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  • #1
    Tove Jansson
    “But that's how it is when you start wanting to have things. Now, I just look at them, and when I go away I carry them in my head. Then my hands are always free, because I don't have to carry a suitcase.”
    Tove Jansson, Comet in Moominland

  • #3
    Haruki Murakami
    “It’s like when you put instant rice pudding mix in a bowl in the microwave and push the button, and you take the cover off when it rings, and there you’ve got ricing pudding. I mean, what happens in between the time when you push the switch and when the microwave rings? You can’t tell what’s going on under the cover. Maybe the instant rice pudding first turns into macaroni gratin in the darkness when nobody’s looking and only then turns back into rice pudding. We think it’s only natural to get rice pudding after we put rice pudding mix in the microwave and the bell rings, but to me, that is just a presumption. I would be kind of relieved if, every once in a while, after you put rice pudding mix in the microwave and it rang and you opened the top, you got macaroni gratin. I suppose I’d be shocked, of course, but I don’t know, I think I’d be kind of relieved too. Or at least I think I wouldn’t be so upset, because that would feel, in some ways, a whole lot more real.”
    Haruki Murakami, The Wind-Up Bird Chronicle

  • #4
    Haruki Murakami
    “I don't know - maybe the world has two different kinds of people, and for one kind the world is this logical, rice pudding place, and for the other it's all hit-or-miss macaroni cheese. I bet if those tree frog parents of mine put rice pudding mix in the microwave and got macaroni cheese when the bell rang, they'd just tell themselves, "Oh, we must have put in macaroni cheese mix by mistake," or they'd take out the macaroni cheese and try to convince themselves, "This looks like macaroni cheese, but actually it's rice pudding." And if I tried to be nice and explain to them that sometimes, when you put in rice pudding mix, you get macaroni cheese, they would never believe me. They'd probably just get mad. Do you understand what I'm trying to tell you, Mr Wind-up Bird?”
    Haruki Murakami

  • #5
    Haruki Murakami
    “I really like you, Midori. A lot.”
    “How much is a lot?”
    “Like a spring bear,” I said.
    “A spring bear?” Midori looked up again. “What’s that all about? A spring bear.”
    “You’re walking through a field all by yourself one day in spring, and this sweet little bear cub with velvet fur and shiny little eyes comes walking along. And he says to you, “Hi, there, little lady. Want to tumble with me?’ So you and the bear cub spend the whole day in each other’s arms, tumbling down this clover-covered hill. Nice, huh?”
    “Yeah. Really nice.”
    “That’s how much I like you.”
    Haruki Murakami, Norwegian Wood

  • #6
    Leo Tolstoy
    “He stepped down, avoiding any long look at her as one avoids long looks at the sun, but seeing her as one sees the sun, without looking.”
    Leo Tolstoy, Anna Karenina

  • #7
    John Steinbeck
    “It's because I haven't courage,' said Samuel. 'I could never quite take the responsibility. When the Lord God did not call my name, I might have called his name - but I did not. There you have the difference between greatness and mediocrity. It's not an uncommon disease. But it's nice for a mediocre man to know that greatness must be the loneliest state in the world.'

    'I'd think there are degrees of greatness,' Adam said.

    'I don't think so,' said Samuel. 'That would be like saying there is a little bigness. No. I believe when you come to that responsibility the hugeness and you are alone to make your choice. On one side you have warmth and companionship and sweet understanding, and on the other - cold, lonely greatness. There you make your choice. I'm glad I chose mediocrity, but how am I to say what reward might have come with the other? None of my children will be great either, except perhaps Tom. He's suffering over the choosing right now. It's a painful thing to watch. And somewhere in me I want him to say yes. Isn't that strange? A father to want his son condemned to greatness! What selfishness that must be.”
    John Steinbeck, East of Eden

  • #8
    John Steinbeck
    “When a child first catches adults out -- when it first walks into his grave little head that adults do not always have divine intelligence, that their judgments are not always wise, their thinking true, their sentences just -- his world falls into panic desolation. The gods are fallen and all safety gone. And there is one sure thing about the fall of gods: they do not fall a little; they crash and shatter or sink deeply into green muck. It is a tedious job to build them up again; they never quite shine. And the child's world is never quite whole again. It is an aching kind of growing.”
    John Steinbeck, East of Eden

  • #9
    Mark Strand
    “Each moment is a place
    you've never been.”
    Mark Strand, New Selected Poems

  • #10
    Louise Glück
    “The Red Poppy

    The great thing
    is not having
    a mind. Feelings:
    oh, I have those; they
    govern me. I have
    a lord in heaven
    called the sun, and open
    for him, showing him
    the fire of my own heart, fire
    like his presence.
    What could such glory be
    if not a heart? Oh my brothers and sisters,
    were you like me once, long ago,
    before you were human? Did you
    permit yourselves
    to open once, who would never
    open again? Because in truth
    I am speaking now
    the way you do. I speak
    because I am shattered.”
    Louise Gluck

  • #11
    Tove Jansson
    “The hemulen woke up slowly and recognised himself and wished he had been someone he didn't know. He felt even tireder than when he went to bed, and here it was -- another day which would go on until evening and then there would be another one and another one which would be the same as all days are when they are lived by a hemulen.

    He crept under the bedcover and buried his nose in the pillow, then he shifted his stomach to the edge of the bed where the sheets were cool. He took possession of the whole bed with outstretched arms and legs he was waiting for a nice dream that wouldn't come. He curled up and made himself small but it didn't help a bit. He tried being the hemulen that everybody like, he tried being the hemulen that no one liked. But however hard he tried he remained a hemulen doing his best without anything really coming off. In the end he got up and pulled on his trousers.

    The Hemulen didn't like getting dressed and undressed, it gave him a feeling that the days passed without anything of importance happening. Even so, he spent the whole day arranging, organising and directing things from morning till night! All around him there were people living slipshod and aimless lives, wherever he looked there was something to be put to rights and he worked his fingers to the bone trying to get them to see how they ought to live.

    It's as though they don't want to live well, the Hemulen thought sadly as he brushed his teeth. He looked at the photograph of himself with his boat which was been taken when the boat was launched. It was a beautiful picture but it made him feel even sadder.

    I ought to learn how to sail, the Hemulen thought. But I've never got enough time...

    Moominvalley in November
    Chapter 5, THE HEMULEN”
    Tove Jansson, Moominvalley in November

  • #12
    John Steinbeck
    “And the great owners, who must lose their land in an upheaval, the great owners with access to history, with eyes to read history and to know the great fact: when property accumulates in too few hands it is taken away. And that companion fact: when a majority of the people are hungry and cold they will take by force what they need. And the little screaming fact that sounds through all history: repression works only to strengthen and knit the repressed. The great owners ignored the three cries of history. The land fell into fewer hands, the number of the dispossessed increased, and every effort of the great owners was directed at repression. The money was spent for arms, for gas to protect the great holdings, and spies were sent to catch the murmuring of revolt so that it might be stamped out. The changing economy was ignored, plans for the change ignored; and only means to destroy revolt were considered, while the causes of revolt went on.”
    John Steinbeck, The Grapes of Wrath



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