D.L > D.L's Quotes

Showing 1-12 of 12
sort by

  • #1
    Maureen Johnson
    “Writing is one of the few careers for which you essentially train yourself, the other two major ones being juggling and pickpocketing.”
    Maureen Johnson

  • #2
    Maureen Johnson
    “The funny thing about stop signs is that they're also start signs.”
    Maureen Johnson, The Key to the Golden Firebird

  • #3
    Maureen Johnson
    “WORTH IT and perfect are different things. No one’s perfect, yet in romance, everyone becomes WORTH IT. And that’s the trick.”
    Maureen Johnson

  • #4
    Langston Hughes
    “I loved my friend
    He went away from me
    There's nothing more to say
    The poem ends,
    Soft as it began-
    I loved my friend.”
    Langston Hughes

  • #5
    Mackenzi Lee
    “Just thinking about all that blood." I nearly shudder. "Doesn't it make you a bit squeamish?"
    "Ladies haven't the luxury of being squeamish about blood," she replies, and Percy and I go fantastically red in unison.”
    Mackenzi Lee, The Gentleman's Guide to Vice and Virtue

  • #6
    Maggie Stiefvater
    “A floorboard cracked; knuckles tapped once on the open door. Adam looked up to see Niall Lynch standing in the doorway. No, it was Ronan, face lit bright on one side, in stark shadow on the other, looking powerful and at ease with his thumbs tucked in the pockets of his jeans, leather bracelets looped over his wrist, feet bare.
    He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it.
    “This old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam.
    Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him.
    That was this kiss.
    They kissed again. Adam felt it in more than his lips.
    Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window.
    He did not understand anything.
    It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible.
    He was pretty sure he had just been Ronan’s first kiss.
    “I’m gonna go downstairs,” Ronan said.”
    Maggie Stiefvater, The Raven King

  • #7
    Maggie Stiefvater
    “From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn’t swear.
    Ronan finished with, “For the love of … Parrish, take some care, this is not your mother’s 1971 Honda Civic.”
    Adam lifted his head and said, “They didn’t start making the Civic until ’73.”
    Maggie Stiefvater, The Raven Boys

  • #8
    John Irving
    “We don't enjoy giving directions in New Hampshire-we tend to think if you don't know where you're going, you don't belong where you are.”
    John Irving, A Prayer for Owen Meany

  • #9
    John Irving
    “...I suddenly realized what small towns are. They are places where you grow up with the peculiar-you live next to the strange and the unlikely for so long that everything and everyone become commonplace.”
    John Irving, A Prayer for Owen Meany

  • #10
    Adam Silvera
    “No matter how we choose to live, we both die at the end.”
    Adam Silvera, They Both Die at the End

  • #11
    Adam Silvera
    “Life isn't meant to be lived alone. Neither are End Days.”
    Adam Silvera, They Both Die at the End

  • #12
    Adam Silvera
    “I wasted all those yesterdays and am completely out of tomorrows.”
    Adam Silvera, They Both Die at the End



Rss