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  • #1
    Gillian Flynn
    “Tampon commercial, detergent commercial, maxi pad commercial, windex commercial - you'd think all women do is clean and bleed.”
    ― Gillian Flynn, Gone Girl

  • #2
    Gillian Flynn
    “People love talking, and I have never been a huge talker. I carry on an inner monologue, but the words often don't reach my lips.”
    ― Gillian Flynn, Gone Girl

  • #3
    Gillian Flynn
    “Give me a man with a little fight in him, a man who calls me on my bullshit. (But who also kind of likes my bullshit.)”
    ― Gillian Flynn, Gone Girl

  • #4
    Gillian Flynn
    “Yes, I am finally a match for Amy. The other morning I woke up next to her, and I studied the back of her skull. I tried to read her thoughts. For once I didn't feel like I was staring into the sun. I'm rising to my wife's level of madness. Because I can feel her changing me again: I was a callow boy, and then a man, good and bad. Now at last I'm the hero. I am the one to root for in the never-ending war story of our marriage. It's a story I can live with. Hell, at this point, I can't imagine my story without Amy. She is my forever antagonist.

    We are one long frightening climax.”
    ― Gillian Flynn, Gone Girl

  • #5
    Gillian Flynn
    “The question I've asked more often during our marriage, if not out loud, if not to the person who could answer. I supposed these questions stormcloud over every marriage: What are you thinking how are you feeling? Who are you? What have we done to each other? What will we do?”
    ― Gillian Flynn, Gone Girl

  • #6
    Donna Tartt
    “Beauty is terror. Whatever we call beautiful, we quiver before it.”
    ― Donna Tartt, The Secret History

  • #7
    Donna Tartt
    “Does such a thing as "the fatal flaw," that showy dark crack running down the middle of a life, exist outside literature?”
    ― Donna Tartt, The Secret History

  • #8
    Donna Tartt
    “Anything is grand if it's done on a large enough scale.”
    ― Donna Tartt, The Secret History

  • #9
    Joy Williams
    “She wanted to be extraordinary, to possess a savage glitter.”
    ― Joy Williams

  • #10
    Margaret Atwood
    “And yet it disturbs me to learn I have hurt someone unintentionally. I want all my hurts to be intentional.”
    ― Margaret Atwood, Cat's Eye

  • #11
    “Once you’ve accepted your flaws, no one can use them against you.”
    ― George R.R. Martin, A Game of Thrones

  • #12
    Marguerite Duras
    “I meet you. I remember you. Who are you? You’re destroying me. You’re good for me. How could I know this city was tailor-made for love? How could I know you fit my body like a glove? I like you. How unlikely. I like you. How slow all of a sudden. How sweet. You cannot know. You’re destroying me. You’re good for me. You’re destroying me. You’re good for me. I have time. Please, devour me. Deform me to the point of ugliness. Why not you? Why not you in this city and in this night, so like other cities and other nights you can hardly tell the difference? I beg of you.”
    ― Marguerite Duras, Hiroshima mon amour

  • #13
    Frank Herbert
    “There is no real ending. It’s just the place where you stop the story.”
    ― Frank Herbert

  • #14
    Shelby Foote
    “I abhor the idea of a perfect world. It would bore me to tears.”
    ― Shelby Foote

  • #15
    Laura Kasischke
    “Scratch the surface, and there’s just more surface—chalk dust under your nails, but not much else. What you see, as they say, is what you get.”
    ― Laura Kasischke, White Bird in a Blizzard

  • #16
    Laura Kasischke
    “An early spring started one morning in March with a swarm of sudden, glassy, bird cries, and then the cool jewelry of primrose and violet loosened themselves in the dirt. Then summer burst into the world like a gorgeous car accident- opening eyes all over our bodies in the brilliant light. Fall- the smell of pumpkin guts, sluttish and unsweetened. Until winter fell all over us like pieces of heaven, glazed with oxygen or ether, hitting the grounder in small, cold shards. It was like a year in Eden where no Eve had ever lived.”
    ― Laura Kasischke, White Bird in a Blizzard

  • #17
    Leah Raeder
    “Girls love each other like animals. There is something ferocious and unself-conscious about it. We don't guard ourselves like we do with boys. No one trains us to shield our hearts from each other. With girls, it's total vulnerability from the beginning. Our skin is bare and soft. We love with claws and teeth and the blood is just proof of how much. It's feral.

    And it's relentless.”
    ― Leah Raeder, Black Iris

  • #18
    Sylvia Plath
    “I shut my eyes and all the world drops dead;
    I lift my lids and all is born again.
    (I think I made you up inside my head.)”
    ― Sylvia Plath

  • #19
    Abigail Haas
    “Wouldn't we all look guilty, if someone searched hard enough?”
    ― Abigail Haas, Dangerous Girls

  • #20
    Veronica Roth
    “But now, I am also learning this: WE can be mended. We mend each other.”
    ― Veronica Roth, Allegiant

  • #21
    Yasunari Kawabata
    “Again she lost herself in the talk, and again her words seemed to be warming her whole body.”
    ― Yasunari Kawabata, Snow Country

  • #22
    Matt Haig
    “I want life. I want to read it and write it and feel it and live it. I want, for as much of the time as possible in this blink-of-an-eye existence we have, to feel all that can be felt.”
    ― Matt Haig, Reasons to Stay Alive

  • #23
    Jamaal May
    “You are quarter ghost on your mother’s side.
    Your heart is a flayed peach in a bone box.
    Your hair comes away in clumps like cheap fabric wet.
    A reflecting pool gathers around your altar
    of plywood sub flooring and split wooden slats.
    You are rag doll prone. You are contort,
    angle and arc. Here you rot. Here
    you are a greening abdomen, slipping skin,
    flesh fly, carrion beetles.
    This is where bullets take shelter,
    where scythes find their function, breath loses
    its place on the page. This is where the page is torn
    out of every book before chapter’s close,
    this is slippage, this is a shroud of neglect
    pulled over the body, this
    is your chance to escape.
    Little wraith,
    bend light around your skin until it colors you clear,
    disappear like silica in a kiln, become
    glass and glass beads, become
    the staggered whir of an exhaust fan:
    something only noticed
    when gone. Become
    an origami swan. Fold yourself smaller
    than ever before. Become less. More
    in some ways but less
    in the way a famine is less. They will
    forgive you for not being satisfied
    with fitting in their hands.
    They will forgive you
    for dying to be
    a bird diminutive enough
    to fit in a mouth and not be crushed.”
    ― Jamaal May

  • #24
    James Goss
    “But Amy Pond. Oh! The Sea had briefly been able to touch her mind — it knew that the Doctor was the most important thing in the world to her, and it had given a copy of him to her. If they spent enough time together, the copy would become every bit as good as the real Doctor. It stood there now, wheeling her down to the beach, one hand resting lightly on her shoulders, drawing all it could from her.”
    ― James Goss, Doctor Who: Dead of Winter

  • #25
    Donna Tartt
    “There is nothing wrong with the love of Beauty. But Beauty - unless she is wed to something more meaningful - is always superficial.”
    ― Donna Tartt, The Secret History

  • #26
    Sylvia Plath
    “Love is the bone and sinew of my curse.

    --from "Poem For A Birthday - The Stones", written 1959”
    ― Sylvia Plath, The Colossus and Other Poems

  • #27
    Warsan Shire
    “I’m not sad, but the boys who are looking for sad girls always find me. I’m not a girl anymore and I’m not sad anymore. You want me to be a tragic backdrop so that you can appear to be illuminated, so that people can say ‘Wow, isn't he so terribly brave to love a girl who is so obviously sad?’ You think I’ll be the dark sky so you can be the star? I’ll swallow you whole.”
    ― Warsan Shire

  • #28
    Sylvia Plath
    “You are twenty. You are not dead, although you were dead. The girl who died. And was resurrected. Children. Witches. Magic. Symbols. Remember the illogic of the fantasy. The strange tableau in the closet behind the bathroom: the feast, the beast, and the jelly-bean. Recall, remember: please do not die again. Let there be continuity at least - a core of consistency - even if your philosophy must be always a moving dynamic dialectic. The thesis is the easy time, the happy time. The antithesis threatens annihilation. The synthesis is the consummate problem.”
    ― Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #29
    William Shakespeare
    “Love is not love which alters it when alteration finds, or bends with the remover to remove: O no! It is an ever fixed mark that looks on tempests and is never shaken; it is the star to every wandering bark whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks within his bending sickle's compass come: Love alters not with his brief hours and weeks, but bears it out, even to the edge of doom.”
    ― William Shakespeare, Shakespeare's Sonnets

  • #30
    André Aciman
    “We had the stars, you and I. And this is given once only.”
    ― André Aciman, Call Me by Your Name



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