“In the 1960s, however, the empire of production began to come undone. Within another twenty years—thanks to permanently negative trade balances, a crushing defeat in Vietnam, oil shocks, “stagflation,” and the shredding of a moral consensus that could not withstand the successive assaults of Elvis Presley, “the pill,” and the counterculture, along with news reports that God had died—it had become defunct. In its place, according to Maier, there emerged a new “Empire of Consumption.” Just as the lunch-bucket-toting factory worker had symbolized the empire of production during its heyday, the teenager, daddy’s credit card in her blue jeans and headed to the mall, now emerged as the empire of consumption’s emblematic figure. The evil genius of the empire of production was Henry Ford. In the empire of consumption, Ford’s counterpart was Walt Disney.”
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Andrew J. Bacevich,
The Limits of Power: The End of American Exceptionalism