Miza > Miza's Quotes

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  • #1
    Coleen Murtagh Paratore
    “If you don't like a book, you can close it. But you have no right to say I can't open it.”
    Coleen Murtagh Paratore, The Cupid Chronicles

  • #2
    Coleen Murtagh Paratore
    “Until then, have great expectations. Keep believing you dreams will come true. And remember, when life throws you a pit... plant a cherry tree.”
    Coleen Murtagh Paratore, The Wedding Planner's Daughter

  • #3
    Coleen Murtagh Paratore
    “Sometimes your best company is you”
    Coleen Murtagh Paratore, A Pearl Among Princes

  • #4
    Elena  Armas
    “If you get any more perfect, I’m going to believe you were made just for me.”
    Elena Armas, The Spanish Love Deception

  • #5
    Elena  Armas
    “Because when I finally take those lips in mine, it will be the furthest thing from pretending. I will not be showing you what it would be like if you were mine. I’ll show you what it is. And I sure as hell won’t be showing how good I could make you feel if you called me yours. You’ll already know that I am.”
    Elena Armas, The Spanish Love Deception

  • #6
    Elena  Armas
    “How is it possible that it feels like you are breaking my heart, and I haven’t even had you yet?”
    Elena Armas, The Spanish Love Deception

  • #7
    Elena  Armas
    “Neither of you is at fault, Aaron. We are not programmed to lose those we love; there’s no right or wrong way to grieve.”
    Elena Armas, The Spanish Love Deception

  • #8
    Elena  Armas
    “It was a mug. And it had a joke printed on it. It said, Engineers don’t cry. They build bridges and get over it.” Someone laughed then. Isabel or perhaps Gonzalo—I wasn’t sure. With all that crazy banging, my heart had somehow moved up my throat and to my temples, so it was hard to focus on anything besides its beating and Aaron’s voice. “And you know what I did?” he continued, bitterness filling his tone. “Instead of laughing like I wanted to, instead of looking up at her and saying something funny that would hopefully make her give me one of those bright smiles I had somehow already seen her give so freely in the short day I had been around her, I pushed it all down and set the mug on my desk. Then, I thanked her and asked her if there was anything else she needed.” I knew I shouldn’t feel embarrassed, but I was. Just as much as I had been back then, if not more. It had been such a silly thing to do, and I had felt so tiny and dumb after he brushed it away so easily. Closing my eyes, I heard him continue, “I pretty much kicked her out of my office after she went out of her way and got me a gift.” Aaron’s voice got low and harsh. “A fucking welcome gift.” I opened my eyes just in time to watch him turn his head in my direction. Our gazes met. “Just like the big jerk I had advertised myself to be, I ran her out. And to this day, I regret it every time it crosses my mind. Every time I look at her.”
    Elena Armas, The Spanish Love Deception

  • #9
    Elena  Armas
    “Do I have your attention?” “You don’t need to do any of that.” He lowered the large black-and-white-colored pages with a brisk motion. “You always have my undivided attention, Catalina.”
    Elena Armas, The Spanish Love Deception

  • #10
    Elena  Armas
    “What pet name would you like me to call you?” “Whatever makes you the happiest. Just pick one.” In that moment, the effect of the baby came back with a vengeance. “I don’t know,” I said, kicking that one out of my head. “I guess one in Spanish makes sense. Bollito? Cuchi cuchi? Pocholito?” “Bollito?” “It’s little bun.” I smiled. “Like those bread buns that are spongey and shiny and so cute that—" “Okay, no.” He frowned. “I think it’s better if we stick to our names,” he said, taking both drinks from the attendant who had just reappeared and placing mine in front of me. “I don’t think I can trust you to pick one in Spanish without knowing what it means.” “I’m very trustworthy—you should know that by now.” I brought a finger to my chin, tapping it a few times. “How about conejito? That’s little bunny.” With a long sigh, Aaron let his massive body fall deeper into the seat. “You are right; you are not a bunny.” I paused. “Osito?” I made a show of looking him up and down, as if I were testing the name on him. “Yeah, that one is way more fitting. You are more of a bear.”
    Elena Armas, The Spanish Love Deception

  • #11
    Harper Lee
    “You never really understand a person until you consider things from his point of view... Until you climb inside of his skin and walk around in it.”
    Harper Lee, To Kill a Mockingbird

  • #12
    Harper Lee
    “Until I feared I would lose it, I never loved to read. One does not love breathing.”
    Harper Lee, To Kill a Mockingbird

  • #13
    Harper Lee
    “I wanted you to see what real courage is, instead of getting the idea that courage is a man with a gun in his hand. It's when you know you're licked before you begin, but you begin anyway and see it through no matter what.”
    Harper Lee, To Kill a Mockingbird

  • #14
    Harper Lee
    “I think there's just one kind of folks. Folks.”
    Harper Lee, To Kill a Mockingbird

  • #15
    Harper Lee
    “Atticus, he was real nice."

    "Most people are, Scout, when you finally see them.”
    Harper Lee, To Kill a Mockingbird

  • #16
    Harper Lee
    “They're certainly entitled to think that, and they're entitled to full respect for their opinions... but before I can live with other folks I've got to live with myself. The one thing that doesn't abide by majority rule is a person's conscience.”
    Harper Lee, To Kill a Mockingbird

  • #17
    Harper Lee
    “As you grow older, you’ll see white men cheat black men every day of your life, but let me tell you something and don’t you forget it—whenever a white man does that to a black man, no matter who he is, how rich he is, or how fine a family he comes from, that white man is trash”
    Harper Lee, To Kill a Mockingbird

  • #18
    Harper Lee
    “People in their right minds never take pride in their talents.”
    Harper Lee, To Kill a Mockingbird

  • #19
    Harper Lee
    “It was times like these when I thought my father, who hated guns and had never been to any wars, was the bravest man who ever lived.”
    Harper Lee, To Kill a Mockingbird

  • #20
    Harper Lee
    “Mockingbirds don’t do one thing but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.”
    Harper Lee, To Kill a Mockingbird

  • #21
    Harper Lee
    “When a child asks you something, answer him, for goodness sake. But don't make a production of it. Children are children, but they can spot an evasion faster than adults, and evasion simply muddles 'em.”
    Harper Lee, To Kill a Mockingbird

  • #22
    Harper Lee
    “Simply because we were licked a hundred years before we started is no reason for us not to try to win.”
    Harper Lee, To Kill a Mockingbird

  • #23
    Carson McCullers
    “First of all, love is a joint experience between two persons — but the fact that it is a joint experience does not mean that it is a similar experience to the two people involved. There are the lover and the beloved, but these two come from different countries. Often the beloved is only a stimulus for all the stored-up love which had lain quiet within the lover for a long time hitherto. And somehow every lover knows this. He feels in his soul that his love is a solitary thing. He comes to know a new, strange loneliness and it is this knowledge which makes him suffer. So there is only one thing for the lover to do. He must house his love within himself as best he can; he must create for himself a whole new inward world — a world intense and strange, complete in himself. Let it be added here that this lover about whom we speak need not necessarily be a young man saving for a wedding ring — this lover can be man, woman, child, or indeed any human creature on this earth.

    Now, the beloved can also be of any description. The most outlandish people can be the stimulus for love. A man may be a doddering great-grandfather and still love only a strange girl he saw in the streets of Cheehaw one afternoon two decades past. The preacher may love a fallen woman. The beloved may be treacherous, greasy-headed, and given to evil habits. Yes, and the lover may see this as clearly as anyone else — but that does not affect the evolution of his love one whit. A most mediocre person can be the object of a love which is wild, extravagant, and beautiful as the poison lilies of the swamp. A good man may be the stimulus for a love both violent and debased, or a jabbering madman may bring about in the soul of someone a tender and simple idyll. Therefore, the value and quality of any love is determined solely by the lover himself.

    It is for this reason that most of us would rather love than be loved. Almost everyone wants to be the lover. And the curt truth is that, in a deep secret way, the state of being beloved is intolerable to many. The beloved fears and hates the lover, and with the best of reasons. For the lover is forever trying to strip bare his beloved. The lover craves any possible relation with the beloved, even if this experience can cause him only pain.”
    carson mccullers, The Ballad of the Sad Café and Other Stories

  • #24
    James  Patterson
    “Because what’s worse than knowing you want something, besides knowing you can never have it?”
    James Patterson, The Angel Experiment

  • #25
    “Because, if you could love someone, and keep loving them, without being loved back . . . then that love had to be real. It hurt too much to be anything else.”
    Sarah Cross, Kill Me Softly

  • #26
    Carol Rifka Brunt
    “Maybe I was destined to forever fall in love with people I couldn’t have. Maybe there’s a whole assortment of impossible people waiting for me to find them. Waiting to make me feel the same impossibility over and over again.”
    Carol Rifka Brunt, Tell the Wolves I'm Home

  • #27
    Elle Newmark
    “...unrequited love does not die; it's only beaten down to a secret place where it hides, curled and wounded. For some unfortunates, it turns bitter and mean, and those who come after pay the price for the hurt done by the one who came before.”
    Elle Newmark, The Book of Unholy Mischief



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