Sarah Harian > Sarah's Quotes

“It slowly began to dawn on me that I had been staring at her for an impossible amount of time. Lost in my thoughts, lost in the sight of her. But her face didn't look offended or amused. It almost looked as if she were studying the lines of my face, almost as if she were waiting.
I wanted to take her hand. I wanted to brush her cheek with my fingertips. I wanted to tell her that she was the first beautiful thing that I had seen in three years. The sight of her yawning to the back of her hand was enough to drive the breath from me. How I sometimes lost the sense of her words in the sweet fluting of her voice. I wanted to say that if she were with me then somehow nothing could ever be wrong for me again.
In that breathless second I almost asked her. I felt the question boiling up from my chest. I remember drawing a breath then hesitating--what could I say? Come away with me? Stay with me? Come to the University? No. Sudden certainty tightened in my chest like a cold fist. What could I ask her? What could I offer? Nothing. Anything I said would sound foolish, a child's fantasy.
I closed my mouth and looked across the water. Inches away, Denna did the same. I could feel the heat of her. She smelled like road dust, and honey, and the smell the air holds seconds before a heavy summer rain.
Neither of us spoke. I closed my eyes. The closeness of her was the sweetest, sharpest thing I had ever known.”
― Patrick Rothfuss, The Name of the Wind

“Everybody wanted to be the hero of their own story. Nobody wanted to be comic relief.”
― Lev Grossman, The Magician King

“It was strange to be naked in front of anybody. It was like that cold water out there in the bay: scary, you didn’t think you could stand it, but then you plunged in and pretty soon you got used to it. There was enough hiding in life. Sometimes you just wanted to show somebody your tits.”
― Lev Grossman, The Magician King

“If you want to write a fantasy story with Norse gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you're at it? Go ahead. Nothing's off limits. But the endless possibility of the genre is a trap. It's easy to get distracted by the glittering props available to you and forget what you're supposed to be doing: telling a good story. Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be.”
― Patrick Rothfuss

“She reached up and lay her hand on my cheek. "You have the sweetest face," she said, looking at me dreamily. "It's like the perfect kitchen."
I fought not to smile. This was the delirium. She'd fade in and out of it before the profound exhaustion dragged her down into unconsciousness. If you see someone spouting nonsense to themselves in an alleyway in Tarbean, odds are they're not actually crazy, just a sweet-eater deranged by too much denner. "A kitchen?"
"Yes," she said. "Everything matches and the sugar bowl is right where it should be.”
― Patrick Rothfuss, The Name of the Wind

“Directly overhead the Milky Way was as distinct as a highway across the sky. The constellations shown brilliantly, except the north, where they were blurred by the white sheets of the Aurora. Now shimmering like translucent curtains drawn over the windows of heaven, the northern lights suddenly streaked across a million miles of space to burst in silent explosions. Fountains of light, pale greens, reds, and yellows, showered the stars and geysered up to the center of the sky, where they pooled to form a multicolored sphere, a kind of mock sun that gave light but no heat, pulsing, flaring, and casting beams in all directions, horizon to horizon. Below, the wolves howled with midnight madness and the two young men stood in speechless awe. Even after the spectacle ended, the Aurora fading again to faint shimmer, they stood as silent and transfixed as the first human beings ever to behold the wonder of creation. Starkmann felt the diminishment that is not self-depreciation but humility; for what was he and what was Bonnie George? Flickers of consciousness imprisoned in lumps of dust; above them a sky ablaze with the Aurora, around them a wilderness where wolves sang savage arias to a frozen moon.”
― Philip Caputo, Indian Country

“She must have heard the door opening and closing in the middle of the night; she produces a smile, warm, conspiratorial, and I know what circuits are closing in her head: by screwing Joe she's brought us back together. Saving the world, everyone wants to; men think they can do it with guns, women with their bodies, love conquers all, conquerors love all, mirages raised by words.”
― Margaret Atwood, Surfacing

“I woke thinking: Is it possible that, after all, I am to go on living with the wild beasts while in the greater world others are out the peaks of the Himalayas, the dark heart of Arabia, and the secrets of the Poles--while in the civilized world electricity is spread to every corner, and the flying machine is invented--while in the laboratories and academies and astronomical observatories, by telescope and spectroscope and microscope, others are to discover the minute secrets of Life and the Universe--all this while I am living ignorant as a savage in the wilderness?”
― Molly Gloss, Wild Life

“You lack the requisite spine and testicular fortitude to study under me.”
― Patrick Rothfuss, The Name of the Wind

“It was only then I realized I didn't know the name of Elodin's class. I leafed through the ledger until I spotted Elodin's name, then ran my finger back to where the title of the class was listed in fresh dark ink: "Introduction to Not Being a Stupid Jackass."
I sighed and penned my name in the single blank space beneath.”
― Patrick Rothfuss, The Wise Man's Fear

“You can divide infinity an infinite number of times, and the resulting pieces will still be infinitely large,” Uresh said in his odd Lenatti accent. “But if you divide a non-infinite number an infinite number of times the resulting pieces are non-infinitely small. Since they are non-infinitely small, but there are an infinite number of them, if you add them back together, their sum is infinite. This implies any number is, in fact, infinite.”
“Wow,” Elodin said after a long pause. He leveled a serious finger at the Lenatti man. “Uresh. Your next assignment is to have sex. If you do not know how to do this, see me after class.”
― Patrick Rothfuss, The Wise Man's Fear

“It sometimes strikes me that there is only one taboo left in young adult literature. By and large, no one complains any more when we write about drugs or sex. We can write about masturbation; terminal illness; the horrors of war; illegal organ transplants; matricide; the chilly delights of necrophilia; scenes of locker-room bukkake – none of this raises an eyebrow. No, the one thing which still causes people pause – the final hurdle – the last frontier – the one element which still gets a few adult readers up in arms about whether a book is appropriate for kids – is intelligence. Some adults still balk at the assumption that our readers, the teenagers of this country, are smart, and curious, and get a kick out of knowing things.

One of the great things about writing YA today is that this is changing.”
― M.T. Anderson

“She's made herself so artificial; it's okay to wear next to nothing because we aren't real people any longer.”
― Bethany Griffin, Masque of the Red Death

“The room was a small square of hopelessness.
A flash of red. And then:
Dimensions: 10 ft. by 9 ft.
I swallowed a horrific giggle. Perfect. And now I knew the exact measurements of hopelessness.”
― Debra Driza, MILA 2.0

“I suppose if you're scared enough, you're capable of doing anything.”
― Tomas Rivera, ... y no se lo tragó la tierra ... and the Earth Did Not Devour Him