Crisis > Crisis's Quotes

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  • #1
    Oscar Wilde
    “I am so clever that sometimes I don't understand a single word of what I am saying.”
    Oscar Wilde, The Happy Prince and Other Stories

  • #2
    Charles Bukowski
    “If you're going to try, go all the way. Otherwise, don't even start. This could mean losing girlfriends, wives, relatives and maybe even your mind. It could mean not eating for three or four days. It could mean freezing on a park bench. It could mean jail. It could mean derision. It could mean mockery--isolation. Isolation is the gift. All the others are a test of your endurance, of how much you really want to do it. And, you'll do it, despite rejection and the worst odds. And it will be better than anything else you can imagine. If you're going to try, go all the way. There is no other feeling like that. You will be alone with the gods, and the nights will flame with fire. You will ride life straight to perfect laughter. It's the only good fight there is.”
    Charles Bukowski, What Matters Most is How Well You Walk Through the Fire

  • #3
    Charles Bukowski
    “The difference between a democracy and a dictatorship is that in a democracy you vote first and take orders later; in a dictatorship you don't have to waste your time voting”
    Bukowski C.

  • #4
    Charles Bukowski
    “Baby," I said, "I'm a genius but nobody knows it but me.”
    Charles Bukowski, Factotum

  • #5
    Tim O'Brien
    “A true war story is never moral. It does not instruct, nor encourage virtue, nor suggest models of proper human behavior, nor restrain men from doing the things men have always done. If a story seems moral, do not believe it. If at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made the victim of a very old and terrible lie. There is no rectitude whatsoever. There is no virtue. As a first rule of thumb, therefore, you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil.”
    Tim O'Brien, The Things They Carried
    tags: war

  • #6
    Tim O'Brien
    “And in the end, of course, a true war story is never about war. It's about sunlight. It's about the special way that dawn spreads out on a river when you know you must cross the river and march into the mountains and do things you are afraid to do. It's about love and memory. It's about sorrow. It's about sisters who never write back and people who never listen.”
    Tim O'Brien

  • #7
    Tim O'Brien
    “They carried all they could bear, and then some, including a silent awe for the terrible power of the things they carried.”
    Tim O'Brien, The Things They Carried

  • #8
    Tim O'Brien
    “you can tell a true war story if it embarrasses you. If you don't care for obscenity, you don't care for the truth; if you don't care for the truth, watch how you vote. Send guys to war, they come home talking dirty. ”
    Tim O'Brien, The Things They Carried

  • #9
    Tim O'Brien
    “War is hell, but that's not the half of it, because war is also mystery and terror and adventure and courage and discovery and holiness and pity and despair and longing and love. War is nasty; war is fun. War is thrilling; war is drudgery. War makes you a man; war makes you dead.”
    Tim O'Brien, The Things They Carried

  • #10
    Tim O'Brien
    “When a man died, there had to be blame. Jimmy Cross understood this. You could blame the war, You could blame the idiots who made the war. You could blame Kiowa for going to it. You could blame the rain. You could blame the river. You could blame the field, the mud, the climate. You could blame the enemy. You could blame the mortar rounds. You could blame people who were too lazy to read a newspaper, who were bored by the daily body counts, who switched channels at the mention of politics. You could blame whole nations. You could blame God. You could blame the munitions makers or Karl Marx or a trick of fate of an old man in Omaha who forgot to vote.”
    Tim O'Brien, The Things They Carried
    tags: blame

  • #11
    Tim O'Brien
    “Together we understood what terror was: you're not human anymore. You're a shadow. You slip out of your own skin, like molting, shedding your own history and your own future, leaving behind everything you ever were or wanted to believed in. You know you're about to die. And it's not a movie and you aren't a hero and all you can do is whimper and wait. ”
    Tim O'Brien, The Things They Carried

  • #12
    Richard Siken
    “Here I am
    leaving you clues. I am singing now while Rome
    burns. We are all just trying to be holy. My applejack,
    my silent night, just mash your lips against me.
    We are all going forward. None of us are going back.”
    Richard Siken

  • #13
    Richard Siken
    “Moonlight making crosses
    on your body, and me putting my mouth on every one.”
    Richard Siken, Crush

  • #14
    Richard Siken
    “Tell me about the dream where we pull the bodies out of the lake
                                                                                    and dress them in warm clothes again.
              How it was late, and no one could sleep, the horses running
    until they forget that they are horses.
                        It’s not like a tree where the roots have to end somewhere,
              it’s more like a song on a policeman’s radio,
                                  how we rolled up the carpet so we could dance, and the days
    were bright red, and every time we kissed there was another apple
                                                                                                                            to slice into pieces.
    Look at the light through the windowpane. That means it’s noon, that means
              we're inconsolable.
                                                                Tell me how all this, and love too, will ruin us.
    These, our bodies, possessed by light.
                                                                                              Tell me we’ll never get used to it.”
    Richard Siken, Crush

  • #15
    Richard Siken
    “If you love me, Henry, you don’t love me in a way I understand.”
    Richard Siken, Crush

  • #16
    Catherynne M. Valente
    “Most of them... most of us never figure it out. Bad dream, they think, or good one. Funny rash, never really goes away, but Doc says it's fine, nothing to worry about. Why dwell on it? But some people, they just can't let it go... Some people drink themselves out of school trying to find it again, trolling through bars where the shadows are so greasy they leave trails on the walls, just to find a way in, a way through. Some people forget too that you're supposed to stop sleeping, you're supposed to have a life in the sun.”
    Catherynne M. Valente, Palimpsest

  • #17
    Catherynne M. Valente
    “We all live inside the terrible engine of authority, and it grinds and shrieks and burns so that no one will say: lines on maps are silly.”
    Catherynne M. Valente, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making

  • #18
    Catherynne M. Valente
    “I will not let her speak because I love her, and when you love someone, you do not make them tell war stories. A war story is a black space. On the one side is before and on the other side is after, and what is inside belongs only to the dead.”
    Catherynne M. Valente, Deathless

  • #19
    Catherynne M. Valente
    “War is not for winning, Masha," sighed Koschei, reading the tracks of supply lines, of pincer strategies, over her shoulder. "It is for surviving.”
    Catherynne M. Valente, Deathless

  • #20
    Catherynne M. Valente
    “You will always fall in love, and it will always be like having your throat cut, just that fast.”
    Catherynne M. Valente, Deathless

  • #21
    Catherynne M. Valente
    “She sounds like someone who spends a lot of time in libraries, which are the best sorts of people.”
    Catherynne M. Valente, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making

  • #22
    Catherynne M. Valente
    “That’s what a map is, you know. Just a memory.”
    Catherynne M. Valente, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making

  • #23
    Catherynne M. Valente
    “Even if you’ve taken off every stitch of clothing, you still have your secrets, your history, your true name. It’s hard to be really naked. You have to work hard at it. Just getting into a bath isn’t being naked, not really. It’s just showing skin.”
    Catherynne M. Valente, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making

  • #24
    Catherynne M. Valente
    “It was at thirteen years old that Marya Morevna learned how to keep a secret, and that secrets are jealous things, permitting no fraternization.”
    Catherynne M. Valente, Deathless

  • #25
    Catherynne M. Valente
    “I have all the books I could need, and what more could I need than books?”
    Catherynne M. Valente, The Girl Who Ruled Fairyland - For a Little While

  • #26
    Richard Siken
    “We have not touched the stars,
    nor are we forgiven, which brings us back
    to the hero’s shoulders and the gentleness that comes,
    not from the absence of violence, but despite
    the abundance of it.”
    Richard Siken, Crush

  • #27
    Richard Siken
    “I had a dream about you. We were in the gold room
    where everyone finally gets what they want.
    You said Tell me about your books, your visions made
    of flesh and light and I said This is the Moon. This is
    the Sun. Let me name the stars for you. Let me take you
    there. The splash of my tongue melting you like a sugar
    cube…We were in the gold room where everyone
    finally gets what they want, so I said What do you
    want, sweetheart? and you said Kiss me. Here I am
    leaving you clues. I am singing now while Rome
    burns. We are all just trying to be holy. My applejack,
    my silent night, just mash your lips against me.
    We are all going forward. None of us are going back.”
    Richard Siken

  • #28
    Grant Morrison
    “Your head's like mine, like all our heads; big enough to contain every god and devil there ever was. Big enough to hold the weight of oceans and the turning stars. Whole universes fit in there! But what do we choose to keep in this miraculous cabinet? Little broken things, sad trinkets that we play with over and over. The world turns our key and we play the same little tune again and again and we think that tune's all we are.”
    Grant Morrison, The Invisibles, Volume 1: Say You Want a Revolution

  • #29
    Derrick Brown
    “Go to other countries. Not a typical backpacking tour. Planned tour
    means you will hang with Americans on bikes and flirt with drunk
    Germans and someone will steal your Levi’s in the hostel and a guy
    from Poland will sock you in the face while bad techno plays
    everywhere and you will learn nothing except that your face hurts and
    not everyone showers. Get into other cultures and talk politics and
    love. Meeting other people is the only way to know if you believe what
    you believe cause it’s been handed to you, or if it really rings true
    in your heart.

    Getting lost should be seen as a sweet chance to be found.

    Remember, you belong everywhere.”
    Derrick Brown

  • #30
    Ray Loriga
    “Todas las chicas tienen el corazón roto. Las carreteras están atascadas durante el fin de semana. Todo el mundo quiere estar lejos de donde ha nacido. Al menos el viernes por la noche. Los bares ya no dan dos por una y en esta ciudad tienes que ganar mucho para poder beber en el centro. Los camareros han enterrado sus sonrisas porque es viernes por la noche y la gente coge todo lo que brilla. Con o sin permiso. Las niñas bonitas siempre son las que están más tristes porque saben que hay más tipos dispuestos a hacerles daño. Las niñas feas se dejan ir y bailan toda la noche solas, o unas con otras y no tienen suerte ni atrayendo las desgracias. Los tíos con coche juegan con los dados trucados y los que tienen dinero nos están viendo a todos las cartas. Las madres no duermen en toda la noche porque saben que duele pero también saben que no hay nada mejor y no acaban de decidir qué es lo más peligroso. No hay nadie que no dispare el viernes por la noche, ni hay quien esquive los disparos.

    Sé que no puedo esperar que estés siempre sola, lo único que te pido es que no te lo creas todo. No te fíes de los anillos de oro, ni de las carrozas de plata.

    Todos mentimos bien los viernes por la noche.”
    Ray Loriga, Héroes



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