the poems in the fields,
And only wrote them down.”
― John Clare, The Later Poems, 1837-1864

“And at home by the fire, whenever you look up there I shall be— and whenever I look up, there will be you.
-Gabriel Oak”
― Thomas Hardy, Far From the Madding Crowd

“Tall Nettles

Tall nettles cover up, as they have done
These many springs, the rusty harrow, the plough
Long worn out, and the roller made of stone :
Only the elm butt tops the nettles now.

This corner of the farmyard I like most:
As well as any bloom upon a flower
I like the dust on the nettles, never lost
Except to prove the sweetness of a shower.”
― Edward Thomas, Collected Poems: Edward Thomas

“keep on keeping on”
― A. G. Street

“Every man has his secret desire, I suppose, and mine is someday to own a farm.”
― A. G. Street, A.G. Street's Country Calendar

“The only real failure in life is giving up. On looking back let it stand to our credit in life's balance sheet that at least we tried, and tried hard.”
― A.G. Street, Farmer's Glory

“WEATHERS
This is the weather the cuckoo likes,
And so do I;
When showers betumble the chestnut spikes,
And nestlings fly;
And the little brown nightingale bills his best,
And they sit outside at 'The Traveller's Rest,'
And maids come forth sprig-muslin drest,
And citizens dream of the south and west,
And so do I.

This is the weather the shepherd shuns,
And so do I;
When beeches drip in browns and duns,
And thresh and ply;
And hill-hid tides throb, throe on throe,
And meadow rivulets overflow,
And drops on gate bars hang in a row,
And rooks in families homeward go,
And so do I.”
― Thomas Hardy

“Oh Danny boy, the pipes, the pipes are calling
From glen to glen, and down the mountain side
The summer's gone, and all the flowers are dying
'Tis you, 'tis you must go and I must bide.
But come ye back when summer's in the meadow
Or when the valley's hushed and white with snow
'Tis I'll be here in sunshine or in shadow
Oh Danny boy, oh Danny boy, I love you so.

And if you come, when all the flowers are dying
And I am dead, as dead I well may be
You'll come and find the place where I am lying
And kneel and say an "Ave" there for me.

And I shall hear, tho' soft you tread above me
And all my dreams will warm and sweeter be
If you'll not fail to tell me that you love me
I'll simply sleep in peace until you come to me.

I'll simply sleep in peace until you come to me.”
― Fred E. Weatherly

“Our bed of love is like a glove,
tender and warm, that we creep into”
― Marc Bolan, The Warlock of Love

“Do not worry about your life, what you will eat or drink; or about your body, what you will wear. Is not life more important than food, and the body more important than clothes?
Look at the birds of the air; they do not sow or reap or store away in barns, and yet your heavenly Father feeds them. Are you not much more valuable than they?

Who of you by worrying can add a single hour to his life?

And why do you worry about clothes? See how the lilies of the field grow. They do not labour or spin. Yet I tell you that not even Solomon in all his splendor was dressed like one of these. If that is how God clothes the grass of the field, which is here today and tomorrow is thrown into the fire, will he not much more clothe you, O you of little faith?

So do not worry, saying, ``What shall we eat?'' or ``What shall we drink?'' or ``What shall we wear?'' For the pagans run after all these things, and your heavenly Father knows that you need them. But seek first his kingdom and his righteousness, and all these things will be given to you as well.

Therefore do not worry about tomorrow, for tomorrow will worry about itself. Each day has enough trouble of its own.

- Matthew 6:25-34”
― Anonymous, The Holy Bible: King James Version

“Poets make the best topographers.”
― W.G. Hoskins, The Making of the English Landscape

“Know most of the rooms of thy native country before thou goest over the threshold thereof. Especially seeing England presents thee with so many observables.”
― W.G. Hoskins, The Making of the English Landscape

“Is then no nook of English ground secure
From rash assault?”
― William Wordsworth

“. . . at this season, the blossom is out in full now, there in the west early. It's a plum tree, it looks like apple blossom but it's white, and looking at it, instead of saying "Oh that's nice blossom" ... last week looking at it through the window when I'm writing, I see it is the whitest, frothiest, blossomest blossom that there ever could be, and I can see it. Things are both more trivial than they ever were, and more important than they ever were, and the difference between the trivial and the important doesn't seem to matter. But the nowness of everything is absolutely wondrous, and if people could see that, you know. There's no way of telling you; you have to experience it, but the glory of it, if you like, the comfort of it, the reassurance ... not that I'm interested in reassuring people - bugger that. The fact is, if you see the present tense, boy do you see it! And boy can you celebrate it.”
― Dennis Potter, Seeing the Blossom: Two Interviews and a Lecture

“To-day I think
Only with scents, - scents dead leaves yield,
And bracken, and wild carrot's seed,
And the square mustard field;

Odours that rise
When the spade wounds the root of tree,
Rose, currant, raspberry, or goutweed,
Rhubarb or celery;

The smoke's smell, too,
Flowing from where a bonfire burns
The dead, the waste, the dangerous,
And all to sweetness turns.

It is enough
To smell, to crumble the dark earth,
While the robin sings over again
Sad songs of Autumn mirth."

- A poem called DIGGING.”
― Edward Thomas, Collected Poems: Edward Thomas

“If I could sum up my poetry in a few well-chosen words, the result might be a poem. Several years ago, when I was asked to say something on this topic, I came up with the notion that for me the making of poems is both a commemoration (a moment captured) and an evocation (the archaeologist manqué side of me digging into something buried and bringing it to light). But I also said that I find the processes that bring poems into being mysterious, and I wouldn't really wish to know them; the thread that links the first unwilled impulse to the object I acknowledge as the completed poem is a tenuous one, easily broken. If I knew the answers to these riddles, I would write more poems, and better ones. "Simple Poem" is as close as I can get to a credo':

Simple Poem

I shall make it simple so you understand.
Making it simple will make it clear for me.
When you have read it, take me by the hand
As children do, loving simplicity.

This is the simple poem I have made.
Tell me you understand. But when you do
Don't ask me in return if I have said
All that I meant, or whether it is true.”
― Anthony Thwaite

“THE BARROW

In this high field strewn with stones
I walk by a green mound,
Its edges sheared by the plough.
Crumbs of animal bone
Lie smashed and scattered round
Under the clover leaves
And slivers of flint seem to grow
Like white leaves among green.
In the wind, the chestnut heaves
Where a man's grave has been.

Whatever the barrow held
Once, has been taken away:
A hollow of nettles and dock
Lies at the centre, filled
With rain from a sky so grey
It reflects nothing at all.
I poke in the crumbled rock
For something they left behind
But after that funeral
There is nothing at all to find.

On the map in front of me
The gothic letters pick out
Dozens of tombs like this,
Breached, plundered, left empty,
No fragments littered about
Of a dead and buried race
In the margins of histories.
No fragments: these splintered bones
Construct no human face,
These stones are simply stones.

In museums their urns lie
Behind glass, and their shaped flints
Are labelled like butterflies.
All that they did was die,
And all that has happened since
Means nothing to this place.
Above long clouds, the skies
Turn to a brilliant red
And show in the water's face
One living, and not these dead."

— Anthony Thwaite, from The Owl In The Tree”
― Anthony Thwaite

“Trees are poems the earth writes upon the sky, We fell them down and turn them into paper,
That we may record our emptiness.”
― Kahlil Gibran

“It’s never going to be very mainstream. One reason is that poetry requires concentration, both on the part of the writer and the reader. But it’s kind of unkillable, poetry. It’s our most ancient artform and I think it’s more relevant today than ever, because it’s one person saying what they really believe.”
― Simon Armitage

“If you can't annoy somebody, there is little point in writing.”
― Kingsley Amis, Lucky Jim

“You’re beautiful because when you were born, undiscovered planets lined up to peep over the rim of your cradle and lay gifts of gravity and light at your miniature feet”
― Simon Armitage

“A DAY LAYE"

"Every dawn of our lives a heart is forged and
Linked with lore to one so similar
Born with blessed life dust
Stored beneath its soul
To bless and pass onto its children
Even though the wind may blow it all away
Don't ever worry 'cos I'm your friend.”
― Marc Bolan, Marc Bolan Lyric Book

“COSMIC DANCER"

"I was dancing when I was twelve
I was dancing when I was aaah
I danced myself right out the womb
Is it strange to dance so soon
I danced myself right out the womb

I was dancing when I was eight
Is it strange to dance so late
I danced myself into the tomb
Is it strange to dance so soon
I danced myself into the tomb

Is it wrong to understand
The fear that dwells inside a man
What's it like to be a loon
I liken it to a balloon

I danced myself out of the womb
Is it strange to dance to soon
I danced myself into the tomb
But then again once more
I danced myself out of the womb
Is it strange to dance so soon
I danced myself out of the womb.”
― Marc Bolan, Marc Bolan Lyric Book

“THE MEETING"

"Scant rain had fallen and the summer sun
Had scorched with waves of heat the ripening corn,
That August nightfall, as I crossed the down
Work-weary, half in dream. Beside a fence
Skirting a penning’s edge, an old man waited
Motionless in the mist, with downcast head
And clothing weather-worn. I asked his name
And why he lingered at so lonely a place.

“I was a shepherd here. Two hundred seasons
I roamed these windswept downlands with my flock.
No fences barred our progress and we’d travel
Wherever the bite grew deep. In summer drought
I’d climb from flower-banked combe to barrow’d hill-top
To find a missing straggler or set snares
By wood or turmon-patch. In gales of March
I’d crouch nightlong tending my suckling lambs.

“I was a ploughman, too. Year upon year
I trudged half-doubled, hands clenched to my shafts,
Guiding my turning furrow. Overhead,
Cloud-patterns built and faded, many a song
Of lark and pewit melodied my toil.
I durst not pause to heed them, rising at dawn
To groom and dress my team: by daylight’s end
My boots hung heavy, clodded with chalk and flint.

“And then I was a carter. With my skill
I built the reeded dew-pond, sliced out hay
From the dense-matted rick. At harvest time,
My wain piled high with sheaves, I urged the horses
Back to the master’s barn with shouts and curses
Before the scurrying storm. Through sunlit days
On this same slope where you now stand, my friend,
I stood till dusk scything the poppied fields.

“My cob-built home has crumbled. Hereabouts
Few folk remember me: and though you stare
Till time’s conclusion you’ll not glimpse me striding
The broad, bare down with flock or toiling team.
Yet in this landscape still my spirit lingers:
Down the long bottom where the tractors rumble,
On the steep hanging where wild grasses murmur,
In the sparse covert where the dog-fox patters.”

My comrade turned aside. From the damp sward
Drifted a scent of melilot and thyme;
From far across the down a barn owl shouted,
Circling the silence of that summer evening:
But in an instant, as I stepped towards him
Striving to view his face, his contour altered.
Before me, in the vaporous gloaming, stood
Nothing of flesh, only a post of wood.”
― John Rawson, From The English Countryside: Tales Of Tragedy: Narrated In Dramatic Traditional Verse

“RIDE A WHITE SWAN"

"Ride it on out like a bird in the skyway,
Ride it on out like you were a bird,
Fly it all out like an eagle in a sunbeam,
Ride it all out like you were a bird.


Wear a tall hat like the druid in the old days
Wear a tall hat and a Tattooed gown
Ride a white swan like the people of the Beltane,
Wear your hair long,babe,you can't go wrong.

Catch a bright star and place it on your forehead,
Say a few spells and baby,there you go,
Take a black cat and sit it on your shoulder,
And in the morning you'll know all you know.

Wear a tall hat like the druid in the old days
Wear a tall hat and a Tattooed gown
Ride a white swan like the people of the Beltane,
Wear your hair long, babe ,you can't go wrong.

Da di di da, da di di da”
― Marc Bolan, Marc Bolan Lyric Book

“PAVILIONS OF SUN"

Swans do fly
High above you
All the time

Prince of Sun
From his pavilion
Makes you shine

Come, come, come into my garden, lady love
Maybe I can hold your gold hand
Glide within my gold grove, lady love
Know the earth and you'll understand”
― Marc Bolan, Marc Bolan Lyric Book

“BALLROOMS OF MARS"

"You gonna look fine
Be primed for dancing
You're gonna trip and glide
All on the trembling plane
Your diamond hands
Will be stacked with roses
And wind and cars
And people of the past

I'll call you thing
Just when the moon sings
And place your face in stone
Upon the hill of stars
And gripped in the arms
Of the changeless madman
We'll dance our lives away
In the Ballrooms of Mars

You talk about day
I'm talking 'bout night time
When the monsters call out
The names of men
Bob Dylan knows
And I bet Alan Freed did
There are things in night
That are better not to behold

You dance
With your lizard leather boots on
And pull the strings
That change the faces of men
You diamond browed hag
You're a gutter-gaunt gangster
John Lennon knows your name
And I've seen his”
― Marc Bolan, The Slider Song Album

“DOVE"

"All my days are leafy blue
Because I'm not with you
All my words are ragged steel
When I'm not with you

See how the sun shines
Like an arc where you walk

All my fears are water clear
When I'm not with you
All I hear is wicked dear
When I'm not with you”
― Marc Bolan, Marc Bolan Lyric Book