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  • #1
    Richard Siken
    “We pull our boots on with both hands
    but we can't punch ourselves awake and all I can do
    is stand on the curb and say Sorry
    about the blood in your mouth. I wish it was mine.

    I couldn't get the boy to kill me, but I wore his jacket for the longest time.”
    Richard Siken, Crush

  • #2
    Richard Siken
    “You’re in a car with a beautiful boy, and he won’t tell you that he loves you, but he loves you. And you feel like you’ve done something terrible, like robbed a liquor store, or swallowed pills, or shoveled yourself a grave in the dirt, and you’re tired. You’re in a car with a beautiful boy, and you’re trying not to tell him that you love him, and you’re trying to choke down the feeling, and you’re trembling, but he reaches over and he touches you, like a prayer for which no words exist, and you feel your heart taking root in your body, like you’ve discovered something you didn’t even have a name for.”
    richard siken

  • #3
    Richard Siken
    “Eventually something you love is going to be taken away. And then you will fall to the floor crying. And then, however much later, it is finally happening to you: you’re falling to the floor crying thinking, “I am falling to the floor crying,” but there’s an element of the ridiculous to it — you knew it would happen and, even worse, while you’re on the floor crying you look at the place where the wall meets the floor and you realize you didn’t paint it very well.”
    Richard Siken

  • #4
    Richard Siken
    “Tell me how all this, and love too, will ruin us.
    These, our bodies, possessed by light.
    Tell me we'll never get used to it.”
    Richard Siken, Crush

  • #5
    Richard Siken
    “I'm battling monsters, I'm pulling you out of the burning buildings/ and you say I'll give you anything but you never come through.”
    Richard Siken, Crush

  • #6
    Richard Siken
    “Tell me about the dream where we pull the bodies out of the lake
                                                                                    and dress them in warm clothes again.
              How it was late, and no one could sleep, the horses running
    until they forget that they are horses.
                        It’s not like a tree where the roots have to end somewhere,
              it’s more like a song on a policeman’s radio,
                                  how we rolled up the carpet so we could dance, and the days
    were bright red, and every time we kissed there was another apple
                                                                                                                            to slice into pieces.
    Look at the light through the windowpane. That means it’s noon, that means
              we're inconsolable.
                                                                Tell me how all this, and love too, will ruin us.
    These, our bodies, possessed by light.
                                                                                              Tell me we’ll never get used to it.”
    Richard Siken, Crush

  • #7
    Richard Siken
    “I’ve been rereading your story. I think it’s about me in a way that might not be flattering, but that’s okay. We dream and dream of being seen as we really are and then finally someone looks at us and sees us truly and we fail to measure up. Anyway: story received, story included. You looked at me long enough to see something mysterioso under all the gruff and bluster. Thanks. Sometimes you get so close to someone you end up on the other side of them.”
    Richard Siken

  • #8
    Richard Siken
    “We have not touched the stars,
    nor are we forgiven, which brings us back
    to the hero’s shoulders and the gentleness that comes,
    not from the absence of violence, but despite
    the abundance of it.”
    Richard Siken, Crush

  • #9
    Richard Siken
    “The blond boy in the red trunks is holding your head underwater because he is trying to kill you, and you deserve it, you do, and you know this, and you are ready to die in this swimming pool because you wanted to touch his hands and lips and this means your life is over anyway. You’re in eighth grade. You know these things. You know how to ride a dirt bike, and you know how to do long division, and you know that a boy who likes boys is a dead boy, unless he keeps his mouth shut, which is what you didn't do, because you are weak and hollow and it doesn't matter anymore.”
    Richard Siken, Crush

  • #10
    Richard Siken
    “I sleep. I dream. I make up things that I would never say. I say them very quietly.”
    Richard Siken

  • #11
    Richard Siken
    “I woke up in the morning and I didn’t want anything, didn’t do anything, couldn’t do it anyway, just lay there listening to the blood rush
    through me and it never made any sense, anything.”
    Richard Siken

  • #12
    Richard Siken
    “You’re falling now. You’re swimming. This is not
              harmless. You are not
                        breathing.”
    Richard Siken, Crush

  • #13
    Richard Siken
    “All night I streched my arms across
    him, rivers of blood, the dark woods, singing
    with all my skin and bone ''Please keep him safe.
    Let him lay his head on my chest and we will be
    like sailors, swimming in the sound of it, dashed
    to pieces.'' Makes a cathedral, him pressing against
    me, his lips at my neck, and yes, I do believe
    his mouth is heaven, his kisses falling over me like stars.”
    Richard Siken, Crush

  • #14
    Richard Siken
    “Imagine that the world is made out of love. Now imagine that it isn’t. Imagine a story where everything goes wrong, where everyone has their back against the wall, where everyone is in pain and acting selfishly because if they don’t, they’ll die. Imagine a story, not of good against evil, but of need against need against need, where everyone is at cross-purposes and everyone is to blame.”
    Richard Siken

  • #15
    Richard Siken
    “We laugh & it pits the world against us.”
    Richard Siken

  • #16
    Richard Siken
    “Let me tell you what I do know: I am more than one thing, and not all of those things are good. The truth is complicated. It’s two-toned, multi-vocal, bittersweet. I used to think that if I dug deep enough to discover something sad and ugly, I’d know it was something true. Now I’m trying to dig deeper. I didn’t want to write these pages until there were no hard feelings, no sharp ones. I do not have that luxury. I am sad and angry and I want everyone to be alive again. I want more landmarks, less landmines. I want to be grateful but I’m having a hard time with it.”
    Richard Siken

  • #17
    Richard Siken
    “There’s smashed glass glittering everywhere like stars. It’s a Western,
    Henry. It’s a downright shoot-em-up. We’ve made a graveyard
    out of the bone white afternoon.
    It’s another wrong-man-dies scenario, and we keep doing it Henry,
    keep saying until we get it right … but we always win and we never quit.
    See, we’ve won again,
    here we are at the place where I get to beg for it, where I get to say Please,
    for just one night, will you lie down next to me, we can leave our clothes on,
    we can stay all buttoned up …
    But we both know how it goes—I say I want you inside me and you hold
    my head underwater. I say I want you inside me and you split me open
    with a knife.”
    Richard Siken, Crush

  • #18
    Richard Siken
    “I’m saying your name in the grocery store, I’m saying your name on the bridge at dawn. Your name like an animal covered with frost, your name like a music that’s been transposed, a suit of fur, a coat of mud, a kick in the pants, a lungful of glass, the sails in wind and the slap of waves on the hull...”
    Richard Siken

  • #19
    Richard Siken
    “For a while I thought I was the dragon.
    I guess I can tell you that now. And, for a while, I thought I was
    the princess,
    cotton candy pink, sitting there in my room, in the tower of the castle,
    young and beautiful and in love and waiting for you with
    confidence
    but the princess looks into her mirror and only sees the princess,
    while I’m out here, slogging through the mud, breathing fire,
    and getting stabbed to death.
    Okay, so I’m the dragon. Big deal.
    You still get to be the hero.
    You get magic gloves! A fish that talks! You get eyes like flashlights!”
    Richard Siken, Crush

  • #20
    Richard Siken
    “we are at the crossroads, my little outlaw,
    and this is the map of my heart, the landscape
    after cruelty”
    Richard Siken, Crush

  • #21
    Richard Siken
    “The way you slam your body into mine reminds me I’m alive, but monsters are always hungry, darling, and they’re only a few steps behind you, finding the flaw, the poor weld, the place where we weren’t stitched up quite right, the place they could almost slip right into through if the skin wasn’t trying to keep them out, to keep them here, on the other side of the theater where the curtain keeps rising. I crawled out the window and ran into the woods. I had to make up all the words myself. The way they taste, the way they sound in the air. I passed through the narrow gate, stumbled in, stumbled around for a while, and stumbled back out. I made this place for you. A place for to love me. If this isn’t a kingdom then I don’t know what is.”
    Richard Siken, Crush

  • #22
    Richard Siken
    “Actually, you said Love, for you,
    is larger than the usual romantic love. It’s like a religion. It’s
    terrifying. No one
    will ever want to sleep with you.”
    Richard Siken, Crush
    tags: love

  • #23
    Mutsuo Takahashi
    “To a Boy

    Boy,
    you are a hidden watering place under the trees
    where, as the day darkens, gentle beasts with calm eyes
    appear one after another.

    Even if the sun drops flaming at the end of the fields where grass stirs greenly
    and a wind pregnant with coolness and night-dew agitates your leafy bush,
    it is only a premonition.

    The tree of solitude that soars with ferocity,
    crowned with a swirling night,
    still continues in your dark place.

    ─Translated from the Japanese by Hiroaki Sato”
    Mutsuo Takahashi

  • #24
    Pablo Neruda
    “I love you without knowing how, or when, or from where. I love you simply, without problems or pride: I love you in this way because I do not know any other way of loving but this, in which there is no I or you, so intimate that your hand upon my chest is my hand, so intimate that when I fall asleep your eyes close.”
    Pablo Neruda, 100 Love Sonnets

  • #25
    Pablo Neruda
    “I love you as certain dark things are to be loved,
    in secret, between the shadow and the soul.”
    Pablo Neruda, 100 Love Sonnets

  • #26
    Pablo Neruda
    “Someday, somewhere - anywhere, unfailingly, you'll find yourself, and that, and only that, can be the happiest or bitterest hour of your life.”
    Pablo Neruda

  • #27
    Pablo Neruda
    “I crave your mouth, your voice, your hair.
    Silent and starving, I prowl through the streets.
    Bread does not nourish me, dawn disrupts me, all day
    I hunt for the liquid measure of your steps.

    I hunger for your sleek laugh,
    your hands the color of a savage harvest,
    hunger for the pale stones of your fingernails,
    I want to eat your skin like a whole almond.

    I want to eat the sunbeam flaring in your lovely body,
    the sovereign nose of your arrogant face,
    I want to eat the fleeting shade of your lashes,

    and I pace around hungry, sniffing the twilight,
    hunting for you, for your hot heart,
    Like a puma in the barrens of Quitratue.”
    Pablo Neruda

  • #28
    Pablo Neruda
    “Tonight I can write the saddest lines
    I loved her, and sometimes she loved me too.”
    Pablo Neruda, Twenty Love Poems and a Song of Despair

  • #29
    Pablo Neruda
    “Let us forget with generosity those who cannot love us”
    Pablo Neruda

  • #30
    Sun Tzu
    “Move swift as the Wind and closely-formed as the Wood. Attack like the Fire and be still as the Mountain.”
    Sun Tzu, The Art of War



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