Tomás > Tomás's Quotes

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  • #1
    Jack Kerouac
    “As we crossed the Colorado-Utah border I saw God in the sky in the form of huge gold sunburning clouds above the desert that seemed to point a finger at me and say, "Pass here and go on, you're on the road to heaven.”
    Jack Kerouac, On the Road

  • #2
    Jack Kerouac
    “What is that feeling when you're driving away from people and they recede on the plain till you see their specks dispersing? - it's the too-huge world vaulting us, and it's good-bye. But we lean forward to the next crazy venture beneath the skies.”
    Jack Kerouac, On the Road

  • #3
    Jack Kerouac
    “[...]the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes “Awww!”
    Jack Kerouac, On the Road

  • #4
    Jack Kerouac
    “So shut up, live, travel, adventure, bless and don't be sorry”
    Jack Kerouac, Desolation Angels

  • #5
    James Joyce
    “His heart danced upon her movements like a cork upon a tide. He heard what her eyes said to him from beneath their cowl and knew that in some dim past, whether in life or revery, he had heard their tale before.”
    James Joyce, A Portrait of the Artist as a Young Man

  • #6
    James Joyce
    “Welcome, O life! I go to encounter for the millionth time the reality of experience and to forge in the smithy of my soul the uncreated conscience of my race.”
    James Joyce, A Portrait of the Artist as a Young Man

  • #7
    James Joyce
    “A day of dappled seaborne clouds.

    The phrase and the day and the scene harmonised in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No, it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?”
    James Joyce, A Portrait of the Artist as a Young Man

  • #8
    James Joyce
    “The object of the artist is the creation of the beautiful. What the beautiful is is another question.”
    James Joyce, A Portrait of the Artist as a Young Man

  • #9
    James Joyce
    “Think you're escaping and run into yourself. Longest way round is the shortest way home.”
    James Joyce, Ulysses

  • #10
    James Joyce
    “History, Stephen said, is a nightmare from which I am trying to awake.”
    James Joyce, Ulysses

  • #11
    James Joyce
    “Love loves to love love.”
    James Joyce, Ulysses

  • #12
    James Joyce
    “The supreme question about a work of art is out of how deep a life does it spring.”
    James Joyce, Ulysses

  • #13
    Kurt Vonnegut Jr.
    “Everything was beautiful and nothing hurt.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #14
    Kurt Vonnegut Jr.
    “And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So she was turned into a pillar of salt. So it goes.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #15
    Kurt Vonnegut Jr.
    “There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #16
    Kurt Vonnegut Jr.
    “And I urge you to please notice when you are happy, and exclaim or murmur or think at some point, 'If this isn't nice, I don't know what is.”
    Kurt Vonnegut Jr., A Man Without a Country

  • #17
    Kurt Vonnegut Jr.
    “And now please note that I have raised my right hand. And that means that I'm not kidding, that whatever I say next I believe to be true. So here it goes: The most spiritually splendid American phenomenon of my lifetime wasn't our contribution to the defeat of the Nazis, in which I played such a large part, or Ronald Reagan's overthrow of Godless Communism, in Russia at least.

    The most spiritually splendid American phenomenon of my lifetime is how African-American citizens have maintained their dignity and self-respect, despite their having been treated by white Americans, both in and out of government, and simply because of their skin color, as though they were contemptible and loathsome, and even diseased."

    "If this isn’t nice, I don’t know what is.”
    Kurt Vonnegut, Jr.

  • #18
    Kurt Vonnegut Jr.
    “My uncle Alex Vonnegut, a Harvard-educated life insurance salesman who lived at 5033 North Pennsylvania Street, taught me something very important.

    He said that when things were really going well we should be sure to NOTICE it. He was talking about simple occasions, not great victories: maybe drinking lemonade on a hot afternoon in the shade, or smelling the aroma of a nearby bakery; or fishing, and not caring if we catch anything or not, or hearing somebody all alone playing a piano really well in the house next door.

    Uncle Alex urged me to say this out loud during such epiphanies: "If this isn't nice, what is?”
    Kurt Vonnegut

  • #19
    Kurt Vonnegut Jr.
    “Our aim is to make the world more beautiful than it was when we came into it. It can be done. You can do it--love yourself”
    Kurt Vonnegut, Welcome to the Monkey House

  • #20
    Carl Sagan
    “You're an interesting species. An interesting mix. You're capable of such beautiful dreams, and such horrible nightmares. You feel so lost, so cut off, so alone, only you're not. See, in all our searching, the only thing we've found that makes the emptiness bearable, is each other.”
    Carl Sagan, Contact

  • #21
    Carl Sagan
    “The universe is a pretty big place. If it's just us, seems like an awful waste of space.”
    Carl Sagan, Contact

  • #22
    James Joyce
    “Shut your eyes and see.”
    James Joyce

  • #23
    Walt Whitman
    “I see the cliffs, glaciers, torrents, valleys of Switzerland - I mark the long winters and the isolation.”
    Walt Whitman, Leaves of Grass

  • #24
    James Joyce
    “Art is the human disposition of sensible or intelligible matter for an esthetic end.”
    James Joyce, A Portrait of the Artist as a Young Man

  • #25
    Máirtín Ó Cadhain
    “The best literary device I got from my people was their talk, rough, earthy, salty speech that starts dancing on me sometimes, crying on me other times whether I like it or not.”
    Máirtín Ó Cadhain

  • #26
    William Shakespeare
    “I know a lady in Venice would have walked barefoot to Palestine for a touch of his nether lip.”
    William Shakespeare, Othello



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