Lizzy > Lizzy's Quotes

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  • #1
    Kaliane Bradley
    “I don’t mean to sound pessimistic. I only do because I can see how wrong my choices were. Don’t do it like this. Don’t enter believing yourself a node in a grand undertaking, that your past and your trauma will define your future, that individuals don’t matter. The most radical thing I ever did was love him, and I wasn’t even the first person in this story to do that. But you can get it right, if you try. You will have hope, and you have been forgiven. Forgiveness, which takes you back to the person you were and lets you reset them. Hope, which exists in a future in which you are new. Forgiveness and hope are miracles. They let you change your life. They are time-travel.”
    Kaliane Bradley, The Ministry of Time

  • #2
    Kaliane Bradley
    “I had always thought of joy as a shouting, flamboyant thing, that tossed breath into the sky like a ball. Instead it robbed me of my speech and my air. I was pinned in place by joy and I didn't know what to do.
    "Come here," he said, and pulled me into his arms.
    I pressed my face against his neck. My body sparked, and I couldn't move, except to lean into him. I was filled with happiness, so enormous and terrifying it was as if I'd committed a crime to get it. No one had given me permission to feel this way, and I thought I might not be allowed it. He combed his fingers though my hair and I was frightened with happiness, harrowed by it. There was no way that anyone could feel this much without also knowing they were going to lose it.”
    Kaliane Bradley, The Ministry of Time

  • #3
    Amal El-Mohtar
    “I love you. I love you. I love you. I'll write it in waves. In skies. In my heart. You'll never see, but you will know. I'll be all the poets, I'll kill them all and take each one's place in turn, and every time love's written in all the strands it will be to you.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #4
    Amal El-Mohtar
    “Books are letters in bottles, cast into the waves of time, from one person trying to save the world to another.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #5
    Amal El-Mohtar
    “I want to meet you in every place I ever loved. Listen to me. I am your echo. I would rather break the world than lose you.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #6
    Amal El-Mohtar
    “I want to be a body for you. I want to chase you, find you, I want to be eluded and teased and adored; I want to be defeated and victorious—I want you to cut me, sharpen me. I want to drink tea beside you in ten years or a thousand. Flowers grow far away on a planet they’ll call Cephalus, and these flowers bloom once a century, when the living star and its black-hole binary enter conjunction.I want to fix you a bouquet of them, gathered across eight hundred thousand years, so you can draw our whole engagement in a single breath, all the ages we’ve shaped together.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #7
    Amal El-Mohtar
    “I love you and I love you and I love you, on battlefields, in shadows, in fading ink, on cold ice splashed with the blood of seals. In the rings of trees. In the wreckage of a planet crumbling to space. In bubbling water. In bee stings and dragonfly wings, in stars. In the deapths of lonely woods where I wandered in my youth, staring up - and even then you watched me. You slid back through my life, and I have known you since before I knew you.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #8
    Amal El-Mohtar
    “I don’t give a shit who wins this war, Garden or the Agency, towards whose shift the arc of the universe bends. But maybe this is how we win, Red. You and me. This is how we win.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #9
    Amal El-Mohtar
    “It is difficult—it is very difficult, to befriend where you wish to consume, to find those who, when they ask Do I have you still, when they end a letter with Yours, mean it in any substantive way.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #10
    T. Kingfisher
    “He wished that he could break out his knitting, but for some reason, people didn’t take you seriously as a warrior when you were knitting. He’d never figured out why. Making socks required four or five double-ended bone needles, and while they weren’t very large, you could probably jam one into someone’s eye if you really wanted to. Not that he would. He’d have to pull the needle out of the sock to do it, and then he’d be left with the grimly fiddly work of rethreading the stitches. Also, washing blood out of wool was possible, but a pain. Still, if he had to suddenly pull out his sword and fend off an attack, there was a chance he’d drop the yarn, and since he’d been feeling masochistic and was using two colors for this current set of socks, there was absolutely no chance the yarn wouldn’t get tangled and then he’d be trying to murder people while chasing the yarn around. And god forbid the tide rose and he went berserk. You never got the knitting untangled after that; you usually just had to throw it away completely.”
    T. Kingfisher, Paladin's Grace

  • #11
    Victoria Schwab
    “Three words, large enough to tip the world. I remember you.”
    V.E. Schwab, The Invisible Life of Addie LaRue

  • #12
    Leigh Bardugo
    “Welcome home. Welcome back. We missed you. I missed you more than I should have, more than I wanted to. I went to hell for you. I’d do it again.”
    Leigh Bardugo, Hell Bent
    tags: love

  • #13
    Leigh Bardugo
    “Galaxy Stern,” Darlington said, his eyes flashing gold, “I have been crying out to you from the start.”
    Leigh Bardugo, Hell Bent

  • #14
    Leigh Bardugo
    “Alex slept in Darlington's bed and dreamed that he was curled behind her on the narrow mattress.
    He pulled her close, his fingers digging into her abdomen, and she could feel claws at their tips. He whispered in her ear, "I will serve you 'til the end of days."
    "And love me," she said with a laugh, bold in the dream, unafraid.
    But all he said was, "It is not the same.”
    Leigh Bardugo, Ninth House

  • #15
    Ocean Vuong
    “They say nothing lasts forever but they're just scared it will last longer than they can love it.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #16
    Ocean Vuong
    “In Vietnamese, the word for missing someone and remembering them is the same: nhớ. Sometimes, when you ask me over the phone, Có nhớ mẹ không? I flinch, thinking you meant, Do you remember me?

    I miss you more than I remember you.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #17
    Ocean Vuong
    “What I really wanted to say was that a monster is not such a terrible thing to be. From the Latin root monstrum, a divine messenger of catastrophe, then adapted by the Old French to mean an animal of myriad origins: centaur, griffin, satyr. To be a monster is to be a hybrid signal, a lighthouse: both shelter and warning at once.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #18
    Ocean Vuong
    “Maybe in the next life we'll meet each other for the first time- believing in everything but the harm we're capable of. Maybe we'll be the opposite of buffaloes. We'll grow wings and spill over the cliff as a generation of monarchs, heading home. Green Apple.

    Like snow covering the particulars of the city, they will say we never happened, that our survival was a myth. But they're wrong. You and I, we were real. We laughed knowing joy would tear the stitches from our lips.

    Remember: The rules, like streets, can only take you to known places. Underneath the grid is a field- it was always there- where to be lost is never to be wrong, but simply more.

    As a rule, be more.

    As a rule, I miss you.

    As a rule,"little" is always smaller than "small". Don't ask me why.

    I'm sorry I don't call enough.

    Green Apple.

    I'm sorry I keep saying How are you? when I really mean Are you happy?”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #19
    Ocean Vuong
    “It’s the chemicals in our brains, they say. I got the wrong chemicals, Ma. Or rather, I don’t get enough of one or the other. They have a pill for it. They have an industry. They make millions. Did you know people get rich off of sadness? I want to meet the millionaire of American sadness. I want to look him in the eye, shake his hand, and say, “it’s been an honor to serve my country.”

    The thing is, I don’t want my sadness to be othered from me just as I don’t want my happiness to be othered. They’re both mine. I made them, dammit. What if the elation I feel is not another “bipolar episode” but something I fought hard for? Maybe I jump up and down and kiss you too hard on the neck when I learn, upon coming home, that it’s pizza night because sometimes pizza night is more than enough, is my most faithful and feeble beacon. What if I’m running outside because the moon tonight is children’s-book huge and ridiculous over the pines, the sight of it a strange sphere of medicine?
    It’s like when all you’ve been seeing before you is a cliff and then this bright bridge appears out of nowhere, and you run fast across it knowing, sooner or later, there’ll be another cliff on the other side. What if my sadness is actually my most brutal teacher? And the lesson is always this: you don’t have to be like the buffaloes.
    You can stop.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #20
    M.L. Wang
    “The question isn’t: How do I stop feeling this way? That’s stupid. I can’t. The question is: What can I do with this feeling?”
    M.L. Wang, Blood Over Bright Haven



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