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  • #1
    Donna Tartt
    “That life - whatever else it is - is short. That fate is cruel but maybe not random. That Nature (meaning Death) always wins but that doesn’t mean we have to bow and grovel to it. That maybe even if we’re not always so glad to be here, it’s our task to immerse ourselves anyway: wade straight through it, right through the cesspool, while keeping eyes and hearts open. And in the midst of our dying, as we rise from the organic and sink back ignominiously into the organic, it is a glory and a privilege to love what Death doesn’t touch.”
    Donna Tartt, The Goldfinch

  • #2
    Chuck Palahniuk
    “By first believing in Santa Claus, then the Easter Bunny, then the Tooth Fairy, Rant Casey was recognizing that those myths are more than pretty stories and traditions to delight children. Or to modify behavior. Each of those three traditions asks a child to believe in the impossible in exchange for a reward. These are stepped-up tests to build a child's faith and imagination. The first test is to believe in a magical person, with toys as the reward. The second test is to trust in a magical animal, with candy as the reward. The last test is the most difficult, with the most abstract reward: To believe, trust in a flying fairy that will leave money.

    From a man to an animal to a fairy.

    From toys to candy to money. Thus, interestingly enough, transferring the magic of faith and trust from sparkling fairy-dom to clumsy, tarnished coins. From gossamer wings to nickels... dimes... and quarters.

    In this way, a child is stepped up to greater feats of imagination and faith as he or she matures. Beginning with Santa in infancy, and ending with the Tooth Fairy as the child acquires adult teeth. Or, plainly put, beginning with all the possibility of childhood, and ending with an absolute trust in the national currency. ”
    Chuck Palahniuk, Rant: An Oral Biography of Buster Casey

  • #3
    Harper L. Woods
    “I was not made for war. I was made for peace and a cuddly blanket in a comfortable chair in a library with a book in my hand. And I was so tired of the fucking cold.”
    Harper L. Woods, What Hunts Inside the Shadows

  • #4
    Jeanette Rose
    “Hades, God of HR Complaints.”
    Jeanette Rose, The Maiden & The Unseen

  • #5
    Gabrielle Zevin
    “When they had been deciding what to call their company all those years ago, Marx had argued for calling it Tomorrow Games, a name Sam and Sadie instantly rejected as "too soft." Marx explained that the name referenced his favorite speech in Shakespeare, and that it wasn't soft at all.
    "Do you have any ideas that aren't from Shakespeare?" Sadie said.
    To make his case, Marx jumped up on a kitchen chair and recited the "Tomorrow" speech for them, which he knew by heart:


    Tomorrow, and tomorrow, and tomorrow,
    Creeps in this petty pace from day to day,
    To the last syllable of recorded time;
    And all our yesterdays have lighted fools
    The way to dusty death. Out, out, brief candle!
    Life's but a walking shadow, a poor player,
    That struts and frets his hour upon the stage,
    And then is heard no more. It is a tale
    Told by an idiot, full of sound and fury,
    Signifying nothing.


    "That's bleak," Sadie said.
    "Why start a game company? Let's go kill ourselves," Sam joked.
    "Also," Sadie said, "What does any of that have to do with games?"
    "Isn't it obvious?" Marx said.
    It was not obvious to Sam or to Sadie.
    "What is a game?" Marx said. "It's tomorrow, and tomorrow, and tomorrow. It's the possibility of infinite rebirth, infinite redemption. The idea that if you keep playing, you could win. No loss is permanent, because nothing is permanent, ever."
    "Nice try, handsome," Sadie said. "Next.”
    Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

  • #6
    SenLinYu
    “When he moved, she could tell that he’d stopped breathing. His fingers spasmed as he started to reach out. He hesitated and then just barely brushed the baby's palm as though he expected his touch to poison or break her. The tiny hand reflexively closed around his finger, gripping it.


    Draco sat frozen.

    Hermione watched him and recognized the expression in his eyes as he looked down at the little person who was clinging tenaciously to him.

    Possessive and adoring.”
    SenLinYu, Manacled

  • #7
    SenLinYu
    “A wish assumes a person knows what’s best for them. Good luck and happiness leaves it to Fate to lead you to the right place.”
    SenLinYu, Manacled

  • #8
    Madeline Miller
    “When he died, all things soft and beautiful and bright would be buried with him.”
    Madeline Miller, The Song of Achilles

  • #9
    Madeline Miller
    “We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
    Madeline Miller, The Song of Achilles

  • #10
    Madeline Miller
    “I will never leave him. It will be this, always, for as long as he will let me.
    If I had had words to speak such a thing, I would have. But there were none that seemed big enough for it, to hold that swelling truth.
    As if he had heard me, he reached for my hand. I did not need to look; his fingers were etched into my memory, slender and petal-veined, strong and quick and never wrong.
    “Patroclus,” he said. He was always better with words than I.”
    Madeline Miller, The Song of Achilles

  • #11
    Madeline Miller
    “Achilles was looking at me. “Your hair never quite lies flat, here.” He touched my head, just behind my ear. “I don’t think I’ve ever told you how I like it.”

    My scalp prickled where his fingers had been. “You haven’t,” I said.

    “I should have.” His hand drifted down to the vee at the base of my throat, drew softly across the pulse. “What about this? Have I told you what I think of this, just here?”

    “No,” I said.

    “This surely then.” His hand moved across the muscles of my chest; my skin warmed beneath it. “Have I told you of this?”

    “That you have told me.” My breath caught a little as I spoke.

    “And what of this?” His hand lingered over my hips, drew down the line of my thigh. “Have I spoken of it?”

    “You have.”

    “And this? Surely I would not have forgotten this.” His cat’s smile. “Tell me I did not.”

    “You did not.”

    “There is this too.” His hand was ceaseless now. “I know I have told you of this.”

    I closed my eyes. “Tell me again,” I said.”
    Madeline Miller, The Song of Achilles

  • #12
    Madeline Miller
    “This, I say. This and this. The way his hair looked in summer sun. His face when he ran. His eyes, solemn as an owl at lessons. This and this and this. So many moments of happiness, crowding forward.”
    Madeline Miller, The Song of Achilles

  • #13
    Madeline Miller
    “There is no law that gods must be fair, Achilles,” Chiron said. “And perhaps it is the greater grief, after all, to be left on earth when another is gone. Do you think?”
    Madeline Miller, The Song of Achilles

  • #14
    Madeline Miller
    “I found myself grinning until my cheeks hurt, my scalp prickling till I thought it might lift off my head. My tongue ran away from me, giddy with freedom. This, and this, and this, I said to him. I did not have to fear that I spoke too much. I did not have to worry that I was too slender, or too slow. This and this and this! I taught him how to skip stones, and he taught me how to carve wood. I could feel every nerve in my body, every brush of air against my skin.”
    Madeline Miller, The Song of Achilles

  • #15
    Madeline Miller
    “I will go,” he said. “I will go to Troy.”
    The rosy gleam of his lip, the fevered green of his eyes. There was not a line anywhere on his face, nothing creased or graying; all crisp. He was spring, golden and bright. Envious death would drink his blood, and grow young again.
    He was watching me, his eyes as deep as earth.
    “Will you come with me?” he asked.
    The never-ending ache of love and sorrow. Perhaps in some other life I could have refused, could have torn my hair and screamed, and made him face his choice alone. But not in this one. He would sail to Troy and I would follow, even into death. “Yes,” I whispered. “Yes.”
    Relief broke in his face, and he reached for me. I let him hold me, let him press us length to length so close that nothing might fit between us.
    Tears came, and fell. Above us, the constellations spun and the moon paced her weary course. We lay stricken and sleepless as the hours passed.”
    Madeline Miller, The Song of Achilles

  • #16
    Madeline Miller
    “There was more to say, but for once we did not say it. There would be other times for speaking, tonight and tomorrow and all the days after that. He let go of my hand.”
    Madeline Miller, The Song of Achilles

  • #17
    Madeline Miller
    “When I am dead, I charge you to mingle our ashes and bury us together.”
    Madeline Miller, The Song of Achilles

  • #18
    Madeline Miller
    “Achilles weeps. He cradles me, and will not eat, nor speak a word other than my name.”
    Madeline Miller, The Song of Achilles

  • #19
    Madeline Miller
    “It was almost like fear, in the way it filled me, rising in my chest. It was almost like tears, in how swiftly it came. But it was neither of those, buoyant where they were heavy, bright were they dull.”
    Madeline Miller, The Song of Achilles

  • #20
    Madeline Miller
    “This is what Achilles will feel like when he is old. And then I remembered: he will never be old.”
    Madeline Miller, The Song of Achilles

  • #21
    Madeline Miller
    “I saw then how I had changed. I did not mind anymore that I lost when we raced and I lost when we swam out to the rocks and I lost when we tossed spears or skipped stones. For who can be ashamed to lose to such beauty? It was enough to watch him win, to see the soles of his feet flashing as they kicked up sand, or the rise and fall of his shoulders as he pulled through the salt. It was enough.”
    Madeline Miller, The Song of Achilles

  • #22
    Madeline Miller
    “The sorrow was so large it threatened to tear through my skin. When he died, all things swift and beautiful and bright would be buried with him.”
    Madeline Miller, The Song of Achilles

  • #23
    Madeline Miller
    “He looked different in sleep, beautiful but cold as moonlight. I found myself wishing he would wake so that I might watch the life return.”
    Madeline Miller, The Song of Achilles

  • #24
    Madeline Miller
    “Those seconds, half seconds, that the line of our gaze connected, were the only moment in my day that I felt anything at all.”
    Madeline Miller, The Song of Achilles

  • #25
    Emily Habeck
    “All the hours he spent theorizing about magic seemed so naive now. The main ingredient in transformation was not magic, it was pain.”
    Emily Habeck, Shark Heart

  • #26
    Emily Habeck
    “...he did not fear death but grief, the ache of being alone and mangled by change. Yet he was not ready to make peace with the end.”
    Emily Habeck, Shark Heart

  • #27
    Emily Habeck
    “Will you let me stand beside you on your plot of earth? We'll tell the weeds to grow tall around our ankles, and when the wind gives us sycamore seeds, we'll raise them as sprouts, seedlings, saplings until they overpower, shade, and nurture us. Our trees will grow for two hand years or more as our union becomes even more unquestionable and strong.”
    Emily Habeck, Shark Heart

  • #28
    Emily Habeck
    “As Lewis held Wren's hands, he thought of her kindness, her intelligence, her inner beauty. Yet, just as he married these known qualities, he also married her vast unknowns. And she, his.”
    Emily Habeck, Shark Heart

  • #29
    Emily Habeck
    “Plants were probably the most sentient of all living things: rational, bloodless bystanders, witnessing the great horror of it all.”
    Emily Habeck, Shark Heart: A Love Story

  • #30
    Emily Habeck
    “What a privilege it was to mark time with the sun.”
    Emily Habeck, Shark Heart



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