Orhan > Orhan's Quotes

“Yes, it would be worthwhile to study clinically, in detail, the steps taken by Hitler and Hitlerism and to reveal to the very distinguished, very humanistic, very Christian bourgeois of the twentieth century that without his being aware of it, he has a Hitler inside him, that Hitler inhabits him, that Hitler is his demon, that if he rails against him, he is being inconsistent and that, at bottom, what he cannot forgive Hitler for is not crime in itself, the crime against man, it is not the humiliation of man as such, it is the crime against the white man, the humiliation of the white man, and the fact that he applied to Europe colonialist procedures which until then had been reserved exclusively for the Arabs of Algeria, the coolies of India, and the blacks of Africa.”
― Aimé Césaire, Discourse on Colonialism

“As before, he did not know whether there really was anything special about existence in general; no one could recite to him from memory a codex of universal laws, and events on the earth's surface were not charming him.”
― Andrei Platonov, The Foundation Pit

“İçimizde şeytan yok... İçimizde aciz var... Tembellik var... İradesizlik, bilgisizlik ve bunların hepsinden daha korkunç bir şey: hakikatleri görmekten kaçmak itiyadı var...”
― Sabahattin Ali, İçimizdeki Şeytan

“The Formalist school represents an abortive idealism applied to the question of art. The Formalists show a fast ripening religiousness. They are followers of Saint John. They believe that "In the beginning was the Word." But we believe that in the beginning was the deed. The word followed, as its phonetic shadow.”
― Leon Trotsky, Literature and Revolution

“Jungle’s soundworld constitutes a sort of abstract social realism; when I listen to techstep, the beats sound like collapsing (new) buildings and the bass feels like the social fabric shredding. Jungle’s treacherous rhythms offer its audience an education in anxiety (and anxiety, according to Freud, is an essential defence mechanism, without which you’d be vulnerable to trauma). ‘It is defeat that you must learn to prepare for,’ runs the martial-arts-movie sample in Source Direct’s ‘The Cult’, a track that pioneered the post-techstep style I call ‘neurofunk’ (clinical and obsessively nuanced production, foreboding ambient drones, blips ’n’ blurts of electronic noise, and chugging, curiously inhibited two-step beats that don’t even sound like breakbeats any more). Neurofunk is the fun-free culmination of jungle’s strategy of ‘cultural resistance’: the eroticization of anxiety. Immerse yourself in the phobic, and you make dread your element.”
― Simon Reynolds, Energy Flash